Secret Sauce: Making great design
Saul Bass, Lindon Leader, Milton Glaser, Raymond Lowey

Secret Sauce: Making great design

Discerning what makes great design versus good can be elusive. How does a logo or poster, package design or advertisement connect at that deeply visceral level? Over the years I have come to realize ambiguity is the key component to great design. This concept seems counter-intuitive. Shouldn’t great design be a clean and clear expression of what it is representing? Of course! But clarity is table stakes to any successful creative.

Ambiguity and the related devices of allusion or abstraction engage the viewer on a deeper level. It allows each individual to have a unique emotional journey. Not unlike any other good creative, a great movie that doesn’t explain how you should feel but sets you free to find your own understanding, an amazing book that allows the reader to build their own internal world that surrounds the characters, or a great piece of music the defies genre and takes the listener on unexplained auditory journey, where we land depends on our own internal dialogue. The human brain needs room to move, feel, think, great creative solutions do just that.

In logo design, there are some amazing examples of this. Raymond Lowey’s Shell Oil logo with it’s rising sun, Lindon Leader’s FedEx logo with it’s arrow, or one of my favorites of Saul Bass Girl Scout logo which uses overlapping silhouettes to refer to connection and diversity. These are some of the visual narratives we can discover, experience. There are levels and layers to see, feel and understand in these marks.

Ambiguity is the element that pulls us in closer to discover something unique to ourselves, gives us room to explore something both consciously and unconsciously to find a place in our own personal narrative. Great brands, should always strive to create this. It is a key element in making design great.

The ideal trademark is one that is pushed to its utmost limits in terms of abstraction and ambiguity, yet is still readable. Trademarks are usually metaphors of one kind or another. And are, in a certain sense, thinking made visible.

-- Saul Bass

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