Robert Redford's Rolex 'Red Submariner' Ref. 1680: A Cinematic Icon in 'The Candidate

In the realm of cinema, certain accessories can become as iconic as the characters themselves. One such example is the Rolex 'Red Submariner' Ref. 1680 worn by Robert Redford in the 1972 political satire film, 'The Candidate.'

At the 1973 Academy Awards, 'The Candidate' received accolades, notably for Best Original Screenplay awarded to Jeremy Larner. While not as lauded as other films of its era, 'The Candidate' remains a compelling exploration of American politics, with Redford delivering a memorable performance as the protagonist, Bill McKay.

Redford's choice of timepiece in the film, the Rolex 'Red Submariner' Ref. 1680, has since become synonymous with his portrayal of McKay. This particular model, introduced in 1969, was the first Submariner to feature a date complication, distinguished by its red Submariner text. Redford's personal connection to the watch adds depth to his character, reflecting his status as a rising star in Hollywood during the early 1970s.

The presence of the 'Red Submariner' in 'The Candidate' transcends mere prop status, contributing to the authenticity of the character and the overall narrative. Its appearance on Redford's wrist throughout pivotal scenes underscores the enduring appeal of both the actor and the timepiece.

Despite its limited screen time, the 'Red Submariner' leaves a lasting impression, serving as a visual symbol of Redford's influence and style. As cinema enthusiasts revisit 'The Candidate,' they continue to admire the subtle yet significant role played by this iconic Rolex timepiece.

When watching 'The Candidate,' viewers can appreciate the 'Red Submariner' in key moments, such as when McKay grapples with the challenges of his political campaign. Its presence underscores the character's complexity and adds a layer of authenticity to the film's portrayal of American politics.

In conclusion, Robert Redford's Rolex 'Red Submariner' Ref. 1680 remains a timeless accessory in the realm of cinematic history, symbolising the intersection of film, fashion and culture.

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