Why Is Art So Expensive?What makes art valuable

Why Is Art So Expensive?What makes art valuable

 

Art and Artists Documentary : What makes art valuable
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What makes a piece of art worth tens of millions dollars at auction? A number of things, but not always the things you'd think. BBC's The World's Most Expensive Paintings chronicles the world's ten most valuable paintings, by way of journalist Alastair Sooke's guided tour of the collectors, locales, and Christie's and Sotheby's auction houses that link these great pieces of art together.

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One of the more intriguing phenomena touched on in the film is the concept of provenance, which is the added value a piece of art has above and beyond what it otherwise would be worth due to the prestige and/or wealth of its previous owners. A painting previously owned by David Rockefeller, an example covered in the lower half of the top ten list, can and does fetch considerably more than a comparable piece without the same ownership track record. Arne Glimcher, a renowned art dealer, states: " The whole thing of art and money is ridiculous. The value of a painting at auction is not necessarily the value of a painting. It is the value of two people bidding against each other, because they really want the painting. "

The value of the works covered range from a "lowly" Rothko piece that sold for $72M, to a Picasso that had been whereabouts unknown for fifty years for $106.4M in 2010. Sooke strays from the focal point of the film - art and money - to shed some light on the world where these two things change hands in such mythical fashion. He takes us inside auction rooms at Sotheby's and similar houses and shows us the process that buyers, and more often their well-compensated art buying representatives, go through in acquiring this caliber of artwork.

Christopher Burge, an auctioneer with one of the more impressive resumes in the business, tells many a story and takes us through the auctions from his perspective. Sooke even haphazardly conducts a "small" auction himself, flanked by Burge overseeing it. One of many insider stories from Burge tells of a Picasso that sold in 1990, amidst global financial duress, that somehow defied the fiscal apprehensions that otherwise dried up so many other markets.

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What would you do with $500 million? (We’re talking record-setting-Powerball money here.) Perhaps, pay off your student loans, buy a home, and take a really fabulous vacation—but that’s peanuts to $500 million. For that kind of money, you could buy this 28-bedroom medieval castle outside of Paris—10 times over. You could buy a hundred Koenigsegg CCXR Trevitas—the most expensive car in the world. You could buy half a dozen Boeing 757s for your personal use.

Ken Griffin has that (and then some) to spend. Last fall, he actually shelled out $500 million. For a mansion? A mega-yacht? A small country? No— for 2 paintings, one by Jackson Pollack (entitled, Number 17A, artwork image above) and one by Willem de Kooning (entitled, Interchanged, artwork image below). It set records± the previous most expensive deal was the Qatar Museum’s purchase of a Gauguin piece for $300 million. This isn’t Griffin’s only wildly expensive art purchase, either. He purchased a Gerhard Richter piece for $46 million a year ago.

At the end of the day, those are pieces of canvas with paint on them. But to him, they’re worth $500 million. And it’s not unusual for collectors and museums to pay millions of dollars for a single piece. So why is art so expensive?

Michael Yano

Independent Arts and Crafts Professional https://yano-artistry.com

7 年

The value of arts is the interactive experience of personal thoughts and feelings. It is the prerogative of any one to appreciate enough to want to take it home; to "own" it. If their wealthy, they'll be able to easily purchase at higher prices than less rich viewers. I will continue to attempt to receive as much financial support as possible. The works usually have to be exemplary levels of skill and expressions. Such is my option. Prints are always available, framed, for the enjoyment of those who choose copies, not original oil on canvas paintings; which takes a considerable time to create.

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Reneta E. Nunn

independent Arts Professional

7 年

I always thought that the value of art was conceived by the viewing and selective public, either as profound statements or as master technic & subject, in other words rare, but then I may be naive.

Susanne Vendsalu

MFA - crossborderart.com

7 年

...and nice to see you both - Ian and Sam, long time no speak - have been very abscent. Hope you are well both of you . / XX Sussie

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Susanne Vendsalu

MFA - crossborderart.com

7 年

Maybe the world of today is moving by other rules Sam...but want to believe in the power of visual impact.

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SamuelL Brantley

CD10 commissioner Art, music, culture

7 年

Picture ideals never grow old as what can be perceive as a face on the moon worth millions to check it out (investment tax shelter). It helps to have art work with a story. Collectors of time used art to influence change. Art History shows the AAaaa factor is both refreshing and intimidating with out words. Alexander the Great turn around his Army going in to China after seeing brick roads and really big sculptors interning china.

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