A resurgent Bid & Hammer emerges as the true crusader against fakes in the Indian art market. Team Viva does a review
The real picture
Friday, 08 July 2016 | Team Viva
A resurgent Bid & Hammer emerges as the true crusader against fakes in the Indian art market. Team Viva does a review
It has been two years since Bid & Hammer’s Significant Indian Art auction in New Delhi that created quite a stir in the art fraternity with business rivals and art critics associated with them rancorously crying out “fakes” regarding some of the paintings in the catalogue. For all their noise about starting a “regulatory body for art”, “writing to the PMO” and in case of the Husain & Raza Foundations, avariciously proclaiming themselves to be “sole authenticating bodies”, the campaign was full of rhetoric and eventually withered away as most of the trade smelled foul play and didn’t want to be part of a propaganda by a few individuals whose sales were being effected by Bid & Hammer’s steady prowess. Curiously, none of them had physically inspected the works nor seen the provenance documents, coming as they were from notable estates and collections of Udaychand Mahtab (the Maharaja of Burdwan), artist Hemendranath Mazumder, artist Nandalal Bose, sculpturist Chandan Malakar (an assistant of D P Roy Chowdhury), freedom fighter Radha Devi Goenka and former Miss India and actress Namrata Shirodkar among others.
Commenting on the resulting media frenzy at the time, Maher Dadha, CMD of Bid & Hammer, said, “The articles were alarmingly false and evidently fabricated, written to create sensational news and scuttle the success of our auction. We stood by our research and the media at the behest of competitors should not have speculated on the unquestionable authenticity of the artworks without any verification. The real cartels and tainted individuals that pass off fakes as genuine are the ones that need to be exposed and we will leave no stone unturned in doing so for the higher interest of Indian art”.
To prove the point, the auction house, promoted by the Dadha family with a rich business history of over 100 years, trail blazed through the auction and subsequently initiated legal action against all those suspected to have orchestrated and stoked the unfounded controversy.
Those brought in the dock so far with non-bailable arrest warrants are Dadiba Pundole of Pundoles Auction, Vikram Bacchawat of defunct auction portal Emami Chisel, art restorer Ganesh Pratap Singh, Samindranath Mazumder and famous artist Bikash Bhattacarya’s children Bivas and Balaka. Others against whom legal suits have been filed include Ashish Anand of Delhi Art Gallery, Vadehra Gallery, Husain Foundation, Raza Foundation and a few incongruous proponents of the Bengal School. Also, K S Radhakrishnan, an authority on the works of Ramkinkar Baij, has denied making observations on the catalogued watercolour as was fictitiously reported by the media. So has NGMA director Rajeev Lochan with regard to the Nandalal Bose’s painting titled Woman Sitting Under A Tree. Even artist KK Hebbar’s daughters Rekha Rao and Rajani Prasanna are wholeheartedly supporting the cause of Bid & Hammer.
Kaali Sudheer of Muse Art Gallery said, “No company would put their reputation at stake by offering fakes in an open public auction and certainly not Bid & Hammer with their background and formidable knowledge. It’s high time that these self-anointed authenticators of art realise that it is them that are being subject to a public undressing as has been demonstrated in the court proceedings”. Bid & Hammer’s landmark victory in the Ravi Varma Jatayu Vadha (Ravana carrying Sita) painting authenticity case against Kiran Nadar, wife of HCL Technologies founder Shiv Nadar, further proved that the country’s pioneer multi-category auction house has the most robust vetting and authentication process and it is the true crusader against the menace of fakes in the Indian market.
It is precisely why the cloud shrouding the authenticity of Francis Newton Souza’s iconicMary Magdalene painting (from the November 2010 auction catalogue) also seems to have disappeared as it emerges that works combining three or even four different composite pictures were indeed a unique part of the artist’s oeuvre. An example being a work titled Birth, with a ditto theme, incidentally bought by Kiran Nadar a few months ago at a record-breaking price.
When requested to elaborate on the authentication process that is followed by the auction house, Maher Dadha said, “There are certain basic principles and procedures that need to be adhered to before determining whether a work is genuine or counterfeit. The level of the expert’s knowledge and competence and his ability to justify his opinion is important. The problem arises when two equally qualified experts have diametrically opposing views on the same subject or artist, in which case a committee approach and provenance becomes all-important.”
As the fight against fakes continues, it is business as usual at the auction house with the team working on the upcoming auction, private treaty sales and the recently launched B&H SHOP (www.bnhshop.com) — an online store for affordable art, antiques, jewellery, prints, furniture, home décor, exciting gifts and collectibles. Ankush Dadha, director of Bid & Hammer, said, “In between auctions, we are continuing to engage our patrons and catering to a new collector base through this venture that does not involve the formalities of an auction. No bids, no registration, the works are available at a flat price and you don’t lose the advantage of buying through us”.
The stakes at Bid & Hammer’s upcoming auction are huge, having sourced rare oils by Manjit Bawa, NS Bendre, MF Husain, SH Raza, Jehangir Sabavala, Bhupen Khakhar, VS Gaitonde, GR Santosh, Amrita Shergil and also Ravi Varma from major collectors, both in India and abroad, who continue to support the auction house. Charu Sharma, board member of Bid & Hammer and one of India’s most popular auctioneers, stated, “With this lineup of artists and superlative quality of the masterpieces our next auction is undoubtedly going to be a path-breaking one.”