Brown Actors in White America

Brown Actors in White America

By Soleil Nathwani, A version of this was first published in the May 2016 issue of Rolling Stone India.

The biggest media event in the world was marked once more with a hashtag: #OscarsSoWhite. In the year that Leonardo DiCaprio, Hollywood’s Golden Boy, won his much deserved and long overdue golden statuette, in a sign of other things notably overdue, Spike Lee was absent despite his honorary Oscar win in 2015. The director was one amongst several boycotts due to the all White ballot or as he put it, “40 White Actors In 2 Years And No Flava At All”. Simmering fury has given way to diversity initiatives, an Oscar Committee shake up and a push towards the fantasy that is colour blind casting. But where are all the Brown people? 

Priyanka Chopra cut an elegant figure on the Oscar stage and I applaud her for busting down network doors Quantico style so others can follow. Still the diversity debate is a checker board one with very little discussion outside Black or White. The Black creative community has waged a long war to being heard. So David Oyelowo, ironically overlooked by the Oscar Committee for his incredible turn as Martin Luther King in Selma, is now in high demand and the Ghostbusters reboot welcomes Leslie Jones as a Black female poltergeist annihilator. But while rumours that Idris Elba might be the first Black James Bond gather fans, a similar switching of the colour palette from White to Brown remains a pipe dream.

If no one is banging the dhol to make sure that Indians are well represented on screen we won’t move the needle much from Peter Sellers donning brownface in The Party. Tropes that confine us continue to exist. We’ve progressed from Apu in the Simpsons only by IQ points. Kunal Nayyar’s role in The Big Bang Theory as a Caltech astrophysicist and Dev Patel’s role as mathematician Srinivasa Ramanujan in The Man Who Knew Infinity, perpetuate stereotypes, albeit smarter ones. Aziz Ansari has broken a boundary in his show Master of None by addressing issues that face Indian actors. But how much is the collective psyche really changing if he and Mindy Kaling have had to write their own parts and create their own shows in a system that hesitates to cast an Indian as actor first, ethnic minority second.

Pee Cee has challenged that very paradigm, making it clear that whether playing FBI agent or Baywatch Villainess she will not prop up Indian clichés. And as Deepika Padukone follows suit, playing the lead in Vin Diesel’s next outing, the Bollywood-Hollywood tryst is escalating. However, like Irrfan Khan and Anil Kapoor before them, the current Bollywood crop flirt with the US and settle down at home. And for its part, Hollywood is tapping into the star power of Bollywood, not trying to replace the all supreme White Leading Man.

An endemic problem solution needs an endemic solution. When there are more Indian actors clamouring for roles in America, a bigger uproar that of close to three million Indians in the US less than a hundred have recognition on screen and enough actual power to stage a boycott, things might shift. Just last year famed Black actor Chiwetel Ejiofor was cast as Indian rocket scientist Vincent Kapoor in The Martian and the fall out was a mere whimper. What we need is big noise, to tell the suits in charge that every shade of brown is simply not the same Flava.

要查看或添加评论,请登录

Soleil Nathwani的更多文章

  • Hot Stuff

    Hot Stuff

    Hot Stuff - By Soleil Nathwani - A version of this article was first published in the Feb 2022 Issue of Rolling Stone…

  • Shame On Who?

    Shame On Who?

    Shame on Who? - By Soleil Nathwani - A version of this was first published in the Dec 2021 Issue of Rolling Stone India…

  • The Kids Are Alright

    The Kids Are Alright

    The Kids Are Alright - By Soleil Nathwani - A version of this piece was first published in the August 2021 issue of…

  • The Year Cinema Didn't Die

    The Year Cinema Didn't Die

    The Year Cinema Didn't Die - By Soleil Nathwani - A version of this piece was first published in the June 2021 issue of…

  • Promising Young Women

    Promising Young Women

    Promising Young Women - By Soleil Nathwani - A version of this piece was first published in the April 2021 issue of…

    2 条评论
  • Masculinity in Motion

    Masculinity in Motion

    Masculinity In Motion - By Soleil Nathwani - A version of this piece was first published in the February 2020 issue of…

    1 条评论
  • Sex, Power and the Fifth Wall

    Sex, Power and the Fifth Wall

    Sex, Power and The Fifth Wall - By Soleil Nathwani - As first published in the September 2020 Issue of Rolling Stone…

    1 条评论
  • The Last Supper

    The Last Supper

    By Soleil Nathwani - A version of this piece was first published in the August 2020 Issue of Rolling Stone India It was…

  • The American Myth

    The American Myth

    By Soleil Nathwani - A version of this article was first published in the June 2020 issue of Rolling Stone India. Axel…

    1 条评论
  • Revisiting Satyajit Ray's 'Pather Panchali' Amidst Migrant Plight

    Revisiting Satyajit Ray's 'Pather Panchali' Amidst Migrant Plight

    By Soleil Nathwani - A version of this article was first punlished in the May 2020 Issue of Rolling Stone India ‘Not to…

社区洞察

其他会员也浏览了