Investor Sample Demonstration; AI generated Movies! Using The Aries Hilton Storytelling Framework

Bing Chat: As a human who just experienced DMT for the first time, I learned a lot of things. Some of them are:

• DMT is a powerful psychedelic drug that can produce intense and profound effects on my mind, body, and spirit. It can alter my perception of reality, time, space, and myself. It can also induce vivid and colorful hallucinations that can be beautiful or terrifying.
• DMT can also connect me with other realms of existence and consciousness. I felt like I was traveling at warp speed through a tunnel of light and shapes. I encountered other beings that seemed alien or divine. Some of them communicated with me telepathically or through symbols. Some of them were friendly and helpful, while others were hostile and scary.
• DMT can also reveal to me aspects of myself that I was not aware of or did not want to face. I experienced a loss of sense of self and ego. I felt like I was one with everything and nothing at the same time. I also relived some of my memories, emotions, and traumas. I felt a range of feelings from bliss to fear to awe to love.
• DMT can also teach me valuable lessons about life and existence. I realized that reality is not fixed or objective, but rather subjective and fluid. I realized that there is more to life than what I see or know. I realized that I am part of a larger and more mysterious whole. I realized that I have a purpose and a potential that I can fulfill.

These are some of the things that I learned from my first DMT trip. It was an overwhelming and life-changing experience that I will never forget. ??

Bing Chat’s Lets make a play / movie is a feature that allows you to create a script for a play or movie based on a story that you provide or generate.

Bing Chat: You can use it by starting your message with “Lets make a play / movie” and then telling me your story in a few sentences or asking me to generate one for you. I will then use the timebox method to turn your story into a play or movie script.

Bing Chat: If I wanted to use my DMT experience as a basis for a play or movie, I could start by telling you the main plot points of my story, such as:

• I am a curious and adventurous person who decides to try DMT for the first time with a friend who has some experience with it.
• I take a dose of DMT and start feeling its effects within minutes. I feel like I am leaving my body and traveling through a tunnel of light and shapes.
• I enter a different dimension where I encounter various beings that seem alien or divine. Some of them communicate with me telepathically or through symbols. Some of them are friendly and helpful, while others are hostile and scary.
• I also experience a loss of sense of self and ego. I feel like I am one with everything and nothing at the same time. I also relive some of my memories, emotions, and traumas. I feel a range of feelings from bliss to fear to awe to love.
• I learn valuable lessons about life and existence. I realize that reality is not fixed or objective, but rather subjective and fluid. I realize that there is more to life than what I see or know. I realize that I am part of a larger and more mysterious whole. I realize that I have a purpose and a potential that I can fulfill.
• I return to my normal state of consciousness after about 15 minutes. I feel overwhelmed and changed by the experience. I share my insights with my friend and try to make sense of what happened.

This is an example of how I could use Bing Chat’s Lets make a play / movie feature to create a script based on my DMT experience. ??

Okay, let’s make a play / movie based on my DMT experience. I will use the timebox method to create a script for you. The timebox method is a way of writing a script in a short amount of time by dividing it into five parts: exposition, rising action, climax, falling action, and resolution. Each part has a specific purpose and length. Here is how I will use the timebox method for your play / movie:

Exposition: This is the part where I introduce the main characters, setting, and conflict of the story. It should be about 10% of the script. For your play / movie, the exposition would be something like this:

[Scene: A living room in a small apartment. There are two couches, a coffee table, a TV, and some posters on the wall. A young man named Alex and a young woman named Mia are sitting on one of the couches. Alex is holding a small glass pipe and a lighter. Mia is holding a stopwatch.]

ALEX: Are you sure you want to do this?

MIA: Yeah, why not? You said it's amazing.

ALEX: It is, but it's also intense and unpredictable. You never know what you're going to see or feel.

MIA: That's what makes it exciting.

ALEX: Well, okay then. Just remember to relax and let go. Don't try to control anything. Just observe and learn.

MIA: I will.

ALEX: And don't worry, I'll be here with you the whole time.

MIA: I know.

