Turning Arpeggiation into a Melodic Conversation
Joe Hanley
Helping Teachers Modernize their Music Programs with Digital Music Training Software for Students
When you strip back the layers of music to its core, you often find parallels with human speech. The journey of transforming an arpeggiation into a melody is akin to crafting a conversation, complete with questions, answers, and statements that mimic the natural cadence of dialogue. This is what we explore in the second part of the series: Phrasing.
Understanding Musical Phrasing Through Speech
Just like a compelling speaker who uses intonation to engage an audience, a musician uses phrasing to breathe life into a melody. Phrasing in music can be compared to the ebb and flow of speaking.
Question and Answer Phrasing
Consider how a person’s voice lifts when asking a question, signaling curiosity or inquiry. For instance, the question “What is your name?” typically ends on a higher pitch. This inflection is the speaker’s way of opening the floor for a response. Conversely, the answer, such as “My name is Joe,” will usually conclude with a downward inflection, providing closure.
领英推荐
Translating this into music, a simple way to introduce this conversational element is by raising the last pitch of the first phrase. This slight adjustment suggests a musical question being posed, inviting the listener’s ear to anticipate a response.
Emphasizing the Beginning of Statements
Further mimicking speech, when we declare two statements in succession, the second often starts on a higher note. This not only separates the statements but also emphasizes the start of the new one. Musically, if we commence with a phrase in the mid-range, elevating the starting pitch of the subsequent phrase can have a similar effect. Hanging onto that first note a bit longer gives the sense that a new, yet related thought is being introduced.
Applying Speech Patterns to Melody
Incorporating these speech patterns into music composition can make a melody feel more natural and conversational. Raising and lowering pitches to mimic the lilting quality of a dialogue not only makes a melody more engaging but also more intuitive for the listener to follow. It’s a reminder that at its core, music is a form of communication—one that can be as nuanced and expressive as the spoken word.