What do you call each painting in a series?

What do you call each painting in a series?

I call each painting in a series a "scene."

Actually, at first I didn't know what to call them.

I was looking for a word that meant "a piece of some larger whole."

Initially the word "shard" - a fragment of pottery - came to mind.

However, that didn't capture the meaning I was seeking, since my paintings have little to do with pottery.

My large "Domestic Threats" paintings are theatrical. There is substantial labor and much thought involved in their creation, so I often think of myself as a director and each image as a play.

Small "Domestic Threats" paintings are made from a portion of a photograph that I use as reference for a larger painting.

For example, "Scene Thirteen: Bathroom" is a small version of "He Urged Her to Abdicate."

A "portion" of a play is a "Scene" so that's what I finally named them.

Additionally, I numbered the paintings in order of their creation and added the room where each takes place.

Comments are welcome!

www.barbararachkoscoloreddust.com

Paintings:

"He Urged Her to Abdicate," 58" x 38," soft pastel on sandpaper

"Scene Thirteen: Bathroom," 26" x 20", soft pastel on sandpaper

Tony Palmer

Artist, Illustrator. at 'tonypalmerart.

9 年

Very nice work Barbera! Strong. Tell me, why do you use Sandpaper to draw your pastels? What are the advantages over, for instance rough textured watercolour paper? Is it very smooth sand paper you use? a special one? Good luck! Tony.

回复

要查看或添加评论,请登录

Barbara Rachko的更多文章

  • Barbara Rachko and Her Relationship to Her Studio...

    Barbara Rachko and Her Relationship to Her Studio...

    *Barbara Rachko is a contemporary artist and author best know for her pastel-on-sandpaper paintings. Her works are…

    2 条评论
  • Why I Make Art...

    Why I Make Art...

    The New Year is the perfect time to remind ourselves why we do the things we love to do. Here are some of the reasons…

    4 条评论
  • MASKS...

    MASKS...

    I have a long-standing fascination with traditional masks. National Museum of Ethnography and Folklore in La Paz…

  • MASKS...An Essential Part of Culture

    MASKS...An Essential Part of Culture

    For me, a mask is so much more than a mask. It is a living thing with its own mind, its own soul, and with a unique…

  • MASKS

    MASKS

    I find MASKS fascinating, and they are a subject for my “Bolivianos” series. Federico Diez de Medina, a mask collector…

  • How Did I Choose My Career Path? How Did You?

    How Did I Choose My Career Path? How Did You?

    In 1988 I was a Navy Lieutenant working at the Pentagon as a computer analyst. And, I hated my boring job! For about…

    2 条评论
  • What Was Your First Blog Post?

    What Was Your First Blog Post?

    Here is mine from July 15, 2012. And a new milestone: 36,000+ subscribers! The three Big P’s – Patience, Persistence…

    3 条评论
  • The Block Before the Epiphany...And The New "Black Paintings" Series

    The Block Before the Epiphany...And The New "Black Paintings" Series

    My first “Domestic Threats” series was completed in 2007. I was certain that this strong body of work was behind me…

  • Why I Collect Folk Art Objects...And How I Use Them...

    Why I Collect Folk Art Objects...And How I Use Them...

    I have a fascination with collecting folk art objects, masks, and toys from Mexico and Guatemala. Since I divide my…

  • A Vision of Absence: How a Non-Commercial Contemporary Art Practice Bridges Colonial and Folk Art in Mexico

    A Vision of Absence: How a Non-Commercial Contemporary Art Practice Bridges Colonial and Folk Art in Mexico

    By Lisa Paul Streitfeld, Ph.D.

社区洞察

其他会员也浏览了