How to brief a designer to create your visual identity
Sarah Robb
Founder of Brand Strategy Academy - practical, online brand strategy course | Experienced brand strategist | Author of 'Rebrand Right: How to refresh your brand and marketing to grow your business' - Out April 22 ??
I’m doing a course at the moment on how to create a course. Ironic I know.
My three ‘Accountability Buddies’ are all trying to create their websites at the same time as doing the course, and were bemoaning the fact that the designers they’d briefed had given them “bad logos”.
I’ve heard this sort of disappointment and frustration before. But I suggested, as nicely as I could, that perhaps it wasn’t the designers’ fault. I asked them what they’d put in their brief. And there was a blank pause.
So I wrote them this guide, which I hope will help you too.
There are three things that can make or break a successful design project
1. The skill of the designer.
Make sure you do your research. Make sure you’re buying from someone who has a lot of references, who can show you a lot of their work, and who can show variety in their work.
You want them to be able to reflect you - not impose their style on you.
2. Making sure you tell them the right things about you.
3. Making sure you ask for the right things.
How to tell them the right things about you
We just need to rewind a bit. Everything you're doing is about building a brand. So, first, you have to understand what a brand is.
All brands really are, are associations in people’s minds. And the stronger and more connected these associations are, the more likely a person is to choose and buy your brand.
So, the first thing you need to decide is, what associations do you want to build? What is it that you want to stand for?
This is called doing your brand strategy.
Your brand strategy is your decision on what you want to stand for: the associations you want to build in people’s minds. Everything you do, say, design, write, etc. needs to connect to this.
You create your brand strategy by answering 4 questions:
- WHY you exist
- WHO you are
- HOW you do things, and HOW you look, feel and sound
- WHAT you do
It's critical to get these answers in place before you do your ‘branding’ so you have something to judge things, like your logo, against.
It doesn’t matter what you call these things in your brand strategy. For instance, most people call their WHY, their purpose. HOW you look and feel is often called your Brand Personality. What's critical is that you answer all of these questions, and you answer them in the right way.
You also need to understand what ‘Branding’ is.
Branding is the process of creating signals that help reinforce the associations you want to build in your customers’ minds.
These signals can be visual: your logo, colour palette, imagery, packaging, shapes and patterns, fonts.
They can be verbal: your name and nomenclature, your tone of voice, your brandline, the language that you use.
They can also be sounds – like T Mobile’s or Intel’s chimes.
Or smells – like the bespoke fragrances luxury hotels create for their lobbies.
They can even be people or characters – liked Jared Fogle was for Subway, or George Clooney is for Nespresso, or the Compare The Market Meerkats.
But creating visual and verbal signals are where most brands start.
All together these signals are often called your ‘Brand Identity’ (and separately, your Visual Identity, Verbal Identity, Sonic Identity etc).
When you brief a designer, you should be briefing them to create your Visual Identity, NOT JUST A LOGO.
If all you get is a logo, then how do you create your whole website? How do you create a connected look and feel on Instagram? You need more than a logo.
How to ask for the right things
Here are things you need to tell your designer:
· Your company name
· Your brand strategy (Spend time particularly on identifying HOW you want to look and feel. Find 4-5 attributes you want your Visual Identity to communicate).
· Your timings
And here are things you should ask for:
Deliverables
· A logo
· 2 fonts – try and stick with just two that complement each other. For instance, one serif font and one sans serif
· A colour palette (with primary and secondary colours – i.e. a couple you use for the majority of your things, and a few more than complement these ones)
· A graphic device or pattern(s)
Now, these are not compulsory (the biggest brands in the world all have this level of detail, but it may turn out too costly if you are starting on your own), but you may want to ask for something like this to give you flexibility in how you create content. For instance, I use circles in different way. It just gives me more options when I am creating my content but still helps it feel like the same brand.
· A set of images/an imagery style
Again – not compulsory, but if you have the budget for them to give you a handful of images – or at least some guidance in the sort of images they think support your brand strategy and visual identity - then that will really help you create your website and content more quickly. It will also look more connected and professional. Ensure these images are royalty free or you’ll just end up falling in love with a couple then having to pay more for them!
Other things to ask for:
1. More than one option.
Ask for 2-3 Visual Identity options if budget allows. (Options that show ideas for all of the things above and how they work together – 2-3 Visual Identity options, not just 2-3 logos!)
2. Most importantly: a conversation.
Good designers are highly creative, idea-driven, brand and experience builders, not just talented users of Photoshop!
Ask them for at least one Zoom call where they explain the options, after they've sent their first presentation to you.
They should be able to explain how each option reflects your brand strategy – WHY they've suggested what they've suggested. This can really help you come around to one or other option that perhaps you rejected when you first saw it. (I know you like the colour purple – but perhaps that colour is not reflective of what you want your brand to stand for…)
Use your brand strategy as the criteria to help you judge what you get back – it will get you to a much better solution, much more quickly and objectively.
The other thing I’d suggest you get done, if you haven’t already, is a photoshoot. At least a few headshots, or go further with a branding shoot which has more shots of you and more images you could use to represent your brand. But remember, brief them in the same way. Make sure you tell them the right things about you, and ask for the right things.
Global Head of Design at Danone
4 年Hi Sarah Robb, such needed guidance, thank you! Besides the great advice already given, maybe consider: 1) when you research for the best design partner, it makes a world of difference if they are de-sign-ers, not art directors from Ad Agencies that “can do design work”; 2) packaging to me is a touchpoint, like any other, so I’d separate it from the branding assets. Often we get briefings that ask for a Packaging redesign as if that alone could then be copied and pasted into other touch points. :-)
Executive Coach | Science-led strategies to thrive under pressure | Stress management & resilience | TT Mid Cap - product specialist
4 年This is so helpful Sarah - I wish I had had this when I first tried to get some branding created. I didn’t even know where to start.
Naming Expert I Founding Partner of PS212 Naming & Branding
4 年So helpful Sarah Robb! Thanks for sharing.
Co-founder & author Rebrand Right | Experienced marketing leader who fixes brands to drive fresh growth | 'Rebrand Right: How to refresh your brand and marketing to grow your business' out 22 April | Advisor & Trustee
4 年"Even just reading their names together on a list gives me a thrill!" so true!
Building Big Ideas for Growth, Championing Collaboration, Designing with Purpose — Co-CEO and Co-Owner of Beardwood&Co, President at AIGA NY 2024-2026
4 年Sarah Robb great topic! I think one of the most important parts of a client & designer relationship (and keys to success) is having a shared conversation around the key words in the brand positioning — and how those translate into visuals — before the designer sets off to put hours against a budget and begin creating. Having a designated conversation to discuss inspiration visuals between client and designer can uncover some big insights ("Oh that's what you mean by feeling human & friendly!") Clearly understanding of the YES/NO/WHY inspiration feels right or wrong for a brand. There are so many visual expressions for every word in the positioning, so having some alignment can really streamline the process and save stress, time, and money :)