Refocusing on Worship Displays for Returning Congregations
Technologies for Worship Magazine
Dedicated to excellence in worship through the use of Audio/Visual/Lighting and other technologies.
By: JIM GROOVER
With COVID-19 restrictions easing across much of
the nation, houses of worship are gearing up for the
imminent return of their congregations.
In many states, over a year has passed since
sanctuaries were able to be filled to capacity. Pastors and church
technical directors are anxious to pull congregants back from
pandemic routines of televised, or online virtual worship services.
To this end, updating sanctuary interiors provides an opportunity
to entice worshippers back with a fresh and exciting, in-person
experience.
One positive aspect of a forced pandemic hiatus may be
that emerging display technologies are now a year further into
their development cycles. In some cases, that means they’re less
expensive, more reliable, and have evolved with new deployment
options.
Video projectors have been a traditional staple in display
technologies for worship. With a smorgasbord of brand,
brightness, and resolution options; projectors offer something for
every venue. But they can easily be underspecified for changing
demands in a modern sanctuary. Dynamic lighting employed in
elaborate stagecraft can leave even the most capable projectors
struggling to keep up. So, while they continue to be a good value,
projectors may not be the best fit for every sanctuary application.
Alternatively, direct-view LED (light emitting diode)
technology has only recently started to be actively utilized in
worship venues. High-costs and limited options have challenged
the value of this exciting display technology and relegated its use
to a smaller population of well-funded houses of worship.
That is changing…
With a myriad of new options that address price, performance,
and installation; direct-view LED should definitely be a
consideration for any new or soon-to-be updated sanctuary.
The “bleeding-edge” on the LED cost front relentlessly cuts
towards increasingly finer pixel-pitch variants. This migration has
significantly driven down the costs associated with larger pixelpitch
options that are perfect for worship venues. Over the past 18
months, the cost to deploy a 2mm - 4mm LED display has literally
been cut in half.
And, while LED costs have come down; performance has
improved. A great LED image is a captivating combination
of vividly saturated colors, inky-black contrast, and stunning
brightness. These systems perform as well in a brightly lit sermon,
as they do in a theatrical, stagecraft driven, “gospel concert.” And
since many contemporary services are a mix of worship, music,
and media; direct-view LED may be the only display technology
that will perform consistently under all of these diverse viewing
conditions. Factor in that many LED systems have a 100,000-hour
life expectancy (about 5 times longer than a good laser projector)
and you start building an LED “value proposition.”
Of course, price and performance may not be the only
important considerations in an update of a church’s displays.
Installation and logistic concerns often dictate the viability of any
large image in a worship sanctuary.
Most modern projectors are based on a 16:9 imaging platform,
which often translates to a somewhat outdated “big TV” on the
wall aesthetic. In all of these projection systems, image size is
determined by the distance between the projector and screen,
and the available lens options. More often than not, getting the
desired image size means suspending a boxy projector, from an
unattractive pole, directly above your congregation. In some cases,
there is simply no viable way to deploy a projection solution.
And that’s where aesthetic options and creative mounting
solutions may elevate LED from a functional viewpoint.
Consider this; large direct-view LED displays are literally
assembled from many smaller, edgeless, LED modules. This means
you’re not limited to a predetermined image size or aspect ratio.
This allows LED displays to take on a form fits function dynamic
versus a projector that is tied to a native 16:9 aspect ratio. Of
course, if all you want is a large “TV-esque” display, you can build
that. But you can also let the size and shape of your image be
defined by the aesthetics of your space, or the content you plan to
view.
Most LED solutions require a fixed frame that is mounted to
the wall or floor supported. Occasionally, this creates obstacles
& additional expense if the existing structure cannot support
the weight of a large LED display. And for churches that reside
in designated “Landmark” or historical buildings, there is often
reluctance to do anything that changes the original walls or
structure.
Some new LED cabinet alternatives employ unique interlocking
mechanics that create a built-in, rigid spine that makes a
secondary frame redundant. This allows the display to be easily
“flown” from truss, anchored to ceiling joists, or ground-stacked
on an independent mounting system.
Since there isn’t a predefined frame for this type of LED system;
displays can also be disassembled and reconfigured into different
sizes and shapes. This unique flexibility is ideal for creative
stagecraft and can help make special events fresh and exciting.
And because you’re working with a display you already own; it’s
cost effective, too!
Finally – and perhaps the most important consideration if
you’re exploring direct-view LED – choosing a reliable integrator
and manufacturer. Installing a direct-view LED solution is
considerably more challenging than mounting a flat-panel TV or
hanging a projector. Thorough planning and design will ensure
that the display you end up with – is the one you envisioned.
Engage a reputable integrator that will partner with a reliable
LED manufacturer to support your project. A typical LED
display requires an upfront site survey, contractor consultation,
engineering and CAD design, custom fabrication, project
management, installation, and calibration.
A good integrator can be the difference between a beautiful
display delivered on time, and an expensive eyesore that you want
to replace sooner, rather than later.
Choose wisely.
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Jim Groover is an AV display veteran with nearly 3 decades of professional experience. He has nurtured a passion for high-performance video with industry leaders such as Stewart Filmscreen and (currently) Digital Projection. Jim shares office space and coffee with his canine-coworkers, Brutus & Cassius.