National Gallery of Art的动态

Georgia O'Keeffe was a woman before her time. She took abstraction and made it personal. She found beauty in the small, the imperfect—in the curves of a flower, the vastness of a desert. But despite her profound talent, she faced skepticism from male critics who dismissed her work as overly feminine, sexualized, or decorative. They failed to recognize the depth and complexity of her artistic vision. But O’Keefe persevered. She refused to let gender norms and societal expectations define her art. She continued to assert her identity as a painter of unparalleled skill. . . . . ?? Alfred Stieglitz, "Georgia O'Keeffe," 1929/1932, gelatin silver print, 4 x 3 in., Alfred Stieglitz Collection ?? Georgia O’Keeffe, “Jack-in-the-Pulpit No. 3, 5, and IV,” 1930, oils on canvas, Alfred Stieglitz Collection, Bequest of Georgia O’Keeffe

Marie Stevens

Arts Director Little Paint Box Studios

4 个月

Love this

Brigitte Delalleau Carcaterra

Ingénieur développement logiciels chez IBM

3 个月

Awesome

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Brigitte Delalleau Carcaterra

Ingénieur développement logiciels chez IBM

3 个月

Very informative

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Sarah Rood

International Affairs Graduate

3 个月

Have this on my coffee table

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Alexandra Kemal

Art Specialist.

4 个月

????????????

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Marcus S.

??Modern Art is Rubbish Podcast Co-Host | Unpacking the Visual Arts with Wit & Curiosity | Creator of Visuals, Sounds, and Stories.

4 个月

Love her work she didn’t just paint flowers—she made them epic. Art on her own terms. She proved you don’t need to follow anyone’s rules to create something timeless and powerful."

Sabine Kühner

Kunst ist gr??er als ein Leben | Art is larger than a life

4 个月

I love her work and her attitude - great artist.

She was one of the best painters, love her work.

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Ela Javadzadeh

Attended Ferdows Institute of Higher Education

3 个月

Love her work ??

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