When Africa's Music Industry Fails Its Own: The Untold Story of 'Mu Africa'

In July 2015, a collaboration between Future 101 and I, produced by the talented Zambian producer Shom C, gave birth to "Mu Africa"—a song that would later become an uncredited inspiration for a continental football tournament. This story isn't just about a copied song; it's about the systematic challenges facing African artists and the urgent need for better creative protection across the continent.

The Original Creation

"Mu Africa" emerged from a creative session with Shom C, one of Zambia's most gifted producers. The song captured the essence of pan-African unity and celebration—themes that would later prove ironically prophetic. What started as a genuine artistic expression would become a cautionary tale about intellectual property rights in Africa's music industry.

The Appropriation

In 2017, "Rockonolo" by Lumino was selected as the official song for the Africa Cup of Nations (AFCON). The similarities to "Mu Africa" were striking, yet when confronted online, Lumino dismissed the concerns. The song went on to receive significant exposure through Universal Music Group and LA CLIQUE MUSIC INTERNATIONAL LIMITED , while the original creators—Future 101, Shom C, and myself, Jerome Arab—watched from the sidelines, uncredited and uncompensated.

The Broader Impact

This incident highlights several critical issues in Africa's creative industry:

1. Lack of robust copyright protection
2. Limited resources for artists to fight intellectual property battles
3. The normalisation of creative theft
4. The struggle of talented producers like Shom C to receive recognition

The Human Cost

Perhaps the most tragic aspect of this story is its impact on artists like Shom C, and Future 101. Africa's music industry continues to lose exceptional talent because creators feel powerless against plagiarism and unauthorised appropriation of their work. The lack of infrastructure to protect creative rights doesn't just affect individual artists—it stunts the growth of Africa's entire creative ecosystem.

Looking Forward

Rather than dwelling on past injustices, this story should catalyse change. The suggestion of the Underrated Individuals Group directing the next African Cup of Nations opening show represents more than personal vindication—it's an opportunity to showcase Africa's underrated talents and establish better practices for creative recognition.

A Call for Change

The African creative industry needs:

• Stronger copyright protection mechanisms
• Better education about intellectual property rights
• More accessible legal resources for artists
• Continental cooperation in protecting creative works
• Recognition and support for original creators

Especially with what is happening around AI and the fair use of copyright laws.

The Vision

Imagine an AFCON opening ceremony that celebrates not just football, but the authentic voices of African creativity. One that provides a platform for the countless underrated individuals who have been overlooked by mainstream channels. This vision isn't just about music—it's about creating a fair and supportive environment for African creativity to thrive.

To The Future

While "Mu Africa" may have been appropriated without recognition, its story serves a greater purpose: highlighting the need for change in how Africa protects and celebrates its creative talents. For every Shom C and every unrealised creative dream, we must work toward building better structures that protect and nurture African creativity.

The question now isn't just about one song or one tournament—it's about how we can transform Africa's creative industry into one that truly serves and protects its artists. As we look to the future, let this story be not just a reminder of what was lost, but a catalyst for what can be gained when we properly value and protect our creative voices.

One Love

Jay