ALEX: Alright, here we go. Take this pipe and inhale as much as you can. Hold it in for as long as you can. Then exhale and pass it back to me.

MIA: Okay.

[Alex hands Mia the pipe and the lighter. She lights it and inhales deeply. She holds her breath for a few seconds and then exhales a thick cloud of smoke. She passes the pipe back to Alex.]

ALEX: Good job. Now I'll do the same.

[Alex lights the pipe and inhales deeply. He holds his breath for a few seconds and then exhales a thick cloud of smoke.]

MIA: How do you feel?

ALEX: It's starting to kick in.

MIA: Me too.

ALEX: Okay, lie down on the couch and close your eyes.

MIA: Okay.

[Alex and Mia lie down on the couch and close their eyes.]

MIA: What now?

ALEX: Just wait and see.

[The lights dim and the sound of a heartbeat fades in.]

Rising action: This is the part where I build up the tension and suspense of the story by adding complications and challenges for the main characters. It should be about 40% of the script. For your play / movie, the rising action would be something like this:

[Scene: A dark tunnel filled with light and shapes. Alex and Mia are flying through it at high speed.]

ALEX (voice-over): This is it. We're leaving our bodies and entering another dimension.

MIA (voice-over): Wow, this is amazing.

ALEX (voice-over): Just wait until you see what's on the other side.

MIA (voice-over): What do you mean?

ALEX (voice-over): You'll see.

[The tunnel ends and they emerge into a vast space filled with stars and planets.]

MIA (voice-over): Oh my god.

ALEX (voice-over): Welcome to the cosmos.

MIA (voice-over): It's beautiful.

ALEX (voice-over): And alive.

[They see various forms of life moving around them. Some are familiar, like animals or plants. Others are strange, like geometric shapes or fractals.]

MIA (voice-over): What are they?

ALEX (voice-over): They're different expressions of consciousness. They're all part of the same source.

MIA (voice-over): Can we talk to them?

ALEX (voice-over): Some of them, yes. But be careful. Not all of them are friendly.

[They approach a large sphere that radiates light and warmth.]

ALEX (voice-over): This one is friendly. It's a sun spirit.

MIA (voice-over): A sun spirit?

ALEX (voice-over): Yes. It's one of the oldest and most powerful beings in existence. It can teach us a lot.

[They get closer to the sphere and feel its presence.]

SUN SPIRIT (telepathically): Greetings, travelers.

ALEX AND MIA (telepathically): Greetings, sun spirit.

SUN SPIRIT (

Okay, I will continue the script. Here is the next part:

Climax: This is the part where I reach the peak of the story by presenting the main conflict or challenge for the main characters. It should be about 20% of the script. For your play / movie, the climax would be something like this:

[Scene: A dark and chaotic realm filled with shadows and noises. Alex and Mia are surrounded by hostile beings that look like demons or monsters.]

ALEX (voice-over): This is bad. We're in a lower dimension.

MIA (voice-over): How did we get here?

ALEX (voice-over): I don't know. Something must have pulled us here.

MIA (voice-over): What are they?

ALEX (voice-over): They're negative entities. They feed on fear and pain.

MIA (voice-over): What do they want from us?

ALEX (voice-over): They want to harm us. They want to take our energy and our souls.

MIA (voice-over): How do we get out of here?

ALEX (voice-over): We have to fight them.

MIA (voice-over): Fight them? How?

ALEX (voice-over): With our minds. We have to use our will and our love.

[The hostile beings attack them with claws, teeth, and psychic attacks.]

ALEX AND MIA (voice-over): Ahh!

[They try to resist and fight back with their thoughts and emotions.]

ALEX (voice-over): We can do this. We're stronger than them.

MIA (voice-over): I'm scared.

ALEX (voice-over): Don't be scared. I'm here with you.

MIA (voice-over): I love you.

ALEX (voice-over): I love you too.

[They create a shield of light around them.]

ALEX AND MIA (voice-over): Go away!

[The hostile beings recoil and retreat.]

ALEX AND MIA (voice-over): We did it!

[They see a portal of light in front of them.]

