Thoughts Words Action的动态

The secret to space, depth, and dimension in your mixes is to blend different delays and reverbs on the same track, and route them strategically to each other. Your vocals, drums, synths, and guitars will easily get the rich depth they deserve.???Studio legend Chris Lord-Alge (Muse, Foo Fighters, Bruce Springsteen) is a master at creating epic space and dimension in every song. Now, you have the key to that depth: CLA’s entire suite of 4 go-to reverbs and 4 go-to delays, based on his best studio hardware—in one epic yet easy-to-use plugin. #wave

Master brass instruments on the go! Virtual Trumpet & Trombone offers lifelike sounds, fingering charts, slide positions, scales, and sheet music. Perfect for all skill levels with customizable features and dark/light mode. Practice, play, and learn...

Looking to get into the Saxophone game? Check out this article on the beginner, intermediate and advanced Saxophones. https://lnkd.in/gYamUSNN #saxophone

Looking to take your shredding skills to the next level? ???? Check out this exclusive interview with Rusty Cooley, one of the fastest guitar players in the world, as he shares his top tips for building speed and precision. Whether you're a beginner or a seasoned player, these insights are sure to level up your technique! #GuitarTips #Shred #MusicRadar #GuitarSpeed https://lnkd.in/gJykcFSc

AT THE SUBSTACK In celebration of the 50th anniversary of the very first Ramones gig at CBGB, a restack of our Parade Of Great Guitarists entry on Johnny Ramone: “Two barre chord positions, transposed up and down the neck. Contrary to popular belief, Johnny did not play power chords. Those are only two notes – the first and the fifth. Instead, he spent the Ramones’ entire career hitting full-on six string barre chords, through a dimed Marshall. The resultant barrage of distorted overtones created this overloaded frequency spectrum that contributed to the sonic fullness of the Ramones. Then there’s the matter of his attack: Johnny Ramone did not strum. He downstroked rapid fire eighth notes, picked down-down-down, reportedly in the manner of Jimmy Page on Led Zeppelin’s protopunk raver ‘Communication Breakdown.’ And there were full-on rests and unique phrasing to the ramalama. This is what eludes many seeking to pull on Johnny’s well-worn Keds.” All this and more at The Tim “Napalm” Stegall Substack, where we get up on the downstroke every day. #timstegall #timnapalmstegall #timnapalmstegallsubstack #punkjournalism #paradeofgreatguitarists #johnnyramone #ramones #barrechords #downstrokes #mosriteventuresII #marshallamps #rhythmguitarisgod #theroadmaptothepresent #waytoomanyhashtagsforthisspace #isuregettiredoftypingthisshit #doyouevenreadthesethings #itdbefunnyifyoudid? #thankyou #punkrock #punk #subscribe #fivedollarsmonthly #fiftydollarsannually #twentypercentoffspecial #upgradeyourfreesubscription #bestwaytosupport

This year, Quilter has gained massive popularity among musicians in heavier genres like Converge, Red Raven Chaos, Farsight, Gozu, and many others who rely on Quilter amps for their clean, powerful, and highly responsive tones. For guitarists who use modelers, one of the biggest frustrations is spending countless hours shaping their tone only to have it altered by the amp's preamp section. The Quilter Tone Block 202 solves this issue by providing a transparent and incredibly responsive platform that preserves every nuance of the tone you’ve painstakingly crafted. By utilizing the FX return, you bypass the amp's preamp entirely, ensuring that your tone remains untouched and uncolored. With 200 watts of tube-like muscle, the Tone Block 202 delivers massive headroom, punch, and clarity without imposing any unwanted characteristics on your sound. Whether you’re cranking up for a massive live show or dialing in your tone in the studio, the Tone Block 202 ensures that what you hear is exactly the tone you’ve sculpted—powerful, pristine, and with the unmistakable clarity you need to be heard through any mix. https://lnkd.in/gN5_Azdw https://lnkd.in/dEbPeYMe

Review: Dolium – The Products Of Our Own Demands And Commands 4 X CD Boxset (Sister 9 Recordings) #dolium #sisterninerecordings #postpunk #punkrock #scuzzrock #noiserock #review

"Veil Lifter artfully melds the grit of grunge with the complexity of #progressiverock, setting a new standard for the genre with a sound that's as innovative as it is reminiscent of giants like #Mastodon." Post Death Soundtrack - Veil Lifter Progressive #GrungeRock from #Vancouver, #Canada ???? Read my review here; https://lnkd.in/eGARG7sw

Unlock Warmth and Depth with Saturation in Your DAW ??? Saturation is the magic touch that adds warmth, character, and a touch of analog vibe to your digital tracks. By subtly distorting your audio, it enhances harmonics, making your sounds feel richer and fuller. Whether you're working on vocals, drums, or a master track, saturation can glue elements together and add that professional polish. Most DAWs, like Ableton Live, offer built-in saturation plugins or you can explore third-party options for unique textures. Pro tip: Use it sparingly! A little saturation goes a long way in adding life to your mix. #MusicProduction #DAWTips #AudioSaturation

I'm releasing "Captive Punk" today. It's my first punk rock experimental work of a punk guitarist held in a noise prison. Here are some notes about creating it with the Make Noise O-Coast and the DAW I used and the effects: Concept: Create a work about a Punk guitarist held in a noise prison. Instrument: Make Noise O-Coast Semi-modular Synthesizer Signal Path: O-Coast to Bastl Dude Mixer to USB Audio Adapter to Chromebook to Bandlab DAW. File Format: WAV, 16-bit 44.1kHz 128bpm, 4/4 timing signature O-Coast Patches: Sq wave to balance (attenuator) CLK to Delay Stepped Random out to Chnl 1 Chnl 1 out to Overtone (CV IN) Slope to Multiply (CV IN) Contour GATE IN to Slope: Rise/Fall Time (CV IN) Headphone out to Chnl 1 Bastl Dude Mixer Bandlab: Used Audio Input Bandlab Effects: Gain, D-Delay, Multi Filter (freq, resonance, high pass), Stereowise (spread), Valve Screamer (drive, volume, tone), 7-band Graphic EQ, Filter Echo (56% feedback, Time 1/4T beat, 10581 Hz Cutoff, Mix 46%) https://lnkd.in/gugE4Kjq