How We Helped San Francisco Opera Boost Subscription Sales with First-Party Data
As privacy changes?keep rolling in,?it’s never been more clear that?first-party data is the future of digital marketing—but how do you harness that power in a digital marketing campaign?
When?San Francisco Opera?(SF Opera) was ready to announce its 2023–2024 season, we developed a multi-pronged strategy that used first-party data as its foundation to drive subscription acquisition and renewals.
Stats at a Glance
Step One: Play Up Excitement to Collect Leads
As one of the world’s preeminent opera companies for over 100 years, SF Opera is committed to telling bold stories and inspiring a new generation of opera-goers. They announced their 2023–2024 season with an array of repertoire-expanding premieres and highly-anticipated works, including?Il Trovatore, The (R)evolution of Steve Jobs, and The Magic Flute.
With such an exciting lineup, the Opera had a golden opportunity to launch subscription sales with a bang. As their strategic partner since 2020, we understood the most cost-effective ways to grow their subscriber base and helped them craft a digital strategy rooted in first-party data for maximum and cost-efficient impact.
Before the new season was revealed, we ran a lead generation campaign on Meta to tease the announcement and collect email addresses. We served these lead-generation ads to a few different audiences, including lookalikes of current email list subscribers and Meta users in the Bay Area who indicated opera-related interests. In exchange for their emails, users were promised first dibs at a deal for new subscribers.
By inviting people to opt-in for season announcement alerts, we amassed a list of highly interested—and thus high-quality—prospects for future subscription campaigns. In just one week, we generated 447 new leads for SF Opera at a low average cost of just $1.45 per lead.
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Step Two: Target Audiences Efficiently and Effectively
After the season announcement, we ran a second campaign to drive subscriptions. In addition to targeting various audiences, like engagers and people with opera-related interests, we also took advantage of first-party data to speak to those within SF Opera’s network.
Using first-party data allowed us to target prospective subscribers in cost-effective ways. Rather than simply cast a wide net, we spoke to people who had already engaged with SF Opera and were most likely to buy.
The Results
This second prong of the subscription strategy drove a?2,527% return on investment (ROI).?The CRM audiences drove a collective?142 purchases?and?$185K in revenue,?while the newly-collected leads saw a?161% ROI.
By employing the data they owned, SF Opera was able to draw from its pre-existing base while also bringing in brand-new subscribers. Even the new leads who weren’t quite ready to subscribe have future value; SF Opera now has a list of highly interested potential single-ticket buyers that we can continue to communicate with in future campaigns. The investment in first-party data will continue to pay off for many campaigns to come.
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