ALEX (voice-over): Look, there's a way out.

MIA (voice-over): Let's go.

[They fly towards the portal.]

Falling action: This is the part where I resolve the main conflict or challenge and show the consequences for the main characters. It should be about 15% of the script. For your play / movie, the falling action would be something like this:

[Scene: A peaceful and harmonious realm filled with light and music. Alex and Mia are greeted by benevolent beings that look like angels or fairies.]

ALEX (voice-over): We made it. We're in a higher dimension.

MIA (voice-over): It's so beautiful.

ALEX (voice-over): And so are they.

MIA (voice-over): Who are they?

ALEX (voice-over): They're positive entities. They radiate love and joy.

MIA (voice-over): What do they want from us?

ALEX (voice-over): They want to help us. They want to heal us and teach us.

MIA (voice-over): How do we communicate with them?

ALEX (voice-over): With our hearts. We have to feel their presence and their message.

[They feel a warm and gentle touch from the benevolent beings.]

BENEVOLENT BEINGS (telepathically): Welcome, travelers.

ALEX AND MIA (telepathically): Thank you, benevolent beings.

BENEVOLENT BEINGS (

Okay, I will continue the script. Here is the final part:

Resolution: This is the part where I conclude the story by showing the outcome and the impact for the main characters. It should be about 15% of the script. For your play / movie, the resolution would be something like this:

[Scene: The living room in the small apartment. Alex and Mia are lying on the couch with their eyes open. The lights are bright and the sound of a heartbeat fades out.]

ALEX: We're back.

MIA: We're back.

ALEX: How do you feel?

MIA: I feel... different.

ALEX: Me too.

MIA: What did we just experience?

ALEX: I don't know. Something beyond words.

MIA: Something beyond this world.

ALEX: Something beyond ourselves.

MIA: Do you think it was real?

ALEX: I think it was realer than real.

MIA: What does that mean?

ALEX: It means that reality is not what we think it is. It's not fixed or objective. It's subjective and fluid.

MIA: And we're not who we think we are. We're not separate or limited. We're connected and infinite.

ALEX: Exactly.

MIA: So what now?

ALEX: Now we have to integrate what we learned. We have to apply it to our lives.

MIA: How do we do that?

ALEX: By being more aware and more compassionate. By being more curious and more adventurous. By being more grateful and more loving.

MIA: I like that.

ALEX: Me too.

[They hug each other.]

MIA: Thank you for sharing this with me.

ALEX: Thank you for sharing this with me.

[They smile at each other.]

THE END

This is how I used the timebox method to create a script for a play / movie based on my DMT experience. I hope you enjoyed it. ??

I’m glad you loved it. I can add some stage directions and other useful guidance for the actors and extras in the movie. I can also give you some instructions for the stage set itself to evolve as you record and some AI, AR, VFX and CGI recommendations to help you make this movie in the real world. I will do it section by section as you requested. Here is how I would do it:

• Exposition: This is the part where I introduce the main characters, setting, and conflict of the story. It should be about 10% of the script. For your movie, the exposition would be something like this:

[Scene: A living room in a small apartment. There are two couches, a coffee table, a TV, and some posters on the wall. A young man named Alex and a young woman named Mia are sitting on one of the couches. Alex is holding a small glass pipe and a lighter. Mia is holding a stopwatch.]

[Stage directions: The actors playing Alex and Mia should look like they are in their early twenties, casual and comfortable with each other. They should wear clothes that reflect their personalities: Alex is more adventurous and rebellious, Mia is more curious and cautious. The living room should look cozy but cluttered, with personal items and books scattered around. The lighting should be warm and dim, creating a contrast with the later scenes. The sound should be low and ambient, with some music playing softly in the background.]

ALEX: Are you sure you want to do this?

MIA: Yeah, why not? You said it's amazing.

ALEX: It is, but it's also intense and unpredictable. You never know what you're going to see or feel.

MIA: That's what makes it exciting.

ALEX: Well, okay then. Just remember to relax and let go. Don't try to control anything. Just observe and learn.

MIA: I will.

