Interview with Stan McCoy, President and Managing Director at Motion Picture Association EMEA
Anna Aleksandra Koj
Managing Director at Mavence EU * Executive Search & Leadership Transition | Talent Management | Team Work Dynamics | Future of Work*
EARS LEADERS SERIES - NOVEMBER 2018
Anna/EARS: MPA identifies on its website as "the voice of the global film and television industry, a community of storytellers at the nexus of innovation, imagination, and creativityâ€. To what extent do you find these to be important in the policy work and governmental relations, too?
Stan/MPA EMEA: Telling your story in a fresh and interesting way always helps connect with the audience, whether it’s in the cinema, on television, or in the halls of government. At the MPA, we try to share our values in ways that people will hear and remember. On social media, for example, visuals, videos and infographics can help to get complicated messages across.
The MPA proudly supports initiatives such as the Get it Rightcampaign in the UK and Io Faccio Film (I Make Movies) in Italy, both of which use tailored, hybrid media strategies to help local audiences connect with the importance of copyright for the creative sector and for society.
Anna/EARS: It has been an intense year in the EU for the creative industry. Where does the MPA’s focus lie now in the last months before the EP elections next May?
Stan/MPA EMEA: It’s an exciting time! The film and television industry is re-imaging and re-inventing the content marketplace like never before. In a world of powerful platforms and changing demands, the key challenge is to ensure that creators and their business partners maintain the freedom and flexibility to serve the culturally and linguistically diverse European audience in ways that respond to their demands.
This requires freedom of contract, freedom of expression, and a shared effort by creators, governments, and powerful internet platforms to promote legitimate content and fight piracy.
Anna/EARS: In times of growing polarisation, do you see a role for the creative industry in bringing people together?
Stan/MPA EMEA: In my office on Avenue des Arts, I have a poster from the 1982 Disney film Night Crossing, directed by the great Delbert Mann. It tells the story of East German families who escaped to the West in a homemade balloon. That film connected with me when I was growing up in a US military family in West Germany at that time.
I also have posters of The Sound of Music, Star Wars,Dr. Strangelove, and The English Patient. These are a few of the many films that remind us of the way our industry can shape the hopes and relationships of people across the globe. The ability to tell a story well, to take an audience on a journey, is not only an incredible talent, it is also a tremendously powerful tool.
I’m particularly proud of the way in which our industry is helping to bring European stories to global audiences. We’ve been doing this for generations: Our member Paramount Pictures produced Marcel Pagnol’s first film in the early 1930s. Flash forward to today, and our member Sony Pictures is releasing The Girl in the Spider’s Web, the latest film in the Millennium series inspired by the work of Swedish author Stieg Larsson.
It’s a Swedish story, with a British star and a Uruguayan director, shot in Germany and Sweden, and produced and distributed through an international partnership of major studios and independents. Both in our stories and in the way we make them, our industry exemplifies international partnership and diversity.
Anna/EARS: As the President and Managing Director of MPA EMEA you lead a strong team in Brussels. How do you help a new employee understand the culture of your organisation?
Stan/MPA EMEA: It starts during the hiring process. I find it is critical to connect with job applicants on a personal level and get a feel for their ability to work in a team. Everything we do is about teamwork and communication. The best thing we can do to socialize those values to new team members is to live them in practice every day.
Anna/EARS: Reflecting on your career to date, spanning from a law firm, through roles in the public sector, to your current role in the Motion Picture Association, what has been the biggest challenge you have had to face?
Stan/MPA EMEA: Negotiating complex, multi-country international trade agreements on behalf of the US government was a fascinating and supremely difficult professional challenge. It was also good training for a career that has been replete with international, multi-stakeholder professional collaborations.
Anna/EARS: Four years into the role at MPA, if you could go back in time and give yourself one piece of advice when you were about to start, what would that be?
Stan/MPA EMEA: Some of the organizational improvements we’ve made in the past four years have worked so well that I ask myself why I didn’t do it from day one. A good example is setting up a leadership team for the office, chaired on a rotating basis by the department heads. That was a great suggestion from a consultant, and one I would certainly recommend to any manager.
Anna/EARS: Leader is a big word. What is the one key trait all leaders should possess, according to you?
Stan/MPA EMEA: Leaders should have the courage and the humility to surround themselves with a team of the best and brightest, and empower their team members to do their jobs well. One mark of a great leader is that they hire, nurture, and empower other leaders from within their teams.
Secretary General and Managing Director EuCER Council
6 å¹´Congratulations to Anna Aleksandra for the wide and deep interview and to Stan for the very inspiring answers. Please notice the reference made to the Italian anti-piracy campaign Io faccio film remarkably mastered by Fapav Secretary General Federico Bagnoli Rossi
Managing Director at Mavence EU * Executive Search & Leadership Transition | Talent Management | Team Work Dynamics | Future of Work*
6 å¹´Thank you Stan?for sharing your thoughts with us! Very inspiring.