BIM Buster: You can't design good architecture with BIM
Many architects don't see BIM as a helpful tool, and they are probably right. At least considering their self-image. I believe it is less a question of BIM and more a question of the architect's self-image and their interpretation of the job:
I learned at university that the architect is the conductor that makes buildings happen - who navigates the conflict of interest between technology, art, and sociology. I learned what good architecture should look like, and I learned a "method" to get to good architecture. This "method" involves long hours, creative chaos, sketches, building models, and much time spent designing. All by itself not wrong, but it's not a method for consistently doing good designs. It's creative, hit or miss. The fundamental picture behind it is the misunderstood genius artist who struggles with the world and creates something beautiful out of this struggle. It's perfectly pictured in Ayn Rand's book The Fountainhead.
Moving from what is good architecture to how to do it
When I started to work, I learned.?
When I realized this, I started my journey to learn the "how" to find alternative, better approaches. Many architects I know never started this journey, and they are copying what they see on the job from more experienced architects. But they never stop and try to learn from other industries.
So what happens when an architect remakes the self-image and starts to have another (more fitting) approach to being the conductor? The conductor is not the best violin player, the best oboe player. The conductor is the person who brings all these different players together for a meaningful pleasurable concert. To do this successfully, the conductor must understand the music and the audience.?
Let's transfer this analogy to architecture. To make meaningful buildings, the architect needs to understand the client. Either by having an instinctual feeling for what the client wants - the same that conductors often do. Or by learning to understand the client's needs better. To learn to ask the right questions and run inexpensive experiments to learn more. The first approach with the instinctual feeling is again more hit-and-run. For a concert, it does not matter. The worst thing is that the audience leaves the concert hall and is unsatisfied. For a building design, it's more wasteful. We talk about an investment for many years with a huge ecological footprint. Therefore I think the hit-or-miss approach is not a responsible one.
Three main jobs of an architect
So let's look at the three main jobs an architect has:
Back to BIM. As the architect with the usual "method" of the creative struggle, doing BIM is just another annoying thing he needs to do. Moreover, using the tools is often not very intuitive. Therefore BIM is just a pain in the ass and does not help the architect do better designs.
How this self-image influences the use of BIM
Being the architect who wants to develop good concepts by understanding the client and enabling the client's decisions is another story. BIM can help in the following:
Now the big BUTs:
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A design system to enable client's decisions
Let me sketch a possible system for you:
Based on these simple, quickly modeled BIM it's possible to get almost all critical client decisions before we need to model with a lot of work from detailing. As mentioned before, when using the BIM tools as intended, they encourage you to start going into (unnecessary) details very quickly - hence losing flexibility and wasting time when changing or developing alternatives.
A design system to serve the construction company
Once the design stabilizes and the client is satisfied with the functional layout and the construction solutions, we can proceed to the following two steps:
Avoiding constructability issues and coordinating trades is where BIM excels. I'm talking about clash detection and coordination. The usual architect's BIM tools like Revit and Archicad are not so great at producing detailed construction-ready models. The exception is solutions coming from the steal, timber industry (Tekla, Cad works), as well as general purpose modelers like Rhino and SketchUp. These tools can model production read. But these are not the usual tools an architect would use in later design phases!
Conclusion
Looking at the available tools, I see that first, we shape the tools, and then the tools shape us (or our thinking). Because most architects don't question the tools,?their workflows, and most importantly, their self-image, they can't benefit from BIM in the creative design phases:
The moment you start to change the way to approach architecture by putting the client's needs first and hacking the tools to suit your explorative working style, BIM can be a great tool in your belt.
Of course, for a good design, we need much more than only a BIM tool, but I hope I could show you that there are ways of making BIM work for you in a design process - early and late stages. What do you think? Did you start hacking your processes?
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2 年Sehr interessanter Artikel. Mir gef?llt dein Vergleich Architekt mit Dirigent und welche Rolle BIM hier spielt.
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2 年Very interesting approach to BIM. Thank you for sharing your experience.