WHAT IS A SCRIPT BREAKDOWN? (In the Entertainment industry.)
Bruce Bisbey
Executive Producer / Partner Dumb Dog Productions - Media Arts International Film Corporation
WHAT IS A SCRIPT BREAKDOWN? (In the Entertainment industry.)
Bruce Bisbey…please follow me at: https://dumbdogproductionsllc.blogspot.com or https://www.facebook.com/DumbDogProductionsLLC/ thank you.
What is a script breakdown?
Among the many tedious elements of film production, breaking down a script can be the most time-consuming and least exciting, but it's arguably the most important.
I use Entertainment Partners Movie Magic Budgeting and Scheduling. As well as Final Draft. There are other excellent programs out there such as Studio Binder. But my experience has been as an accountant, art department coordinator and producer has been with Movie Magic Budgeting and Scheduling, in conjunction with Final Draft.
When you first start, the programs and breaking down a script it can seem daunting, and it is. But with use and experience, like any computer program it becomes second nature.
A script breakdown, or a list of identified production elements within a scene, requires a meticulous eye for detail. You'll need to read and reread your 90-some pages until your eyes bleed, looking for keywords that indicate a tangible element that will appear onscreen (such as props, set dressing, and cast members). Identifying these elements will prove invaluable to every single production department; it will impact the specifics of their work down to the minutest detail.
A script breakdown is an intermediate step in the production of a play, film, comic book, or any other work that is originally planned using a script.
In film and television, a script breakdown is an analysis of a screenplay in which all of the production elements are reduced into lists. Within these lists, are in essence the foundation of creating a production board, which is fundamental in creating a production schedule and production budget of an entire production of any film or television program in pre-production. This process is a very tedious and complex task, and is usually the responsibility of the Assistant Director or first or 1AD within the production staff of any given production company. However, many film directors, film producers and screenwriters have knowledge of breaking down a script.
FIRST READ THE SCRIPT AND READ IT AGAIN. Get a sense of the story, it helps project an image of locations and sets, wardrobe/costumes, target audience and flow of the story line.
In particular, literally breaking down the script is a very a thorough and detailed creative analysis of dramatic action in filmmaking, highlighting the reciprocal struggle, theme, and design elements of a screenplay. Which is to code the entire cast, extras, props, special effects, stunts, wranglers, picture cars, wardrobe, make-up and hair stylists, special equipment and or cameras, ADR, Foley, film scores and soundtracks etc., which are all broken-down with different colored marker highlights within a shooting script.
After which, these highlights are then organized and broken-down into strips to organize the production schedule within the actual physical production board. This process is more easily done nowadays utilizing a computer than done manually, with features inside Final Draft called tagger, or utilizing tagging mode inside Movie Magic Screenwriter, another effective computer program. This information can easily be imported over to Movie Magic Scheduling to create a digital production board, and then easily imported over to Movie Magic Budgeting to create the entire production budget. Most of the script and production computer software out there comes in both Microsoft and MacOS versions, and even though there is competing software on the market, these which are listed are considered to be an entertainment industry standard. This whole process of the script breakdown however is not to be confused with character breakdowns utilized with casting calls, this is an entire different process with similar names, however administered by two entirely separate departments.
Sources, References & Credits: Bruce Bisbey, Google, Wikipedia, Wikihow, WikiBooks, Pinterest, IMDB, Linked In, Indie Wire, Film Making Stuff, Hiive, Film Daily, New York Film Academy, The Balance, Careers Hub, The Numbers, Film Maker, TV Guide Magazine, Blurb, Media Match, Future Learn, Quora, Creative Skill Set, Chron, Investopedia, Variety, No Film School, How Stuff Works, WGA, BBC, Daily Variety, The Film Agency, Best Sample Resume, How Stuff Works, Bright Hub, Career Trend, Producer's Code of Credits, Truity, Production Hub, Producers Guild of America, Film Connection, Variety, Wolf Crow, Get In Media, Production Beast, Sony Pictures, Warner Bros, UCAS, Frankenbite, Realty 101, Liberty Me, Careers Hub, Sokanu, Raindance, Film Connection, Cast & Crew, Entertainment Partners, My Job Search, Prospects, David Mullich, Gear Shift, Video University, Oxford Dictionaries’, Boredom Therapy, The Bold Italic, Meets the Eye Studio, The Guardian, Elliot Grove, Jones on art, Creative Plant, Studio Binder, Film Tool Kit, Still Motion, Film Under Ground, Steves Digicams, Improve Photography, Guy Nockels, Namib Films, Film Support,
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Shooting Schedule / Photo Credit: Bruce Bisbey
Shooting Schedule Report / Photo Credit: Bruce Bisbey
Day out of Days Props / Photo Credit: Bruce Bisbey