"Impression of Holy City" by artist Tian Yang
Dr. Quincy Chen
Managing Director for PetroOverseas Group; Co-founder of Sinostan Consortium & Thinkingtank;Founder of AUDO. 天行健,洲际亚元铸金瓯
“Impression of Holy City": this impression work has the impressionist style of Monet in France, and can show the image of artist Tian Yang works from different angles with different colors to be apparent, heavy strokes, from different angles, with different color tones to be expressed. This painting clearly feels the painter's preference for the effect of color and light, and uses color to wash the outline and physical structure of the scenery. In the depiction of the magnificent church buildings, the painter has a mysterious religious feeling, which covers all the desires of human nature, uses the thinking impression of losing the concreteness and artistic persuasion, and makes the brushwork overlapping, unrestrained and uninhibited Light, shadow and color become the soul of modeling. The strong contrast of light and shade makes holy city church a kind of light and color crystal full of color melody.
Tian Yang looks for all kinds of new and strange subjects, and puts forward the difficult task of breaking through the traditional Chinese painting. It shows the new charm of Chinese art to the world with new images of Chinese painting.
(聖城印象)这幅印象作品,极具法国莫奈的印象派风格,可以着出画家天阳的作品从不同角度用不同的色彩加以表观,笔触厚重,从不同的角度,用不同的色彩调子加以表现。此画明显感觉到画家对色彩与光的效果的偏爱,用色彩冲洗景物的轮廓和形体结构,在宏伟教堂建筑物的描绘中,画家产生了一种神秘莫测的宗教感觉,把人性欲求的包罗万象,用丧失了具体性和艺术说服力的思维印象,把笔触重迭、狂放不羁、光影与色彩成为造型的灵魂 ,强烈的明暗对比,使聖城教堂成了一种充满色彩旋律的光色结晶体。
画家天阳寻找种种崭新的、奇特的题材,给自己提出了突破传统国画的艰难任务,用载新的心象国画,向世人展示中国艺术的新魅力。