A Weapon We Need: Art A Powerful Tool for Cultural and Community Renewal

Given our current landscape of a fractured democracy, the call to rebuild looms large. When systems break, as ours has, rebuilding necessitates more than just structural repairs—it demands a renewal of spirit and community. Throughout history, artists have been catalysts for communal new growth. They have often been the under appreciated heroes of society, the "second responders" who step in not just to inspire and heal after disaster, but to provoke thought and ignite change.

“The creative community always finds ways to lift us up during our most difficult times; even while facing devastating impacts to their own livelihoods and well-being,” as stated in a 2021 California Senate Concurrent Resolution 40, a state measure that recognizes the significant role of artists as “second responders.”

In that role, artists have historically been both economic and social instigators of progress. That is most pronounced at the inflection point of rebuilding.

During the Renaissance, from the 14th to 16th centuries — arguably the most influential artistic era — visual art transcended mere aesthetics. Art became a recognized vehicle for communicating humanist ideals, expanding perspective, and meticulously capturing the intricacies of the human form as seen in da Vinci’s Mona Lisa. Simultaneously, art during the Renaissance served as a mirror reflecting religious beliefs and societal commentary, exemplified by Michelangelo's Sistine Chapel Ceiling frescoes.

Fast forward to Reconstruction, a pivotal era in the United States post-Civil War (1865-1877), where newly expanded voting rights marked its turning point. Art became instrumental in humanizing the aftermath of conflict, shedding light on the realities of the newly emancipated citizens. It was a tool for empowerment and empathy during a critical juncture in our nation's maturation.

“Art movements often preshadow huge change,” said Tracy Hudak, Director of Field Engagement and Advocacy for California for the Arts, a statewide art advocacy organization.?

“[As artists] we transmit and circulate value and sometimes that value has commercial appeal, and it can also create community and belonging, and meaning making — ways to come together and make meaning of things—, avenues for personal transformation and growth.”?

The Harlem Renaissance of the 1920s and '30s stands as another testament to art’s transformative power in creating community and belonging. Celebrating African American culture, identity, and pride, this era's art not only inspired, but also laid the foundation for the Civil Rights Movement. From the seemingly more accessible music and poetry, to the lesser known sculptures and paintings, artists like Aaron Douglas, Meta Vaux Warrick Fuller, and Augusta Savage pioneered visual narratives that reshaped societal norms and aspirations.

Today, as we face the challenges amplified with the ingredients of ignorance, hate and division, the role of art has an opportunity to evolve, yet remain true to its foundational and historical thread. It is no longer just a shield in the face of adversity, but art as a potent weapon for change. We must cherish and support our artists, and art educators to ensure the sustainability of this vital leg of civilization.?

Artists like Toni Scott, who has a studio on an Orchid farm just north of Santa Barbara, are the visionaries who illuminate paths forward, whose art not only captivates, but also challenges and enlightens. Ancestrally informed and connected to something larger than herself, Scott is just one example of a visual artist living up to the calling.?

“My work is a dialogue between nature’s subtle power and the language of color, form, and beauty. Inspired by the palm fronds of Santa Barbara’s iconic King and Queen Palm Trees—which bend but don’t break—I see in nature a living metaphor for the resilience of our people and communities,” Scott shared in remarks at a recent community celebration at her studio in honor of Black History Month.?

“At its core, my work is about connection—between people, nature, and the stories that shape us. Rooted in my African and Muscogee Creek heritage, I explore themes of resilience, identity, and legacy through materials that carry history within them. Whether it’s the delicate strength of a palm frond, the deep blues of indigo, the silent language of asemic writing, or the layered complexity of digital, photography, and mixed media, my art seeks to honor the past while creating space for reflection, healing, and dialogue.”

Reflecting on my own journey with art, I recall Mr. Black, my elementary school art teacher, who happened to be a Black man. While learning the color wheel, I ended up taking away more than just the superficial ROY-G-BIV understanding. When explaining the color Black, Mr. Black imparted wisdom that continues to resonate with me deeply today: "Black is the inclusion of all colors," Mr. Black would intone. For me, his words encapsulate the essence of art as a unifying force, capable of embracing diversity as part of the thing all while fostering dialogue, development, and discovery.

As our democracy continues to crumble, I’ll offer that we may be best served to shift the vision to preparing for the task of rebuilding our democracy. Let us harness the enduring power of art and the energy and enlightenment of artists in doing so. It is not merely decoration or aesthetics, but a spark for greater empathy, understanding, and lasting change. After all, much of what we currently know about our past is because of art.

This article was adapted from a message that James Joyce III shared at a Feb. 23, 2025 event in celebration of art and community in honor of Black History Month at Toni Scott’s Art Studio in Goleta, CA.??

**Artist Toni Scott is available for lectures, commissions, and installations. Studio visits available through appointment contact: [email protected]