Every stranger has a story: what a made-up word can teach us about crafting better brand narratives
Photo by TimoImage by Gerd Altmann from Pixabay n Studler on Unsplash

Every stranger has a story: what a made-up word can teach us about crafting better brand narratives

I fell in love with a new word the other day.

Well, it’s not actually a real word. It comes from John Koenig’s Dictionary of Obscure Sorrows. And I stumbled across it via episode #32 of the All Good Copy podcast.

The word is sonder.

Koenig created it to encapsulate a fundamental human truth – every stranger has a story.

This is the full definition as it appears in Koenig’s dictionary:

Sonder

n. the realization that each random passerby is living a life as vivid and complex as your own - populated with their own ambitions, friends, routines, worries and inherited craziness - an epic story that continues invisibly around you like an anthill sprawling deep underground, with elaborate passageways to thousands of other lives that you’ll never know existed, in which you might appear only once, as an extra sipping coffee in the background, as a blur of traffic passing on the highway, as a lighted window at dusk.

This poetic and, quite frankly, brilliant notion perfectly illustrates something every copywriter must hold front and centre when crafting a brand’s story.

See, most businesses fall into the trap of thinking their brand story is literally the story of their brand. Easy mistake, considering the terminology.

Your brand does, in fact, have many stories to tell. The one about why your business exists. The one about how and when it started. And those that happen behind the curtain – the faces, the moving parts and the processes that are your magician’s secrets.

Problem is, none of these stories matter all that much to your customers. Unless, of course, they do. Mostly they won’t.

From your customers’ perspective, your brand’s story only really begins at the precise moment you show up in their story. And it’s likely just a walk-on part with a single line of dialogue.

It is absolutely possible to steal that scene, but you’ll have to play that supporting role like your life depends on it. And you’d best believe your brand’s life does depend on it.

So how can you pull that off, while still positioning your customer as the hero of the story?

Easy…ish.

Cast yourself as the catalyst for their success. Show how the ‘thing’ your business offers moves their narrative forward.

It’s not that you can’t tell those other stories; all the who, what, why, when and hows. But, when you do, be sure to link them back to your customer’s story:

  • How will your 20-year history help them solve their problem right now?
  • What great qualities does your origin story illustrate. And, more importantly, what benefits/advantages do those qualities offer your customers?
  • How does your way of doing things make their lives easier?
  • What superpowers do your team members possess that your customers ‘borrow’ when they choose your brand?

Of course, the concept of sonder begs us to understand that our customers’ stories are as unique as fingerprints; a distinct combination of possible experiences, thoughts and feelings. So, how do you write a brand chapter that can be tucked seamlessly into any book within an entire library’s worth of epic personal narratives?

You look for the intersection where all their stories overlap.

Going back to the definition Koenig offered, think about your customers’ “ambitions, friends, routines, worries and inherited craziness”.

While, of course, each of us is a special snowflake, all your customers have some things in common. For a start, they need your products or services for some reason. Beyond that, consider what’s happening in their collective external and internal worlds.

Remember, while it’s easy enough to gather information on their external experiences – age, location, habits, expressed problems etc – you’ll have to dig deeper to understand their internal ones – their desires, whatever base survival instincts are at play, their unexpressed problems and fears.

Once you truly understand who your customers are and what they’re going through when you walk into their lives, you’ll know how to tell them your story.

Which is, after all, their own.

Sonder is a word we all needed, yet simply hadn’t realised was missing. For me, it represents the first step towards compassion; understanding that all lives and experiences are meaningful and interconnected. And if ever there was a time when taking a more compassionate approach to business was in order, it’s now.

---

Greg Reese

I help brands say what they can't on their own / Freelance Copywriter

4 年

Great brands are like great humans. They invest in the relationship.

Great post. Beautifully articulates a valuable truth. If more people on Linkedin took this to heart then the volume of posts would fall dramatically!

... there was Aweland. A land so beautiful and awesone that everyone who lived there was incredibly beautiful, too. Not only their physical appearance but also their minds and hearts carried the gentle sigh of awesomeness inside. Whenever they woke up, they left Dreamland and entered Aweland. Then they realized how deliciously unique it was to be alive. You might ask yourself know what could be the difference or zone or area or phase of transition between Dreamland and Awesomeland. It was the sphere of fading away. The feeling of gently getting lost. With a smile in your eternal gaze...

Yvonne B. E.

EVERY CONTACT COUNTS.??????

4 年

Jonathan Cook?interesting for you I hope ??????

Madalina Dobraca

Executive Search Advisor ?? Executive Employment Counselor ?? Visual Storyteller ?? #artbasedlearning

4 年

The realization that everyone around you has a life outside of yours, complete with their own thoughts, feelings and emotions. ?

  • 该图片无替代文字

要查看或添加评论,请登录

Carolyn Watson的更多文章

  • Write something worth reading.

    Write something worth reading.

    In the early noughties, while studying at the University of Canberra (ostensibly completing a Marketing and Advertising…

    25 条评论
  • This letter could have been an email: rejection as an indicator of creative success

    This letter could have been an email: rejection as an indicator of creative success

    For my fellow creative freelancers, the below correspondence between French artist, Henri Matisse, and his patron…

    3 条评论
  • Bored games

    Bored games

    I spent a lot of time being bored as a kid. Long car trips.

    13 条评论
  • What is a copywriter, anyway?

    What is a copywriter, anyway?

    I’ll admit it. I love it when people ask me what I do.

    15 条评论
  • Choose your delusion

    Choose your delusion

    “It’s dark because you are trying too hard. Lightly child, lightly.

    12 条评论
  • Write something worth reading.

    Write something worth reading.

    In the early noughties, while studying at the University of Canberra (ostensibly completing a Marketing and Advertising…

    14 条评论
  • Acts of mercy, murder and keeping people out of your underwear drawer

    Acts of mercy, murder and keeping people out of your underwear drawer

    There’s a particular folder on my laptop which, should I meet an untimely end, I hope is never discovered. “Deletions”.

    20 条评论
  • 24% remaining

    24% remaining

    As some of you know, I’m typing this one-handed. Which isn’t a terrible copywriting tip – put one arm in a sling and…

    11 条评论
  • Creative genius: a matter of taste

    Creative genius: a matter of taste

    An elite basketballer knows what’s going to happen on the court long before the next play materialises. I say long –…

    3 条评论
  • Give them an alibi

    Give them an alibi

    “We are not thinking machines that feel, we are feeling machines that think.” - Antonio Damasio, neuroscientist.

    13 条评论

社区洞察

其他会员也浏览了