If agencies want to see higher share prices, they should be pushing the case for creative
Ian Whittaker
Twice City AM Analyst of the Year. Chair. Board Advisor in Media, Tech and Sport. Author 'The Bigger Picture'. Runs 'How to speak the language of the CFO (TM)' course. International speaker, podcaster and contributor
Cannes Lion has just finished and the global advertising industry can rest easy for another year before embarking on the same odyssey in 12 months time. Many of the themes were as you expected this year – the importance of AI and plenty of predictions about what will happen, the rise of retail media and its consequences, plus the plethora of technology solutions that can make one wonder whether you are attending an advertising or technology conference.
However, one theme was also talked about increasingly and that was the role of advertising – and creative – in? directly improving the bottom and top line numbers for companies. Herein lies an opportunity for creative – and the agency holdcos.?
Probably the key highlight of this topic was the presentation given by McDonald’s chief finance officer Ian Borden, which highlighted the importance of marketing for the group. Stating: “We spend a lot of money on marketing, and it’s one of the most important investments we make as a business to drive growth”, Borden highlighted the work done by global chief marketer Morgan Flatley to how her team uses data and analytics to demonstrate to management and the board how advertising adds value.?
For those who read my column regularly, this touches on several themes I often expound on – that advertising is an investment or, as I like to say, that "advertising is intangible capex" (TM). Moreover, there is the need to speak the language of the chief executive, CFO and the board to push this message effectively. Managements are willing to listen. CEOs and CFOs have cited time and time again that brand strength was key to firms’ ability to push through much greater than expected price increases to consumers in what became a vast unplanned experiment.?
If the message is starting to get through that advertising is an investment, this is obviously a positive for the advertising industry, but where it may really prove transformational is in the area of creative. Creative is typically seen as a low-growth, low-margin business, one often characterised as a necessary evil rather than a potential major source of value for agency groups. Yet if companies do believe that brand strength has directly contributed to the bottom line, then the logical conclusion is that creative work should be compensated adequately. That should not be a controversial statement.?
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This is where the opportunity for the agency holdcos appears. First, there is the potential impact on financials. None of the major groups splits out the contribution to profits from creative but looking at WPP, which is the most transparent in reporting terms of the major holdcos, I estimate only 5% of the group’s 2023 headline operating profits come from creative. Get clients to pay more, and that figure should increase.?
However, there could also be potentially a greater impact for the holdcos’ share prices. Holdcos as a sector are not particularly valued by the market: over the past five years, while the wider S&P 500 (which is the main index for US stocks) has risen more than 80%, groups such as Interpublic, Omnicom and WPP have all lagged this performance significantly. Some of this undoubtedly has to do with operational performance. Publicis, which has significantly outperformed up over 140% in the period, has had a long track record now of meeting/beating estimates. However, the core reason is that creative is seen by many analysts and investors as a business that adds little value. Change that perception and the rating should improve.?
Of course, holdcos cannot just expect advertisers to start paying more. They need to go out and prove their case with data and hard facts, which was made clear in the McDonald’s presentation. Yet the timing could be perfect. Not only are advertisers starting to realise the value of creative in pushing sales but the introduction of AI is making the old "cost plus"/FTE model of compensation look increasingly outdated and we are moving towards an output-based compensation model that ties into this theme. It is time for the holdcos to show some Mad Men spirit and tell the world why they should be paid more for what they do.?
As usual, this is not investment advice
Www.advertisingwhocares.org
Insights | Analytics | Brand Strategy | China-Based 2011-2019 | China & APAC Experienced
4 个月The stuck-up mindset of this industry means I will never buy any shares of any companies in this industry!
Martech + Adtech + Deeptech (AI) Entrepreneur building the platform driven future of marketing and advertising
4 个月Wouldn’t platformization of services be a better route for better multiples? Media Ops efficiency, scalibility and standardisation of large scale creative output?
Launching AI tech company Sqreem in the UK and working with TAU Marketing Solutions
4 个月What amazes me about the creative industry business model and their product is the disconnect. Whilst at Meta I saw both the research and evidence on clients my VC partnership team were supporting. The research says that c.60% of the outcome of an advert is the creative. Yet all the money goes to the media buy. Even though ROI is clearly driven by the creative. And with the rise of AI creative at zero cost, charging for time is not going to add up. The industry needs to take the risk of putting their money where their mouth is…and ask to be paid on outcomes
Finance Director
4 个月The cost plus model is outdated and creativity is undersold. Good creative can lead to small price increases without profit drops for a good product. Marketers that blame a CFO whilst not presenting System1 or Thinkbox data need to take a long hard look. I wasn't at Cannes but during Madfest, Brand was a key theme as was the role of creativity within it. Not just because I am still awaiting my invite to the Chocovault but because the purpose driven brilliant creative has enabled a success story. As I said to the lovely Emma Baines, they could have more than doubled the space at Madfest with Nicola Matthews and the samples could have sold out significantly more but their purpose and branding has enabled success despite significant challenges. Also TUI and their turnaround with marketing post COVID and the great data that Toby Horry has worked with https://www.travelgossip.co.uk/latestnews/tui-reports-promising-summer-in-latest-financial-results/ https://fortune.com/europe/2024/03/30/tonys-chocolonely-fastest-growing-chocolatier-uk-ireland-cocoa-industry-europe/