Expose the exposition never impose it!

Excessive #exposition: it's a common pitfall for amateur #screenwriters, and one of the biggest reasons why #specscreenplays get passed on. While some exposition is necessary to help the audience understand the #story and #characters, overdoing it can bore them to tears. As a #screenwriter, creative producer, and mentor I've seen this mistake time and time again, and it can be the downfall of an otherwise promising #script.

According to Oscar-winning screenwriter #AaronSorkin, "The exposition should never be noticed. If it's noticed, it's bad exposition." It's important to find creative ways to convey information without spelling it out for the audience. This can be done through dialogue, action, and setting, as well as through what is left unsaid in #subtext.

Filmmaker #EdgarWright agrees, stating that "showing is always better than telling." He suggests using visuals and sound to create atmosphere and convey emotion, rather than relying on characters to explain everything. This not only keeps the audience engaged, but also adds depth and complexity to the story.

Producer and screenwriter #JuddApatow emphasizes the importance of "earning your exposition." In other words, make sure the audience is invested in the story and characters before giving them a lot of information. This can be achieved by creating interesting and relatable characters, building suspense and tension, and using humor to break up exposition-heavy scenes.

Screenwriter #JohnAugust advises against "frontloading" your script with exposition. Instead, sprinkle information throughout the story in a way that feels organic and natural. This keeps the audience engaged and curious, and also allows for surprises and twists later on.

So what does all this shit mean?

In summary, excessive exposition can be the kiss of death for a spec #screenplay. Instead, find creative ways to convey information, show rather than tell, earn your exposition, and avoid frontloading. By doing so, you'll keep your audience engaged and invested in your story.

Sources:

• Aaron Sorkin, "How to Write Screenplays That Don't Suck and Will Actually Sell" (2011)
• Edgar Wright, "Edgar Wright on Writing, Shooting, and Directing Movies" (2019)
• Judd Apatow, "Sick in the Head: Conversations About Life and Comedy" (2015)
• John August, "The Art of Screenwriting" (2007)