Connected Speech for Listeners
From: Hancock, M. (forthcoming in 2022). PronPack Pocketbooks: Connected Speech for Listeners Hancock McDonald ELT

Connected Speech for Listeners

Pronunciation in spontaneous speech does not follow the dictionary form, nor does it obey the ‘rules’ of connected speech often given in pronunciation books. It helps if learners are aware of this.

Streamlining

Why isn’t a racing car shaped like a brick on wheels? Why isn’t a speedboat shaped like a bathtub? It’s all about efficiency, making it faster and easier for the vehicle or vessel to move through air or water. It’s about, in a word, streamlining. Richard Cauldwell uses this term to refer to the changes that speakers make to words and phrases so that they will slip out of the mouth with the maximum speed and comfort. Perhaps the most obvious such change is to simply drop sounds altogether – otherwise known as elision.

Elision

A good example of elision is the /d/ of and, which frequently disappears, as shown in pop spellings such as rock ‘n roll. How tedious it would be to have to say that /d/! Here are some more phrases with pop spellings – can you identify the elisions?

???????????1 Give ‘em our love. (Give them our love)

???????????2 It’s kinda nice. (It’s kind of nice)

???????????3 Dunno why. (Don’t know why)

???????????4 S’nice to be back (It’s nice to be back)

???????????5 Whatcha doing? (What are you doing?)

In 1-3, there is simply one consonant sound missing: a ‘th’ in 1, an ‘f’ in 2, and a ‘t’ in 3. Meanwhile, 4 and 5 are more complex. In s’nice, the ‘it’ has disappeared. In whatcha the are has disappeared.

Dropping syllables

Elisions like examples 4 and 5 above, which involve a missing vowel sound, are perhaps more significant than 1-3, where only consonants are involved. That’s because when a vowel sound is cut, an entire syllable is lost, changing the rhythm of the word or phrase. The effect can be quite dramatic. For example, a word like particularly may be reduced from five syllables to three, coming out as something like patiky. Words in the wild can be very different from the tame creatures we find in the dictionary – it’s a jungle out there!

Cauldwell’s jungle

Richard Cauldwell classifies spoken English into three categories in an imaginative metaphor: greenhouse, garden and jungle.

In the greenhouse form, all of the words are fully realised in their official ‘dictionary’ citation form. The words are like plants in a greenhouse, artificially kept apart from the natural environment.

In the garden form, the words blend together in a strictly controlled manner, according to the rules of connected speech of the kind you’ll find in published pronunciation books. Spoken English of the garden variety is produced when a speaker is taking care to enunciate clearly. Many teachers feel this garden-style English is a suitable goal for learners’ own pronunciation.

Meanwhile, Cauldwell’s jungle is speech in action – the kind of language produced by speakers spontaneously, in unplanned real-time interactions. Under this kind of communicative pressure, speakers frequently take dramatic short cuts which go much further than the connected speech features outlined in the garden form. For example, this might include particularly coming out as patiky. While this is obviously not a suitable model for learners’ spoken production, they will almost certainly confront it as listeners from time to time.

High variability

A key aspect of jungle English is variability. Speakers don’t always take the same short cuts every time. Nor is it always easy for the listener to identify which short cut has been taken. Take for example the word something. The ‘th’ sound the middle may be dropped so that it comes out as som’ing (the ‘o’ may be cut too, making sming). Alternatively, the ‘th’ may still be there but unclear and blurred, so that it sounds more like /h/ perhaps: somehing. Right there, we have four versions of the same very common word, and we will find more - smin perhaps, or even sup’m (where the apostrophe is a glottal stop). This variability is nothing abnormal. Experienced listeners may not even be aware of it. On the other hand, learners may need to be. If you expect to hear tidy garden speech, hearing jungle speech may lead to confusion and despair. Forewarned is forearmed!

References

Cauldwell, R. (2018). A Syllabus for Listening – Decoding Speech in Action

Hancock, M. (forthcoming in 2022). PronPack Pocketbooks: Connected Speech for Listeners Hancock McDonald ELT

Stefy Vaclavikova

Helping teachers attract their dream students at a higher rate by working on their mindset ?? Growth Coach for Teachers & CELTA Qualified ESL Teacher

5 个月

Great share!

回复
Bianca Moody

English Teacher | ESOL Examiner | ELT Author | Founder of SOS English

2 年

Jungle English - I love this wild term! Not only does it help us express the intricacies of pronunciation but it can also help teachers come to realise how vulnerable learners really are when confronting such language features (as if they were in the jungle alone). Thank you for such an interesting article, Mark Hancock ??

Lucy Tilney

Helping you improve your English fast through intensive 1-2-1 personalised courses in my Bristol home; fluency, flavoursome food & fun. Expert tuition for middle managers to accelerate listening and speaking skills fast.

2 年

So very, very true. That's why our students can understand everything if it's written but are completely lost when it comes to listening to normal speech. Particularly ('patiky' in this post) in a business meeting, for example.

Mauro P.

Profesor y coach de inglés, cantante lírico y actor.

2 年

Looking forward to that new pronpack book!!!

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