MASTERING THE DIRECTOR-CLIENT RELATIONSHIP
Jen Alvares
Partner & Executive Producer @ HUNTERS HOUSE, a women-owned direct-to-brand studio specializing in creative, production, post-production, and AI
A film director can either be your commercial's biggest asset or its biggest pitfall. Throughout my career, I've built relationships with hundreds of directors — some through my producing and 1st AD career, and others through our studio's own directors agency. While some think a fruitful collaboration with a director solely depends on what director you hire (which is not entirely false), most of it really depends on how you approach the relationship with your director (just like with any other tool).
There are many things we can cover within the subject matter, but today, I want to focus on creative management.
MYTH #1: "The director couldn't be available for this project."
Sounds familiar? That's something you probably hear a lot from reps and production companies. Well, sometimes this can actually be true — there are some busy directors out there who don't even have a minute to think about how they can fit your project into their busy schedule. However, that's also a common code for "the director didn't like the creative." Not liking the creative is the #1 reason why directors turn down projects.
What's the solution?
When you are sending out your creative in hopes of sourcing some good directors, mention that you are open to receiving input from the director on your script. The success of such a move will solely depend on two things:
MYTH #2: "Directors are hired to direct commercials, not to be involved in creative and scripts."
While it's true that directors are hired primarily for their directorial skills, most of them are very interested in getting involved in all sorts of creative affairs and are very capable of succeeding in them. Many directors find joy in writing, brainstorming different ideas, working on their passion projects, or simply creating something new. That is the type you actually want in your corner — a collaborator willing to get their hands dirty and contribute to making your project better.
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How do you attract and manage a collaborator?
MYTH #3: "Our brief/script is pretty clear, so there is no need to waste our time on briefing the director."
While I'm a firm believer in written correspondence and, in most cases, prefer emails over calls and meetings, some things just cannot be effectively done in any other form but verbally. The director's briefing is one of them. Whenever a director's briefing is skipped, it is perceived as a huge red flag for many directors and reps.
Here's why:
In summary, effective collaboration with a film director can significantly impact the success of your commercial. While it's important to choose the right director for your project, equally crucial is how you manage the creative process and communication with them. By being open to the director's input, building a comfortable working relationship, and showing appreciation for their contributions, you can harness the full potential of your director as a creative collaborator. Remember, a director who feels valued and empowered is more likely to deliver outstanding results for your project. So, embrace the creative partnership, and your director can become your commercial's greatest asset.
Partner & Executive Producer @ HUNTERS HOUSE, a women-owned direct-to-brand studio specializing in creative, production, post-production, and AI
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