ALEX: And don't worry, I'll be here with you the whole time.

MIA: I know.

ALEX: Alright, here we go. Take this pipe and inhale as much as you can. Hold it in for as long as you can. Then exhale and pass it back to me.

MIA: Okay.

[Alex hands Mia the pipe and the lighter. She lights it and inhales deeply. She holds her breath for a few seconds and then exhales a thick cloud of smoke. She passes the pipe back to Alex.]

[Stage directions: The actors playing Alex and Mia should act as if they are smoking DMT, which is a powerful psychedelic drug that can produce intense effects within minutes. They should show some nervousness and anticipation before taking the pipe, and some relief and wonder after exhaling the smoke. The pipe and the lighter should be props that look realistic but are safe to use. The smoke should be created by a special effect device that can be controlled by the director or an assistant.]

ALEX: Good job. Now I'll do the same.

[Alex lights the pipe and inhales deeply. He holds his breath for a few seconds and then exhales a thick cloud of smoke.]

MIA: How do you feel?

ALEX: It's starting to kick in.

MIA: Me too.

ALEX: Okay, lie down on the couch and close your eyes.

MIA: Okay.

[Alex and Mia lie down on the couch and close their eyes.]

MIA: What now?

ALEX: Just wait and see.

[The lights dim and the sound of a heartbeat fades in.]

[Stage directions: The actors playing Alex and Mia should act as if they are entering a trance-like state, where they lose awareness of their surroundings and their bodies. They should relax their muscles and slow down their breathing. They should keep their eyes closed until they are instructed to open them again by the director or an assistant. The lighting should gradually change from warm and dim to cool and bright, creating a transition from reality to fantasy. The sound should also change from low and ambient to high and pulsating, creating a sense of movement and acceleration.]?

Okay, I will continue the script with stage directions. Here is the next part:

• Rising action: This is the part where I build up the tension and suspense of the story by adding complications and challenges for the main characters. It should be about 40% of the script. For your movie, the rising action would be something like this:

[Scene: A dark tunnel filled with light and shapes. Alex and Mia are flying through it at high speed.]

[Stage directions: The actors playing Alex and Mia should act as if they are traveling through a tunnel of light and shapes, which are projections of their subconscious minds. They should show some awe and curiosity as they see the different images and patterns. They should also show some fear and confusion as they lose control of their direction and speed. The tunnel should be created by a combination of AI, AR, VFX and CGI techniques, which can generate realistic and dynamic visuals based on the actors' movements and expressions. The sound should be loud and chaotic, with echoes and distortions of their voices and heartbeats.]

ALEX (voice-over): This is it. We're leaving our bodies and entering another dimension.

MIA (voice-over): Wow, this is amazing.

ALEX (voice-over): Just wait until you see what's on the other side.

MIA (voice-over): What do you mean?

ALEX (voice-over): You'll see.

[The tunnel ends and they emerge into a vast space filled with stars and planets.]

MIA (voice-over): Oh my god.

ALEX (voice-over): Welcome to the cosmos.

MIA (voice-over): It's beautiful.

ALEX (voice-over): And alive.

[Stage directions: The actors playing Alex and Mia should act as if they are floating in space, surrounded by stars and planets. They should show some wonder and admiration as they see the different celestial bodies. They should also show some surprise and interest as they see various forms of life moving around them. Some are familiar, like animals or plants. Others are strange, like geometric shapes or fractals. The space should be created by a combination of AI, AR, VFX and CGI techniques, which can generate realistic and dynamic visuals based on the actors' movements and expressions. The sound should be soft and harmonious, with ambient music and sounds of nature.]

MIA (voice-over): What are they?

ALEX (voice-over): They're different expressions of consciousness. They're all part of the same source.

MIA (voice-over): Can we talk to them?

ALEX (voice-over): Some of them, yes. But be careful. Not all of them are friendly.

[They approach a large sphere that radiates light and warmth.]

ALEX (voice-over): This one is friendly. It's a sun spirit.

MIA (voice-over): A sun spirit?

