Sister Rosetta Tharpe: The Godmother of Rock & Roll They "Forgot" to Mention
Joseph Conway, MHCM, CDM
Expert in Bias Mitigation, Leadership Training, & Cultures of Belonging | Consultant & Keynote Speaker
Let’s Talk About It: Who Really Invented Rock & Roll?
Picture this: It’s the 1930s and 1940s. A Black woman with a guitar is absolutely shredding on stage, mixing gospel, blues, and electric riffs in a way the world has never seen before. She’s singing with soul, making the crowd go wild, and creating a sound so fresh and powerful that it’s about to change music forever.
Her name? Sister Rosetta Tharpe.
The problem? Most people don’t even know her name, but they sure know the folks who came after her—Elvis Presley, Johnny Cash, Jerry Lee Lewis. Funny how that works, huh?
The Truth About Rock & Roll’s Origins
Before Elvis shook his hips into superstardom, Sister Rosetta Tharpe was already rocking stages, bending guitar strings, and influencing the very sound that would become Rock & Roll. She took the raw energy of gospel, the deep blues rhythms, and the electric guitar—yes, electric, way before it was “cool”—and blended them into something that had never been heard before.
Without her, there would be no Chuck Berry. No Little Richard. No Elvis. No Rock & Roll as we know it.
But did she get the credit? Not even close. Instead, the world handed the crown to white men who borrowed (or let’s be real, took) from Black artists without giving props to the originators.
The Disappearing Act: When Black Women’s Contributions Get Overlooked
Sister Rosetta Tharpe didn’t just influence Rock & Roll—she invented its entire vibe. But here’s the issue: Black women in music have historically been erased, overshadowed, or flat-out ignored while others cash in on their creativity.
It’s the same pattern over and over again:
? A Black woman pioneers a sound.
? White artists take it, package it, and sell it to the mainstream.
? History forgets who actually started it.
It happened with jazz, blues, R&B, and yes—Rock & Roll. Tharpe was a musical genius ahead of her time, but instead of being celebrated as the Queen of Rock, she was sidelined while men became “legends.”
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Where Are We Now?
Fast forward to today, and Rock & Roll is mostly thought of as a white genre. People hear “rock music” and think of The Beatles, Led Zeppelin, and Nirvana. Not that those artists weren’t talented, but let’s be real—they were standing on the shoulders of Black musicians, many of whom never got their flowers.
Even when Sister Rosetta Tharpe was inducted into the Rock & Roll Hall of Fame in 2018 (finally), most people were like, “Wait, who?” Meanwhile, Elvis has had multiple movies, tributes, and a spot in the Hall of Fame since day one.
Make it make sense.
Real Talk, With a Side of Sarcasm
Imagine inventing a whole music genre and then watching someone else get crowned the “King” of it. That’s what happened to Sister Rosetta Tharpe.
Imagine being so ahead of your time that the very thing you created gets stolen, repackaged, and sold back to the world as if it came from someone else.
Imagine being an absolute rockstar before “rockstars” existed, only to have history pretend you were just a footnote.
But here’s the truth: Sister Rosetta Tharpe was the blueprint. And no matter how much they try to rewrite history, the receipts are there.
The Takeaway: Give Black Women Their Credit
Sister Rosetta Tharpe was a musical genius. A guitar slayer. A pioneer. A powerhouse. And it’s time the world recognized her for what she was: The Godmother of Rock & Roll.
So next time someone starts talking about the “King of Rock & Roll,” hit them with the facts. And when history tries to erase Black women’s contributions to music, remind them: We built this.
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Nurse Scientist I Consultant I Author l Medical Affairs Professional l Freelance Editor
3 周Your posts are always informative, insightful, and historically accurate. Thank you!