Folklore and Fakelore: Authenticity and Falsehood
Zouhair Khaznaoui
Cultural and Artistic Entrepreneur - Founding Director of FANOUS prod: Art and Culture Agency - Cofounding Director of the Marrakech International Storytelling Festival
In the realm of culture and heritage, the distinction between folklore and fakelore is crucial for artists, culture workers, and anyone engaged in the preservation and promotion of traditional arts. Folklore, the richness of cultural narratives, customs, and practices passed down through generations, represents the authentic voice of a community. Conversely, fakelore is a superficial or false representation of this heritage—often stripped of its original context and meaning. As custodians of culture, it is our responsibility to ensure that we do not inadvertently transform authentic expressions of popular wisdom into mere imitations that lack depth and significance.
Gustav Mahler once said, “Tradition is the passing on of the fire, not the worship of the ashes.” This aphorism encapsulates the dynamic nature of cultural heritage. It reminds us that tradition is not a static relic to be admired but a living, breathing entity that must be nurtured and adapted. As culture workers, we must be cautious and aware of how we engage with heritage, ensuring that we ignite the flame of authenticity rather than merely honoring past ashes.
Reviving and Monetizing Heritage and Traditional Art Forms
To ensure that community-based heritage thrives and survives, it must be monetized thoughtfully and responsibly. This notion often raises eyebrows, as many fear that introducing financial elements to heritage will lead to its over-commercialization and degradation. However, a historical perspective on the case of storytelling reveals that it has always had economic dimensions. Traditionally, storytellers were travelers who relied on the generosity of their audiences for sustenance. They were rewarded with gifts, food, and even animals to continue their journeys. Today, while we may not offer storytellers clothes or donkeys, we can engage with them through monetary transactions, maybe in crypto money in the future, I am looking forward for such future.
To sustain and deliver traditional art forms into the future, we must embrace our responsibility towards these practices. Here are some essential steps to ensure that we do this ethically and effectively:
By embracing these principles, we can navigate the fine line between celebrating our cultural heritage and ensuring its sustainability. Let us work together to keep the fire of folklore alive, transforming it into a dynamic force that resonates with both past and future generations while steering clear of the superficial allure of fakelore. In doing so, we honor the stories that shape our identities and empower communities to thrive in a rapidly changing world.
Free lance, bénévole chez Academia Arabesca
4 个月Merci Zouhair pour avoir lancé ce sujet si important! J'espère pouvoir en discuter avec toi et d'autres personnages cuturels en décembre quand je reviendrai de l′inauguration du premier Centre de Danse des Nomades de Sapmi à Vuollerim prés du circle polaire en Suède.