How to #Sell Your #Independent #Films on Futurestarr.com
How to Sell Your Independent Films on Futurestarr
As a?film ?producer, you must be aware of the requirements and expectations of the global market. Without proper marketing, your?film ?will not receive the expected response. The following are some tips to help you promote your independent?film ?to attract the right audience. You can also look for partnerships with SVOD platforms. If you have a good script and a good director, a decent license fee will surely come your way.
Creative entrepreneurs are the future of independent filmmaking
As the future of independent filmmaking approaches, there is a clear need for creative entrepreneurs to take the helm. Filmmakers can no longer rely solely on their experience or knowledge to make their films. A creative entrepreneur can help filmmakers find ways to overcome challenges and maximize their creativity. For example, entrepreneurs can hire temporary workers to help with one-off projects, such as data analysis or UX design. Filmmakers should also understand IP law and the rights to their work to avoid any legal complications down the road.
For the future of independent filmmaking, creative entrepreneurs need to step up and assume the role of mini studios. This means building pipelines of great content, producing it effectively, and marketing it to a specific audience.?Film ?entrepreneurs can take a cue from entrepreneurs and launch their own production companies. Creative entrepreneurs can also use their own brand and name to gain exposure and credibility. They should also focus on building strong relationships with other creative entrepreneurs in the industry.
In the 1990s, independent movies became a hot commodity, and films shot on shoestring budgets were getting into Sundance and being purchased for seven-figure sums. Then, private equity investment opened the floodgates to original content. But there were still many pitfalls, and creative entrepreneurs must overcome them to stay afloat. They need to think outside the box, make smart decisions, and be open to new opportunities.
Investing in creative entrepreneurs is one way to promote the growth of independent filmmaking. The Moving Image Fund supports risk-taking creative activity through investment. The fund has the potential to be a significant source of financing for new films and productions. It is a small but influential intervention to help filmmakers achieve their goals. With the right support, more independent filmmakers can flourish. This investment is a powerful way to increase creativity and innovation.
SVOD platforms can pay decent licensing fee
The SVOD market is exploding, with giants such as Netflix, Hulu, AppleTV, and HBO now offering their movies to streaming customers. According to Statista, worldwide video on demand revenues will reach $60B in 2020 and $96B in 2025. In the United States alone, 78% of households now have access to SVOD services, making it the fastest growing segment of the entertainment industry.
SVoDs in one region typically license films at four to five-figure levels. Prices vary widely, as they are competing for the same rights. Niche SVoD services often pay much lower fees, but they're not limited to this region. The number of titles sold largely determines licensing fees. While a mainstream SVoD might pay a five-figure fee for an indie?film , a smaller niche service may pay significantly less for the rights.
SVoD deals typically last for one to three years. However, some platforms opt for shorter deals, hoping to keep their catalogue fresh. During the SVoD pandemic, many major players slowed down funding original titles and instead turned to third-party content. Netflix, for example, licensed classics from mk2 Films during the pandemic. If they can pay a decent licensing fee for independent films, this is the best scenario for independent?film ?producers.
Despite the SVoD space's rapid evolution, indie filmmakers should still consider the following options to find a suitable platform. First, try a number of niche sites. Niche sites have flexible licensing policies and don't require exclusivity. These platforms can prioritize films that are priced at flat licence fees or MG (money) or a percentage of the?film 's gross revenue. They can also help you market your?film , and increase its visibility online.
Traditional distributors are squeezing out indie films
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In a new initiative, Gravitas Ventures is making indie films more accessible to audiences worldwide. The company was launched last year when Sony Music subsidiary The Orchard announced it was divesting its?film ?division. It now distributes independent films worldwide, connecting producers and filmmakers with a global audience. But what does this mean for traditional distributors? Specifically, is the future of indie?film ?distribution doomed to fail?
Avoiding aggregators
As an independent filmmaker, you may wonder whether to use an aggregator to get your?film ?on major VOD and iTunes platforms. While?film ?aggregators can help your?film ?reach a larger audience and get more exposure, they are not essential. There are advantages to using an aggregator, such as the access to referrals and experience working with other productions. However, you should always be cautious of a poorly operated one.
While these services may provide a convenience and influence to filmmakers, they may also take part of the ownership of your?film . Some filmmakers may be willing to give up this part ownership for the audience they receive through aggregators. In addition, some platforms offer discounts for using their Compressor software. It is best to do some research and determine which aggregators offer the best price.
Filmmakers should avoid using aggregators that do not pay their submission fees on time. In particular, Distribber failed to provide an alternative revenue stream to filmmakers. It is also important to research each aggregator thoroughly and ask filmmakers for honest opinions. Ask them if they pay on time and whether their customer support staff responds to emails promptly. A good aggregator is worth its salt, but it is important to know that there are better alternatives.
Besides paying fees to aggregators, filmmakers should check their terms of service before signing up. Most of these services charge filmmakers a fixed fee, usually $1K for their first feature?film ?or a much smaller amount for each subsequent platform. Others charge a percentage of your movie's revenues, which is only beneficial for filmmakers who can afford to pay a lower upfront fee.
Selling directly to fans
Independent?film ?distribution has been dying for a while, but the internet is offering a new way to distribute your?film . There are platforms such as Futurestarr.com that help independent filmmakers sell their films directly to fans. This method is not for everyone, and you must know your market. It is important to understand what people want and expect, and then market your?film ?accordingly. Without a proper marketing strategy, your?film ?will not be successful.
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