Part 71: Reading Screenplays to Learn How to Write a Proper Screenplay
Geno Scala
Former Director/Official of Academy Awards Show; Founder of The Script Mentor Screenwriting Program; Creator of The 20-Day Screenplay Video Series; "GHOSTWRITER TO THE STARS".
Screenwriting Myth: "If you want to learn how to write a screenplay, just read the screenplays online and copy what they do!"
One of the more celebrated platitudes disguised as “screenwriting advice” is the suggestion to “read all of the scripts you can and learn what TO do and what NOT to do!”
I am not aware of a single script ever written that tells you HOW to write a spec screenplay. The fact that a particular screenplay was successful, in and of itself, means nothing in the final analysis. There are just too many elements that go into creating a successful screenplay – including luck – that, to limit it to one rule or even a series of rules, is folly.
Undoubtedly, a fellow screenwriter who believes he or she knows more than the rest of us, or one of those dangerously self-proclaimed “gurus” will suggest something along the lines of the following:
“You want to learn how to write a screenplay? Read “Chinatown” until your eyes bleed! THAT’S how you write a screenplay!”
“You write comedy? Read ‘The Hangover’. That’s the direction comedy is going these days.”
“So, you think you write horror? Better be like the “Saw” franchise. Better yet, make it a found footage horror. They’re hot right now!”
You’ve all been told the screenplays – Casablanca, The Godfather, Annie Hall, Network…the list goes on and on. Then, the untrained, uneducated, unlearned spec screenwriter takes all the little tricks and traits that make those screenplays among the best ever written and writes their masterpiece.
How could they possibly go wrong?
Maybe by including the actor cue,?“INTENSE BEAT”? I can see and hear the director now-?"Tom, the script calls for an 'INTENSE BEAT', not just a regular 'BEAT'. Give me more intensity!"
Let's not only include it, but…here it comes, now…let's put it in the?SCENE DESCRIPTION!
And, because you saw it in a Woody Allen script, why not include?CAMERA RAMP TO CLOSE UP OF MAN’S CROTCH? It worked for him, why not me?
How about three full pages of script dedicated to the credit roll and subsequent background graphics, not to mention a song list and YouTube links of suggested dance numbers?
Sounds ridiculous? I just read that screenplay. I saw it all- just a few weeks ago.
The point is, my friends, that the large majority of the scripts you’ll find and read online, supposedly to "learn" how to write a proper screenplay, are from produced movies, written by extremely talented, professional, working screenwriters.
They are not "spec" scripts.
They are not even the final drafts of the scripts submitted to the production company.
Most of those found online are 10-20 drafts AFTER the final draft that was submitted, and more likely than not (probably 95%), are?shooting scripts. Shooting scripts are far different than the initial final draft of a screenplay. Writing a screenplay at the direction and behest of a producer (usually as a paid writing assignment) are far different than the ordinary spec script- or should be.
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These shooting scripts do not at all resemble the format and appearance of a spec screenplay, written by YOU- the "as-of-yet undiscovered screenwriter".
Learn the formatting rules as they apply to the SPEC screenplay.
You can read all the produced screenplays you want; your favorite movies; your favorite TV show; your favorite screenwriter. I do. I just don’t use them as examples of how my script should look or how it should be written.
If you do, you’re shooting yourself in the foot even before you step onto the dance floor.
Read them for enjoyment.
Read them for inspiration.
Read them for ideas.
Read them because you’re stuck on a plane on the tarmac while they’re spending two hours de-icing the wings.
Read them to pass the time in traffic court as you wait to plead “not guilty” to your speeding ticket.
Read them at Starbucks, as you pretend to be someone important.
Just don’t read them to learn how to write a screenplay.
Instead...
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WRITER'S BIO:?Geno Scala spent 22-plus years in the Hollywood community and was the?Executive Director?for the?72nd Annual Academy Awards, as well as?The Soul Train Awards,?The Grammys,?The Blockbuster Video Awards Show?and?The Saturn Award Show.?
Currently, he and his team are adapting several books into screenplays, including the fascinating autobiography?"Call Me Zena",?by?Sally Barnard?who, after a brief illness, developed high-level artistic skills overnight.?He is also developing biopic projects of rock pioneer?Jimmie F. Rodgers,?Motown star?Tammi Terrell?and iconic folk?singer?Harry Chapin?- all while continuing to mentor hundreds of new writers and self-published authors.
Geno has several screenplays produced and currently on Amazon Prime;?"Assassin 33 A.D.", "Black Easter"?and?"The Tombs".?Most recently, he was the?Executive Script Consultant?of a?major motion picture?scheduled to begin filming in Australia, Spring of 2022.
Helping you leave and live a legacy for you and your beneficiaries.
3 年I bought the book The Screenwriters Bible and when I shared that information with someone they replied “Yep. I can tell you’re a new “screenwriter” it would save you a lot of time just studying scripts instead of a book.” I studied scripts but they were all different from each other. I think every screenwriter should read this post. I would get the book.
Gate Gourmet - Author - Screenwriter
3 年Thanks again. I assume a spec script of a produced movie is impossible to get, unless the scriptwriter gives it to you. It would be interesting to compare and contrast the spec with the final shooting script.
Author | Screenwriter
3 年The chances of selling a screenplay is so slight it’s almost terrifying.
Beduin American Actor
3 年Great content…???????????? Appreciated it.
Former Director/Official of Academy Awards Show; Founder of The Script Mentor Screenwriting Program; Creator of The 20-Day Screenplay Video Series; "GHOSTWRITER TO THE STARS".
3 年I read scripts for the enjoyment. Sometimes, I'll pick up an idea on HOW to do something a little different, or how to create a twist on a character, but MOST of the time, I'm reading the shooting script and imagining how I would write it in a spec script format. I'll read a line "We hear the sound of GUNSHOTS O/S", and I imagine how I would write that without using the stage direction. It's actually fun to do, if your life is so pathetically drab that THIS would be considered fun...