A Dollar Out Of 15 Cents: A Story Of Supermodels, Helicopters And The Creative Economy
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A Dollar Out Of 15 Cents: A Story Of Supermodels, Helicopters And The Creative Economy

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I was 16 years old when my physics teacher bolted into class and asked,

"Do you know how to make a million dollars?"

No I didn’t! But I wanted to know!

My mind raced and my heart beat excitedly in anticipation. I expected that he had created nanotechnology that could heal a disease we had never heard of or perhaps he had come up with a Nobel Prize-worthy formula for the earth's rotation. Before you condemn me for being overly excited, let me give you the context. This guy looked like an African Einstein. I can't vouch for the contents of his head but he kept plenty of greying unkempt hair and a 1930s moustache with a dusty lab coat completing the look. When you saw him he always looked like he was thinking of something beyond this world. I always imagined that his mind was like a projector beaming complicated calculus that only he could see. Clearly, I can be forgiven for thinking that the look went hand-in-hand with some higher cognitive ability.

You can imagine my utter disappointment when he offered his answer,

"You plant a million cabbages and sell them at a dollar each."

I was shattered. How could my “Einstein’s” million-dollar idea be “cabbages”. Don’t get me wrong, agriculture will always be important. People will always need to eat but his solution was basic and impractical (he hadn’t factored in production costs – duh!) Moreover, it's as creative as shelf packing. A man who was meant to fill our minds with a desire to conquer the unknown wanted me to plant cabbages! As one may reasonably expect, now in my 30s, I am yet to forgive this man.

If you look at it closely, this characterizes African economics and perhaps it's the reason why our great continent is only trying to beneficiate natural resources 100 years after the West and the East got to it. Being a part of the global economy, we know what we want, we know what we buy and we know what we need. We even invested and reworked our education systems yet we seem afraid to encourage our entrepreneurs to venture towards the unknown. We can’t give them the cushions and safety nets to encourage them to explore their creativity and allow that creativity to blossom into enterprise. Instead, we tell them to plant cabbages. What we really should be doing is encouraging them to dream and never tire in trying to make their dreams a reality. We should be encouraging them to bolster the creative economy.

It may be appropriate now to explain what I mean by the creative economy. The best definition I can think of is the set of socio-economic trade dealing in creativity, knowledge and information and the transformation of those into tangible problem solving economic entities and products. To even simplify it further, I see it as the ability to create something out of nothing or very little and the foresight to monetize it. Basically, to borrow the children's game, to make a dollar out of 15 cents.

If you want to be academic about it, the creative industries â€“ which include advertising, architecture, arts and crafts, design, fashion, film, video, photography, music, performing arts, publishing, research & development, software, computer games, electronic publishing, and TV/radio – are the lifeblood of the creative economy. If well-nurtured, the creative economy can be a source of structural economic transformation, socio-economic progress, job creation and innovation while contributing to social inclusion and sustainable human development.

I'm sure the more perceptive of you have realised that cabbages in my assessment go well beyond just cabbages or agriculture but this illustrates the “usual” economy. Things that people have been known to do all along. It's either you are a teacher, a doctor, a lawyer, an engineer and so on. Oddly, it seems that if you can't give your job a name, it doesn't exist. That's the quandary that I have faced my whole life and it has taken me 3 decades to find an answer to what I do. Maybe I needed therapy, who knows?

You see, I became part of the creative economy by accident. For a long time, I felt like a misfit. I'm the sort of guy who doesn't fit into any conventional mould and I never have. For instance, I played football as a wingback, even though I was slow (running-wise, to be clear), I played rugby even though I wasn't very big, I'm a whizz at commercial business and organizational development even though I write poetry and humanities have always come easy for me. That's just a tip of the iceberg. Now you can imagine my misery when I was asked what I wanted to be when I was in school. Everyone else wanted to be doctors, lawyers, accountants and I knew that wasn't for me. I was expected to give the name of a profession which had no name. I became smart about it. I made stuff up. Sometimes I wanted to be a painting poet, a supermodel (in my defence, I won a modelling competition when I was 13), then a race car driver and once, to the dismay of those around me, I wanted to plant cabbages. Not be a whole farmer. Just cabbages.

The psychologist in me will tell you that it was more a cry for help and the pursuit for definition more than anything else. Whatever the case, I knew that I desired to create, I guess I spent so much time trying to define myself in a world that boxed you according to a name and where a name didn't exist, I was lost. That for me is the saddest thing. How many young creative minds have we killed because we have convinced them that they belong in a  pocket and they should stay in their lane? I can literally see the brain cells committing suicide. So, because you are an accountant or engineer, you can't like Hamlet or you can't dream. Have you ever thought that the much revered Leonardo da Vinci was a painter, sculptor, architect, musician, mathematician, engineer, inventor, anatomist, geologist, cartographer, botanist, and writer? All in one. These things don't fit together nowadays and it led me to realize that Africa could embrace a creative economy and build creative entrepreneurs just by understanding that the world need not stand on convention. People need not be pigeon-holed.

