A Guide to Transitioning From an SDI Television Production System to Video Over IP - Part Two - Assessing Network Readiness
David Grundy
Television Systems Engineer | Specializing in Live Production & Technical Operations
Assessing network readiness is crucial when transitioning from SDI to Video over IP to ensure that the infrastructure can handle the specific demands of broadcast-quality video streaming. Chances are that your current network will not support your Video Over IP needs. In my case, I have a very large SDI system to convert, so I Know that sufficient bandwidth is going to be an issue. If your network is currently part of a corporate or office network, you may want to consider separating your media network away from the primary office network. This may require a separate firewall and internet bandwidth connection. Here are the key areas and steps involved in assessing network readiness:
1. Network Capacity and Bandwidth
Bandwidth Requirements: Calculate the total bandwidth needed based on the number and type of video streams. Each video stream, depending on its format (HD, 4K, etc.), can require a significant amount of bandwidth. For instance, uncompressed 1080p video at 60 fps can require around 3 Gbps, and 4K video at 60 fps might require around 12 Gbps.
Bandwidth Availability: Assess current network bandwidth and compare it with the requirements. This includes both the backbone network and the last-mile connectivity to the devices.
2. Quality of Service (QoS)
Prioritization: Ensure that the network supports QoS settings to prioritize video traffic, which is critical for avoiding packet loss and maintaining stream quality.
Traffic Shaping: Implement traffic shaping policies to manage bandwidth allocation effectively and prevent network congestion.
3. Network Architecture and Design
Switching Infrastructure: Evaluate if current switches and routers are suitable for high bandwidth and low latency operations. Layer 3 switches with deep packet buffers are often recommended.
Segmentation: Consider segmenting video traffic from other types of data to reduce congestion and enhance performance.
4. Latency and Jitter
Latency Requirements: Check the current network latency and ensure it meets the low-latency requirements essential for real-time video production. Typically, latency should be below 1 millisecond for local network traffic.
Jitter Measurement: Measure the jitter within the network to ensure video streams will be stable and consistent.
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5. Redundancy and Reliability
Network Redundancy: Plan for redundant network paths and automatic failover mechanisms to ensure high availability and uptime, critical in broadcast environments.
Failover Testing: Conduct tests to see how the network handles failures in active equipment or pathways to ensure continuous service.
6. Security
Vulnerability Assessment: Analyze the network for potential security vulnerabilities, especially since video streams can be high-value targets for interception or disruption.
Security Protocols: Ensure that encryption and secure authentication methods are in place for protecting video streams.
7. Compliance and Standards
Standard Compliance: Verify that the network hardware and configuration comply with industry standards like SMPTE ST 2110 for professional media over managed IP networks.
8. Monitoring Tools and Services
Network Monitoring: Implement or upgrade network monitoring tools that can handle real-time traffic analysis, bandwidth usage, and performance metrics specific to video streams.
9. Pilot Testing
Test Deployment: Before full deployment, set up a pilot project involving a few IP-based video streams to evaluate the network's performance in real conditions and to refine any needed adjustments.
Conducting a thorough network readiness assessment helps identify areas that need upgrading or modification before fully transitioning to Video over IP, thereby ensuring a smooth and efficient migration from SDI.
A1 TV Broadcast Audio + Entrepreneur + Berean
6 个月Been following along, seeking to learn. Does 2110 allow a redundant/backup network…like Dante does for audio (such as Dante primary & Dante secondary)?