Story Telling with Emotions : The 2 Triads

Using a mix of the Dark Triad and Light Triad traits in storytelling can create complex, multifaceted characters and intriguing narratives. Here's a brief overview of both triads and how they can be integrated into storytelling:

Dark Triad Traits

1. Narcissism: Characterized by grandiosity, pride, and a lack of empathy.

• Characteristics: Narcissistic characters often exhibit grandiosity, a sense of entitlement, and a need for admiration. They may lack empathy and have an inflated sense of their own importance.
• Story Integration: A narcissistic character might be a charismatic leader who inspires others but also manipulates them for personal gain. Their journey could involve a fall from grace as their flaws become apparent, or a redemption arc where they learn humility.

2. Machiavellianism: Marked by manipulation, deceit, and a focus on self-interest.

• Characteristics: Machiavellian characters are strategic, cunning, and manipulative. They prioritize their own goals and are willing to deceive others to achieve them.
• Story Integration: This trait can be used to create a master strategist or a political manipulator. Their schemes and plots can drive the story's conflict, and their interactions with more honest characters can highlight moral dilemmas.

3. Psychopathy: Involves impulsivity, callousness, and a lack of remorse.

• Characteristics: Psychopathic characters are often impulsive, callous, and lack remorse. They can be charming but are typically emotionally detached.
• Story Integration: A psychopathic character might be an antagonist whose unpredictable actions create tension and danger. Alternatively, they could be an anti-hero whose lack of conventional morality allows them to take actions others wouldn't dare.

Light Triad Traits

1. Kantianism: Treating people as ends in themselves, not as means to an end.

• Characteristics: Characters with Kantian traits treat others as ends in themselves, not merely as means to an end. They value honesty and integrity.
• Story Integration: A Kantian character might be a moral compass in the story, guiding others with their principled stance. Their interactions with more morally ambiguous characters can create rich ethical debates and growth opportunities.

2. Humanism: Valuing the dignity and worth of each individual.

• Characteristics: Humanistic characters believe in the inherent worth and dignity of all individuals. They are compassionate and empathetic.
• Story Integration: These characters can be healers, mentors, or leaders who inspire others through their kindness and understanding. Their presence can provide a counterbalance to darker elements in the story, offering hope and redemption.

3. Faith in Humanity: Believing in the fundamental goodness of people.

• Characteristics: Characters with faith in humanity believe in the fundamental goodness of people. They are optimistic and trusting.
• Story Integration: Such characters can be the heart of the story, maintaining hope and positivity even in dire circumstances. Their belief in others can lead to transformative relationships and pivotal moments of change.

Integrating Both in Storytelling

1. Complex Characters - A protagonist might primarily exhibit Light Triad traits, such as empathy and integrity, but under extreme pressure, they might resort to manipulative tactics (Machiavellianism) to protect their loved ones. This blend makes them relatable and realistic, showing that even the most virtuous people can have darker sides.
2. Dynamic Relationships: A character with strong Humanistic values might form a complicated relationship with a Machiavellian character. Their interactions can explore themes of trust, betrayal, and redemption, as they influence each other and evolve.
3. Moral Ambiguity: An anti-hero with psychopathic traits might perform heroic deeds, but their methods and motivations are questionable. This creates a morally ambiguous narrative that challenges readers to question their own perceptions of right and wrong.
4. Conflict and Resolution : The central conflict of the story could revolve around the clash between characters embodying different traits. A narcissistic antagonist might be opposed by a Kantian hero, leading to a battle not just of actions but of ideologies.
5. Character Arcs : Characters can undergo significant development by confronting their own traits. A narcissistic character might learn empathy through their interactions with a humanistic character, leading to a profound transformation.

By weaving these traits into your characters and plot, you can create a more engaging and thought-provoking story. How do you envision using these traits in your storytelling?

Until next week. Keep Speaking.

T.A.

(To learn more on the programs offered relating to Public Speaking / Presentation Skills & Corporate Communication, visit www.danandken.com or reach out to me on +94777481581)