How to Create a Silky Water Effect in Post-Processing without Using Filters or a Tripod
?? Sarah Hipwell
eLearning Producer at Pico(formerly Corvil) | L&D Specialist | MA in eLearning Design & Development | Multimedia Specialist | Instructional Design
Even if you don’t shoot landscape photography, photos of waterfalls with the smooth water and glassy appearance are awesome. The gist to achieving this, and I do stand corrected if I have this wrong, is as follows:
- Slow shutter speeds – the need for a tripod
- A remote shutter release or your camera’s timer
- Wide angle lens and the camera settings using a small aperture of f/22, ISO 100
- Neutral Density and/or polarizer filters, as you’ll be shooting long exposures during the day
- Of course the scene and by all accounts patience too
However, I personally don’t own ND or polarizer filters. These type of filters are required for long exposures during the day, so that your shutter speeds are slow enough, possibly one minute or more to get that misty look. On top of which, you have to get the exposure right, which requires a bit of math and experimentation. ND filters block out the light in terms of stops.
So taking long exposures during the day is an involved process, especially if you want to create that smooth, silky water effect in-camera. But, is there a way to simulate this effect in Photoshop or other post-processing software? Yes there is! It does require that you take multiple shots. I’m not advocating that this technique in post editing is a replacement to going out and achieving long exposures out in the field, far from it. But, I hope this technique may serve as a stepping stone or inspiration to go out and capture silky waters, clouds etc., in-camera.
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Founder/Director @ New Paradigms | MSc in Ag Innovation | MSc in Management for Sustainable Development
8 年Thanks for that Sarah. Useful tips.