紫砂壶的7大冷门知识 Seven unpopular knowledge about Zisha teapot

1.顾景洲为何改名顾景舟？

1. Why did Gu Jingzhou change his name to Gu Jingzhou?

顾景洲的父亲顾柄荣生有三子，分别取名景洲、陆洲、锡洲。

1948年，画家江寒汀托铁画轩的戴相民，

将任书博刻的“顾景舟”三字方石章、王仁辅刻的“景舟”二字长方石章，

转赠给顾景舟，“景舟”二字是江寒汀按画意所起。

这年夏秋，顾景洲精心制作的5把石瓢壶就开始启用此章。

Gu Jingzhou's father, Gu Bingrong, had three sons named Jingzhou, Luzhou and Xizhou.

In 1948, painter Jiang Hanting entrusted Dai Xiangmin of Tiehuaxuan,

The three-character square stone seal of "Gu Jingzhou" engraved by Ren Shubo and the two-character rectangular stone seal of "Jingzhou" engraved by Wang Renfu,

It was passed on to Gu Jingzhou. The word "Jingzhou" was originated by Jiang Hanting according to the meaning of the painting.

This summer and autumn, the five stone ladle pots carefully crafted by Gu Jingzhou began to use this chapter.

2. 配套紫砂茶具的“头”指什么?

三件头——1壶2杯

五件头——1壶2杯2碟

六件头——1壶4杯1盘

九件头——1壶4杯4碟

十三件头——1壶6杯6碟

配套的紫砂茶具，一般是：茶杯数量少，茶壶的容积就小;

茶杯的数量多，茶壶的容积就大。

但茶壶的容量必须超过配套茶杯的总容量，

如“六件头”壶的容积，必须有6杯左右的容积。

配套碟子的口径，一般应是配套单杯的口径和高度之和。

配套盘，多为10寸大小。

2. What does the "head" of the matching purple sand tea set refer to?

Three heads - 1 pot and 2 cups

Five heads - 1 pot, 2 cups and 2 saucers

Six Heads - 1 pot, 4 cups, 1 plate

Nine pieces of head - 1 pot, 4 cups and 4 saucers

Thirteen pieces - 1 pot, 6 cups and 6 saucers

The matching purple sand tea set is generally: the number of teacups is small, and the volume of the teapot is small;

The larger the number of teacups, the larger the volume of the teapot.

However, the capacity of the teapot must exceed the total capacity of the matching teacup.

For example, the volume of the "six-piece head" pot must have a volume of about 6 cups.

The caliber of the matching saucer should generally be the sum of the caliber and height of the matching single cup.

The matching plate is mostly 10 inches in size.

3. 壶型是什么时候开始由大变小的?

壶型由大变小，决定于士大夫饮茶趣味和习惯的改变。

明代的紫砂壶，不但式样变化多端，壶形大小也大不相同。

总体上说，明万历之前，崇尚大壶;

万历之后，壶型日渐缩小。

时大彬自和诸多文人结交之后，才改作小壶。

以后徐友良诸家，更向这一方面推进，

从“盈尺兮丰隆”转向“径寸而平柢”。

明末清初更有陈子畦、惠孟臣都是“小壶精妙”、“各擅胜场”的名手。

3. When did the pot shape change from large to small?

The shape of the pot changes from large to small, which is determined by the changes in the tea drinking taste and habits of the scholar-officials.

The purple clay teapots of the Ming Dynasty not only varied in style, but also had different shapes and sizes.

Generally speaking, before Wanli in the Ming Dynasty, large pots were advocated;

After the Wanli period, the pot shape became smaller and smaller.

It was only after Shi Dabin became acquainted with many literati that he changed it to a small pot.

In the future, Xu Youliang's family will further advance in this direction.

From "abundant feet and prosperity" to "diameter and flatness".

In the late Ming and early Qing dynasties, Chen Ziqi and Hui Mengchen were all famous players who were "exquisite little pots" and "good at winning the game".

4. 存世的大彬壶为何不多?

时大彬长寿，享年七十有余，在古代名家中，

他一生创作的紫砂壶数量应该是较多的。

但为什么存世的大彬壶却非常少?

除了紫砂器本身不易保存之外，

一个重要的原因是：许多大彬壶都被时大彬自己给砸碎了。

史书中这样记载：“每有新作，如不惬意，

即行毁弃，虽碎弃十有八九，亦在所不惜。

成名壶手的壶是黄金白银，

时大彬的“在所不惜”，存续的是“千载一时”的美誉。

4. Why are there not many Dabin pots in existence?

Shi Dabin lived a long life, at more than seventy years old. Among the ancient famous families,

The number of purple clay pots he created in his life should be relatively large.

But why are there so few Dabin pots in existence?

In addition to the fact that the purple sand utensil itself is not easy to preserve,

An important reason is that many Dabin pots were smashed by Shi Dabin himself.