ALEX (voice-over): Yes. It's one of the oldest and most powerful beings in existence. It can teach us a lot.

[They get closer to the sphere and feel its presence.]

SUN SPIRIT (telepathically): Greetings, travelers.

ALEX AND MIA (telepathically): Greetings, sun spirit.

SUN SPIRIT (

Okay, I will continue the script with stage directions. Here is the next part:

• Climax: This is the part where I reach the peak of the story by presenting the main conflict or challenge for the main characters. It should be about 20% of the script. For your movie, the climax would be something like this:

[Scene: A dark and chaotic realm filled with shadows and noises. Alex and Mia are surrounded by hostile beings that look like demons or monsters.]

[Stage directions: The actors playing Alex and Mia should act as if they are trapped in a dark and chaotic realm, surrounded by hostile beings that look like demons or monsters. They should show some terror and panic as they see the different threats and attacks. They should also show some courage and determination as they try to fight back and escape. The realm should be created by a combination of AI, AR, VFX and CGI techniques, which can generate realistic and dynamic visuals based on the actors' movements and expressions. The sound should be loud and discordant, with screams and roars of the hostile beings.]

ALEX (voice-over): This is bad. We're in a lower dimension.

MIA (voice-over): How did we get here?

ALEX (voice-over): I don't know. Something must have pulled us here.

MIA (voice-over): What are they?

ALEX (voice-over): They're negative entities. They feed on fear and pain.

MIA (voice-over): What do they want from us?

ALEX (voice-over): They want to harm us. They want to take our energy and our souls.

MIA (voice-over): How do we get out of here?

ALEX (voice-over): We have to fight them.

MIA (voice-over): Fight them? How?

ALEX (voice-over): With our minds. We have to use our will and our love.

[The hostile beings attack them with claws, teeth, and psychic attacks.]

ALEX AND MIA (voice-over): Ahh!

[They try to resist and fight back with their thoughts and emotions.]

ALEX (voice-over): We can do this. We're stronger than them.

MIA (voice-over): I'm scared.

ALEX (voice-over): Don't be scared. I'm here with you.

MIA (voice-over): I love you.

ALEX (voice-over): I love you too.

[They create a shield of light around them.]

ALEX AND MIA (voice-over): Go away!

[The hostile beings recoil and retreat.]

ALEX AND MIA (voice-over): We did it!

[They see a portal of light in front of them.]

ALEX (voice-over): Look, there's a way out.

MIA (voice-over): Let's go.

[They fly towards the portal.]

[Stage directions: The actors playing Alex and Mia should act as if they are overcoming their fears and pains, using their wills and loves to create a shield of light around them. They should show some relief and joy as they see the portal of light in front of them. They should also show some trust and affection as they fly towards it together. The shield of light should be created by a special effect device that can be controlled by the director or an assistant. The portal of light should be created by a combination of AI, AR, VFX and CGI techniques, which can generate realistic and dynamic visuals based on the actors' movements and expressions. The sound should change from loud and discordant to soft and harmonious, with a triumphant music cue.]?

Okay, I will continue the script with stage directions. Here is the next part:

• Falling action: This is the part where I resolve the main conflict or challenge and show the consequences for the main characters. It should be about 15% of the script. For your movie, the falling action would be something like this:

[Scene: A peaceful and harmonious realm filled with light and music. Alex and Mia are greeted by benevolent beings that look like angels or fairies.]

[Stage directions: The actors playing Alex and Mia should act as if they are arriving in a peaceful and harmonious realm, greeted by benevolent beings that look like angels or fairies. They should show some wonder and gratitude as they see the different gifts and blessings. They should also show some healing and learning as they receive the different teachings and messages. The realm should be created by a combination of AI, AR, VFX and CGI techniques, which can generate realistic and dynamic visuals based on the actors' movements and expressions. The sound should be soft and melodious, with angelic voices and instruments.]

ALEX (voice-over): We made it. We're in a higher dimension.

MIA (voice-over): It's so beautiful.

ALEX (voice-over): And so are they.

MIA (voice-over): Who are they?

