#9 Colour Countdown - Green

#9 Colour Countdown - Green

Number two in my top ten album cover colour associations—is Green! Yup, just green, but arguably always combined with a touch of black.

As I write this, it is a pretty topical subject, with Charlie XCX’s brat album bringing album colour association into the global public consciousness. US presidential candidate Kamilla Harris even adopted the ‘brat’ green colour at the start of her campaign on her social media profile and press releases. (if you are lost, here is some background reading from the New York Times). In brief, in summer 2024, this bright fluoro green is being used to personify a disregard for social norms, for people admitting they don’t really give a shit what people think about them.

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Charlie XCX getting bratty wit' it

Much like Malcolm Maclaren (asking for an ‘ugly’ design for the Sex Pistols Never Mind the Bollocks), Brent David Freaney, the designer behind brat’s choice of green, said,

“The directive was: I don’t want this to feel like it has any taste. I want it to feel off-putting and kind of garish.”

It’s fair to say that this is far from the first time a band has used this green. Aphex Twin album Syro used a very similar green tone years before, and if you are looking in the world of music, it’s not a million miles away from the ubiquitous Spotify green.


Richard David James embracing the flouro

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I’d dare to say that green is a colour already established as complementary to the modern music industry. I’m trying to think about why that might be. One answer might be found in the history of the colour in the nineteenth century. Starting as a medicinal tonic, Absinthe, also known as the ‘green genie’, became ever-popular with artists and bohemians keen on the oblivion it brought when drunk in enough quantities. Paris in the 1870s used to call the hour between 5 and 6 pm L’Huere Verte (the Green Hour) because of the pervading smell in certain quarters. Sitting somewhere between a strong spirit and a narcotic, it was rumoured to be what Vincent Van Gogh was drinking when he cut off his ear. Tenuous, I know,

Although it’s mainly black, the pops of luminous green on Dr Dre’s 2001 album laid claim to this colour years before Spotify or Charlie XCX. One other factor also gives us another clue as to greens meaning, with a five-pronged marijuana leaf icon. Ah… Green… getting stoned, listening to music. A colour (and music) that compliments feeling stoned as well as inspiring the musicians to write great tracks (although for most mere mortals, it’s more likely to just give you the munchies than write anything as sublime as Still D.R.E.).


Dr Dre shows us how its done

Turning to the psychology of colour, green is a colour we unconsciously associate with calming and soothing emotions. It symbolises growth, renewal and life (from nature, I guess). All words that you might also use about music or the feelings that music gives you. Interestingly (if the internet is to be believed), it’s often the first colour patients trying colour psychology tests use. It is supposed to improve your mood when you are feeling sad or down.

Thinking about the bands that have used green, they aren’t the tunes I’d put on to wallow in sadness. They are albums I would more likely put on to cheer myself up, crack open a beer, look out the window and think of how great life is. Fleetwood Mac Greatest Hits, anyone?


Guilty pleasures!

Please let me know if you agree or disagree with any of these colour rants. Or even if you have green albums you cherish and think I have missed. Although, hold back on Green & Pink combo albums (I’m saving that for a future article) and R.E.M’s Green album (ahem).

Next up— #8: Purple!!!

Love these. Can we have Black & Red please? Featuring Feeder (er, Black & Red!).

Nosheen Khwaja

NUMbrella Lane Coordinator | Designer | Curator | Production Assistant | AV Tech | Active Listener | Bodyworker

3 个月

Funnily enough I was reading this about colour this evening: “Chromophobia manifests itself in the many and varied attempts to purge colour from culture, to devalue colour, to diminish its significance, to deny its complexity. More specifically: this purging of colour is usually accomplished in one of two ways. In the first, colour is made out to be the property of some ‘foreign’ body - usually the feminine, the oriental, the primitive, the infantile, the vulgar, the queer or the pathological. In the second, colour is relegated to the realm of the superficial, the supplementary, the inessential or the cosmetic. In one, colour is regarded as alien and therefore dangerous; in the other, it is perceived merely as a secondary quality of experience, and thus unworthy of serious consideration. Colour is dangerous, or it is trivial, or it is both. (It is typical of prejudices to conflate the sinister and the superficial.) Either way, colour is routinely excluded from the higher concerns of the Mind. It is other to the higher values of Western culture. Or perhaps culture is other to the higher values of colour. Or colour is the corruption of culture. [...]” David Batchelor, excerpt from Chromophobia, London: Reaktion, 2000, p. 22-23.

Emma Prendiville

Founder & Creative Director at BlankSlate

3 个月

Love these David ????

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