We must encourage our entrepreneurs and children to open their minds and explore possibilities. Only then do we build more fulfilling enterprises and create new things for the world to admire and hopefully buy from us. In case you are wondering, I have now found my definition. If someone asks me what I do, I simply tell them that - I create value.

The problem from a macroeconomic level goes much deeper. We can't ignore the role that policies and institutions play. I believe that our governments should have an unwritten contract with their citizens. Governments should say that if you create something viable and new, and it works, we will help you protect it and we will ensure that you will earn handsomely from it. This understanding is often created by enabling policies and institutions that support people who are bold enough to venture outside conventional comfort zones. Unfortunately in Africa, God giveth and the government taketh away.

As an example, about 20 years ago, in a Southern African country - far far away, a 15-year-old student made a working rifle for a science fair. He was told that what he had done was dangerous and illegal and he must never do it again! He now works for a top arms company in the United States. In another incident, an engineer made a helicopter at home. He was told that if that contraption rose 10 centimetres from the ground, he would be arrested. Now he consults for an aircraft company in Germany. Yet in another African country, a 17-year-old boy made a radio using cardboard, wood, wires and Coca Cola bottle tops. He is now a lab technician in an underfunded hospital. Allow me a moment to wipe the tears from my eyes. It's hard to understand why we stifle progress and creativity. The oddest thing is that we actively and vigorously stifle this creativity. Why we threaten those who create yet we have policies and institutions to support traders, cabbage planters and people who dig up stuff. Can we not understand that by embracing creativity we can be so much more? Creativity is an equalizer in that a single idea can leapfrog a business or an economy 20 or 30 years ahead.

We are happy to tinker on Facebook or Google but we don't stop to think that not so long ago these were ideas that may not even have seemed plausible. They were created by the crazy imagination of people not so different from you and I. Knowing some of our governments as we do, had the concepts of Facebook and Google been mooted on this continent, they would never have seen the light of day. I can imagine how many privacy laws they would have broken and heck, if the government felt adequately threatened, jail time may have been the end result. But it shouldn't be the case, let's learn from the examples we have and encourage ourselves to become so much more.

I wrote this piece to encourage and in support of the misfit which I firmly believe I am too. Against the odds of alienating nomenclature where we belong nowhere because where our minds take us, has no name. Against economic circumstances that work against us, we have stories of victory. We need more of those. We need to harness the potential of creative economies because there, we can begin to compete more vigorously in this advancing world. We must open our minds to new things and new possibilities. To boldly go, where no man has gone before (I had to). So forget cabbages and forget labels. Let's open our minds to creating something out of nothing or out of very little. Or at the very least, if we can't live it ourselves, let's have the mental fortitude and political will to encourage those coming after us to make a dollar out of 15 cents.

Tichaona Mangwende

African Union Development Agency-NEPAD

4 å¹´

Garikai this article is rich and reaches out to hard-to-reach places in the mind.

Beaulah Muchira

Team Leader and Coordinator at United Nations Population Fund (UNFPA) Nepal Country Office

4 å¹´

Love this Garikai!

Zorodzai Mhlanga

Electronic Payments and Transaction Services

4 å¹´

Thanks Garikai. Indeed it is quite maddening how we often view creativity and innovation as not only something to stifle but also a threat to the status quo ! As long as we hold the myopic view that creativity is a threat we are doomed to remain at the lowest levels of production.

Matthew D. Smith

I give factory owners with siloed systems a clear pathway to simplified operations by building smarter connectivity across their enterprise. fieldcloud SAS ????????????

4 å¹´

Great article Garikai, I feel quite emotional! A few things: - As Africans, we are great storytellers with powerful narratives. Having production skills & access to supporting activities for packaging content is key to building out the creative industry. - Publishing and distribution platforms are essential building blocks. Bringing the cloud closer to the people will allow content to become more accessible. And monetizable. - There are many ways to pay (and get paid for) cultural content. The problem to be solved is how we simplify artist & publisher rights management for licensing and royalties. There is a still an unacceptably large cut taken by platform operators (think Apple Music, Spotify in the West). Fortunately there are some interesting outliers like Bandcamp which have artists interests at heart. I think we have a lot of work to do to build out a new creative industry across Africa - digitized for sure, efficient you bet, sustainable absolutely.

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