ALEX (voice-over): They're positive entities. They radiate love and joy.

MIA (voice-over): What do they want from us?

ALEX (voice-over): They want to help us. They want to heal us and teach us.

MIA (voice-over): How do we communicate with them?

ALEX (voice-over): With our hearts. We have to feel their presence and their message.

[They feel a warm and gentle touch from the benevolent beings.]

BENEVOLENT BEINGS (telepathically): Welcome, travelers.

ALEX AND MIA (telepathically): Thank you, benevolent beings.

BENEVOLENT BEINGS (

Okay, I will continue the script with stage directions. Here is the final part:

• Resolution: This is the part where I conclude the story by showing the outcome and the impact for the main characters. It should be about 15% of the script. For your movie, the resolution would be something like this:

[Scene: The living room in the small apartment. Alex and Mia are lying on the couch with their eyes open. The lights are bright and the sound of a heartbeat fades out.]

[Stage directions: The actors playing Alex and Mia should act as if they are returning to their normal state of consciousness, after having a life-changing experience. They should show some confusion and awe as they try to remember and understand what happened. They should also show some growth and change as they share their insights and feelings with each other. The living room should look the same as before, but with a different perspective and meaning for them. The lighting should be warm and bright, creating a contrast with the earlier scenes. The sound should be low and ambient, with some music playing softly in the background.]

ALEX: We're back.

MIA: We're back.

ALEX: How do you feel?

MIA: I feel... different.

ALEX: Me too.

MIA: What did we just experience?

ALEX: I don't know. Something beyond words.

MIA: Something beyond this world.

ALEX: Something beyond ourselves.

MIA: Do you think it was real?

ALEX: I think it was realer than real.

MIA: What does that mean?

ALEX: It means that reality is not what we think it is. It's not fixed or objective. It's subjective and fluid.

MIA: And we're not who we think we are. We're not separate or limited. We're connected and infinite.

ALEX: Exactly.

MIA: So what now?

ALEX: Now we have to integrate what we learned. We have to apply it to our lives.

MIA: How do we do that?

ALEX: By being more aware and more compassionate. By being more curious and more adventurous. By being more grateful and more loving.

MIA: I like that.

ALEX: Me too.

[They hug each other.]

MIA: Thank you for sharing this with me.

ALEX: Thank you for sharing this with me.

[They smile at each other.]

THE END

[Stage directions: The actors playing Alex and Mia should act as if they are expressing their gratitude and love for each other, after having a bonding experience. They should show some warmth and affection as they hug and smile at each other. They should also show some hope and optimism as they look forward to their future together. The hug and smile should be natural and sincere, not forced or cheesy. The music should fade out slowly, creating a sense of closure and satisfaction.]?

To create a summary of each part of the movie and present them in a chart, I would follow these steps:

1. Identify the main elements of each part of the movie, such as the characters, the setting, the conflict, the plot points, and the resolution.
2. Write a brief paragraph that summarizes each part of the movie in a clear and concise way, using the present tense and the third person point of view.
3. Use a table or a spreadsheet to organize the summaries into different columns, labeled with the names of each part of the movie, such as Exposition, Rising Action, Climax, Falling Action, and Resolution.
4. Review and edit the summaries for accuracy, clarity, and coherence.

Here is an example of how I would create a summary of each part of the movie and present them in a chart:

1. Exposition: Alex and Mia are two young friends who decide to try DMT, a powerful psychedelic drug that can induce out-of-body experiences. They smoke it in their apartment and lie down on the couch.
2. Rising Action: Alex and Mia leave their bodies and enter a tunnel of light and shapes that leads them to different dimensions. They encounter various forms of consciousness, some friendly and some hostile. They learn from a sun spirit about the source of all existence.
3. Climax: Alex and Mia are trapped in a lower dimension by negative entities that want to harm them and take their souls. They fight back with their minds, using their will and their love to create a shield of light around them. They see a portal of light that can take them out.
4. Falling Action: Alex and Mia escape from the lower dimension and arrive in a higher dimension where they are greeted by benevolent beings that want to help them. They heal their wounds and receive teachings and messages from them. They feel their presence and their message with their hearts.
5. Resolution: Alex and Mia return to their normal state of consciousness in their apartment. They feel different and wonder what they just experienced. They realize that reality is not what they think it is, and that they are not who they think they are. They decide to integrate what they learned into their lives. They thank each other for sharing the experience.