It is recorded in the history books: "Every time there is a new work, if you are not satisfied,

That is, it will be destroyed and abandoned. Although it is often broken and abandoned, it will not hesitate to do so.

The pot of the famous pot maker is gold and silver,

Shi Dabin's "do not hesitate to be where he is" survives the reputation of "a thousand years".

5. 名家制壶会留下“暗记”吗?

暗号、暗记，名人常用。

《扬州画舫录》就记载时大彬曾用大拇指在壶把下端

按上自己的指纹做记号。

顾景舟曾在上海制壶也是悄悄留下了自己的印记。

在仿制时大彬壶时，顾景舟在成品壶内刻了一个小小的“景”字，

粘上一点脂泥盖住。

几十年后，他被请到香港中文大学讲课，

在陈列室看到了那把被称作“时大彬传世器”的壶，

他伸手摸到了当年自己留下的暗记，

众人请牙科医生将曲镜伸进去验证为实，引起一片惊叹。

5. Will the famous pot maker leave a "secret"?

Secret code, secret, commonly used by celebrities.

"Yangzhou Painting Boat Record" records that Shi Dabin used his thumb to put his thumb on the lower end of the pot.

Mark with your own fingerprints.

Gu Jingzhou also quietly left his mark in making pots in Shanghai.

When imitating the Shi Dabin pot, Gu Jingzhou engraved a small word "Jing" in the finished pot.

Cover with a bit of grease.

Decades later, he was invited to give lectures at the Chinese University of Hong Kong,

In the showroom, I saw the pot called "Shi Dabin Heirloom".

He reached out and touched the secret memory he left back then,

Everyone asked the dentist to put the curved mirror in to verify it, causing a lot of amazement.

几十年后，他被请到香港中文大学讲课，

在陈列室看到了那把被称作“时大彬传世器”的壶。

6. “停匀”和“亭匀”有什么区别?

在赏析紫砂壶的文章中，常见“骨肉停匀”

和“骨肉亭匀”，二者属于异形词，但有细微差别。

“停匀”多指“匀称”。

宋·洪迈在《容斋三笔·紬绢尺度》中，用“停匀”描写质量:

“宜令诸州道府，来年所纳官绢，每匹须及一十二两，

其絁紬只要夹密停匀,不定斤两。”

清·钮琇,在《觚賸·石言》中，用“停匀”描写形态:

“(端砚)其受墨也，差差鳞鳞，融洽停匀，石与墨得，

墨与石亲，沛然膏流，油然酎醇。”

“亭匀”多指“妥当”。

现代朱自清在《庞贝故城》中用“亭匀”描写结构：

“这种画分明仿希腊的壁雕，所以结构亭匀不乱。”

7.?紫砂上袁村出现过哪些制壶名家?

Decades later, he was invited to give lectures at the Chinese University of Hong Kong,

In the showroom, I saw the pot called "Shi Dabin Heirloom".

6. What is the difference between "Stopping" and "Tingyun"?

In articles appreciating purple clay teapots, it is common to see "the flesh and bones stop evenly"

And "bone and flesh Tingyun", the two belong to heteromorphic words, but there are subtle differences.

"Stop evenly" refers to "evenly balanced".

In Song Hongmai's "Three Strokes of Rongzhai: The Scale of Zunzi", he used "stop even" to describe the quality:

"It is advisable to instruct the prefectures and the Taoist prefectures to accept the official silk in the coming year, each of which must be 12 taels.

As long as the 絁紬 is tightly clamped and stopped evenly, it may not be fixed in two kilograms. "

Qing Niu Xiu, in "Gu Remaining Stone Words", used "stop uniform" to describe the form:

"(Duan Inkstone) It also receives ink, but the scales are different, and it is harmonious and even, and the stone and ink get together,

Ink and stone are close, and the cream is flowing, and the shenolol is oily. "

"Tingyun" mostly means "appropriate".

Modern Zhu Ziqing used "Ting Yun" to describe the structure in "The Old City of Pompeii":

"This kind of painting clearly imitates the Greek wall carvings, so the structure is not chaotic."

7. Which famous pot-making masters appeared in Shangyuan Village of Zisha?

先后有陈用卿、惠孟臣、陈鸣远、邵旭茂、邵大亨、邵友泉、邵友廷、黄玉麟、程寿珍、王寅春等大名家生于斯，长于斯，成名于斯。

少年时代的顾景舟，也生活在上袁村这个紫砂壶发祥地。

下面，给大家推荐几款比较经典的紫砂壶，供大家参考。

Chen Yongqing, Hui Mengchen, Chen Mingyuan, Shao Xumao, Shao Daheng, Shao Youquan, Shao Youting, Huang Yulin, Cheng Shouzhen and Wang Yinchun were born in Sri Lanka, grew up in Sri Lanka, and became famous in Sri Lanka.

In his youth, Gu Jingzhou also lived in Shangyuan Village, the birthplace of purple clay pots.

Below, we recommend a few more classic purple clay pots for your reference.