AI Copyright Roundup: Week in Review
Alec Foster
Chief Prompt Engineer & Responsible AI Lead @ MMA Global | Enterprise AI Governance & Transformation Wizard ?? | CIPP/US | AI Ethics MSt Candidate, Cambridge University
It's been a huge week for AI and intellectual property law. In this update, I explore the latest developments concerning copyrighted works in AI datasets, a controversial practice known as AI Data Laundering, AI-generated artwork copyright, and Creative Commons (CC) licenses.
1. Plagiarism in AI Training Data
The recent exposure of pirated books utilized to train generative AI models, as detailed by Alex Reisner 's expansive piece for The Atlantic, sheds light on an alarming and ethically questionable practice. This revelation highlights the following key aspects:
2. AI Data Laundering
The practice of Data Laundering is emerging as a critical concern. It refers to masking the origin of unethically acquired data to make it appear legitimate.
3. New Ruling on AI Artwork Copyright
In a ruling on Friday Aug 18, a federal judge upheld the guidance from the U.S. Copyright Office that a piece of art created by AI is not open to protection. I discussed this guidance from the USCO in my Aug 9 newsletter, "AI Copyright 101: A Comprehensive Guide".
A significant question has arisen: at what step between AI completely making a piece of art, and a human using AI for a very small piece in a much larger workflow is it considered "AI generated"? This presents a unique dilemma, such as if AI art can't be copyrighted, why can a painting made by a bucket dripping over a canvas be? Or if Photoshop's Content-Aware Fill feature on a photograph renders it public domain?
Some might argue that AI creations are the result of human coding and prompting, and should therefore be eligible for copyright. Others might view AI as a tool rather than a creator, leading to further complexity in legislation.
These pressing issues hint at a need for revised copyright legislation to integrate AI, providing clear guidance on how much human input is needed to be considered as a new piece of art, and not merely a recombination of existing art. Ultimately, I believe that once AI-generated art becomes convincing enough for media companies to utilize, new copyright laws will be enacted. Historical examples like the Copyright Term Extension Act of 1998 show that copyright guidance may be updated in line with business interests.
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4. Creative Commons and Generative AI
Creative Commons (CC) licenses offer a flexible alternative to traditional copyright. Unlike full copyright, which reserves all rights, CC licenses allow creators to define specific permissions for how others may use their work. Ranging from very open licenses that only require attribution to more restrictive ones that forbid commercial use or derivatives, CC provides a spectrum of options that encourage legal sharing and collaboration.
The Intersection with Generative AI
Generative AI, with its ability to create new content from existing data, raises questions within the CC framework. Key challenges include:
Generative AI's use of CC-licensed content brings a wealth of creative possibilities, but it also opens a Pandora's box of legal and ethical questions. Whose rights should prevail in this new creative landscape? How can we ensure fairness, creativity, and legal integrity in the age of generative AI? These are pressing questions that require a collaborative effort to address.
Personal Reflections
Reflecting on the intersection of AI and human creativity, the challenges and potential are profound. The disconnect between artist and art in generative AI resonates with other forms of abstract art. While recognizing the need for clear guidelines and responsible practice, I am optimistic about AI's potential to redefine our creative landscape.
As we navigate these complex issues, collaboration, thoughtful regulation, and an open mind will be key to unlocking AI's full creative potential.
SVP | Brand Strategy, Data & Attribution, Marketing Insights | MMA, Possible, Digitas, Kantar, ARF, I-com | Instructor at NYU | Keynote speaker |
1 年Thanks for sharing Alec. One of the analogies that I have heard for this topic is the "snake eating its tail", e.g. what happens when you train a model for academic purposes, and then as it happened with your case study someone repurposes it for commercial use cases etc. As the snake keeps eating its tail things get very murky about the underlying data and content IP. There are also interesting implications for patents and IP, a few of them blew my mind in this podcast https://www.audible.com/pd/Legal-consequences-of-generated-content-Podcast/B0CC6F63R4?source_code=ASSORAP0511160006&share_location=player_overflow