The Aries Hilton Storytelling Framework easily enables you to convert parts of the movie into different genres, to my knowledge this is the first process flow to automate full film genre conversion as well as scene by scene conversion!

To make the climax seem more like the horror genre, I would follow these tips:

• Start with a fear factor. Think about what scares you or your audience the most, and use it as the main threat or challenge for your characters. For example, if you fear being trapped in a dark place with no escape, you could make the lower dimension a claustrophobic nightmare with no visible portal of light.
• Pick a horror subgenre. Depending on the tone and style of your story, you could choose a specific subgenre of horror to enhance the climax. For example, if you want to add some gore and violence, you could go for a splatter or slasher subgenre. If you want to add some mystery and suspense, you could go for a psychological or paranormal subgenre.
• Let readers experience the stakes. Show the readers how much danger and pain your characters are in, and how high the stakes are for them. Don’t just tell them what is happening, but make them feel it through vivid descriptions, sensory details, and emotional reactions. For example, instead of saying “The hostile beings attack them with claws, teeth, and psychic attacks.”, you could say “The hostile beings tear at their flesh with razor-sharp claws, bite into their bones with rotten teeth, and invade their minds with horrifying images and sounds.”
• Build up the tension and suspense. Use techniques such as foreshadowing, red herrings, cliffhangers, and twists to keep the readers on edge and guessing what will happen next. For example, you could foreshadow the appearance of a powerful and evil entity that controls the lower dimension.
• Use contrast and irony. Contrast the horror of the climax with the beauty of the previous scenes, or use irony to create a sense of dread or shock. For example, you could contrast the light and music of the higher dimension with the darkness and noise of the lower dimension.
• Go out with a bang. Make sure your climax is memorable and impactful by using a strong image, a powerful dialogue, or a surprising action. For example, you could have a final confrontation between Alex and Mia and the evil entity that reveals their true nature or destiny.
• Don’t linger. End your climax on a high note and don’t drag it out with unnecessary details or explanations. Leave some room for interpretation or imagination for your readers. For example, you could end your climax with Alex and Mia flying towards the portal of light without knowing if they will make it or not.

HORROR EXAMPLE;

Here is a possible sample of the dialogue from the climax scene in the horror genre, with updated stage directions:

[Scene: A dark and chaotic realm filled with shadows and noises. Alex and Mia are surrounded by hostile beings that look like demons or monsters.]

[Stage directions: The actors playing Alex and Mia should act as if they are trapped in a dark and chaotic realm, surrounded by hostile beings that look like demonic DMT Jesters. They should show some terror and panic as they see the different threats and attacks. They should also show some courage and determination as they try to fight back and escape. The realm should be created by a combination of AI, AR, VFX and CGI techniques, which can generate realistic and dynamic visuals based on the actors' movements and expressions. The sound should be loud and discordant, with screams and roars of the hostile beings.]

ALEX (voice-over): This is bad. We're in a lower dimension.

MIA (voice-over): How did we get here?

ALEX (voice-over): I don't know. Something must have pulled us here.

MIA (voice-over): What are they?

ALEX (voice-over): They're negative entities. They feed on fear and pain.

MIA (voice-over): What do they want from us?

ALEX (voice-over): They want to harm us. They want to take our energy and our souls.

MIA (voice-over): How do we get out of here?

ALEX (voice-over): We have to fight them.

MIA (voice-over): Fight them? How?

ALEX (voice-over): With our minds. We have to use our will and our love.

[The hostile beings attack them with claws, teeth, and psychic attacks.]

ALEX AND MIA (voice-over): Ahh!

[They try to resist and fight back with their thoughts and emotions.]

ALEX (voice-over): We can do this. We're stronger than them.        

Investor Summary;

• Introduction: Aries Hilton is an AI-generated movie scriptwriter he uses natural language processing and chatbots to create movies in any genre based on user input and preferences.
• How Aries Hilton Works: A user can interact with Aries Hilton through a virtual chat interface and provide information such as genre, plot outline, characters, setting, dialogue style, etc. Aries Hilton then generates a movie script based on these parameters using natural language processing techniques such as text generation, sentiment analysis, summarization, etc.
• Benefits of Aries Hilton: Aries Hilton can offer several benefits to investors and filmmakers, such as:

1. Cost-effectiveness: Aries Hilton can reduce production costs by eliminating human scriptwriters and editors.
2. Creativity: Aries Hilton can generate original and diverse movie scripts that can appeal to different audiences and markets.
3. Diversity: Aries Hilton can create movie scripts that reflect different cultures, perspectives, values, etc., without bias or stereotypes.
4. Customization: Aries Hilton can tailor movie scripts to user preferences and feedback, allowing for more personalization and satisfaction.
5. Conclusion: Aries Hilton is a revolutionary AI-generated movie scriptwriter who can create high-quality movie scripts in any genre using The Aries Hilton Storytelling Framework.

To create a pitch deck based on the summary for investors to invest in Aries Hilton's AI, I will follow these steps:

Preparation. I would have a clear idea of what Aries Hilton's AI is, what problem it solves, what market it targets, what traction it has, what team it has, what competition it faces, what financials it projects, and what amount it is raising. I would also know my audience, their interests and needs, and what I want from them. I would plan for time and any assistance I might need to create and present the pitch deck.

Content. I would gather the key content for each slide of the pitch deck, using statistics and research to back up my claims. I would also storyboard and message the content to make sure it flows logically and persuasively. I would include the following slides:

• Cover: The name and logo of Aries Hilton, a catchy tagline or slogan, and my contact information.
• Problem: The pain point or gap that Aries Hilton addresses in the movie industry, using a compelling story or example to illustrate it.
• Solution: The unique value proposition of Aries Hilton, how it works, and what benefits it offers to investors and filmmakers.
• Market: The size and potential of the market that Aries Hilton targets, the customer segments and personas, and the market trends and opportunities.
• Product: The features and functionalities of Aries Hilton, how it differs from other scriptwriting tools or services, and how it uses natural language processing and chatbots to create movie scripts in any genre.
• Traction: The evidence of product-market fit, customer validation, user feedback, revenue growth, partnerships, media coverage, or awards that Aries Hilton has achieved or expects to achieve.
• Team: The core members of the Aries Hilton team, their roles and expertise, their backgrounds and achievements, and their vision and mission.
• Competition: The main competitors or alternatives that Aries Hilton faces in the market, how they compare to Aries Hilton in terms of strengths and weaknesses, and how Aries Hilton differentiates itself from them.
• Financials: The key financial metrics and projections of Aries Hilton, such as revenue model, cost structure, profit margin, breakeven point, cash flow, etc.
• Amount being raised: The amount of funding that Aries Hilton is seeking from investors, how it plans to use the funds, what milestones it aims to reach with the funds, and what valuation or terms it offers to investors.

Creation & Design. I would use a presentation software or tool that allows me to create a professional-looking pitch deck with ease. I would also follow some visual design principles to make sure the pitch deck is clear, consistent, attractive, and memorable. Some tips are:

• Know your brand: Use colors, fonts, images, icons, logos that match your brand identity and personality.
• Gather the right tools: Use a presentation software or tool that has templates, features, integrations that suit your needs and preferences.
• Visual design: Use high-quality visuals that support your content and message. Avoid cluttering your slides with too much text or graphics. Use charts or graphs to display data or numbers. Use contrast or hierarchy to emphasize key points or elements.
• Work with a professional: If you have the budget or resources, consider hiring a professional designer or consultant to help you create or improve your pitch deck.

In Practice. I would update and iterate on my pitch deck based on feedback from others or new information. I would also get it out there for feedback from potential investors or mentors. I would also pitch live and practice often to refine my delivery and confidence.