Communication gap identified: Overstyling Have you ever struggled with ordering on Gucci .com? I did. To order, I always had to do additional research—thankfully, other websites often had more pictures of the items I intended to buy. The rich-detailed aesthetic was used not only in lookbooks and runway shows but also to sell the items. However, getting a glimpse of the item itself and its features when worn was slightly difficult, if not impossible. I often use word “overstyling” here, and I point this out during consultancy on #ecommerce and #communication. If the primary intention of a resource is to sell, you need to show what you sell, not hide it in complicated outfits or distract with a background. When I read about how Valentino first designs dropped today by #AlessandroMichele are very #Gucci, I can see the same problem here but from a different angle. ??The primary intention of a collection lookbook display is to showcase a designer’s latest collection in a visually appealing way. It highlights the design, style, and overall aesthetic of the collection, providing potential buyers, fashion editors, and enthusiasts with a clear idea of how the pieces can be styled and worn. The style used for the Valentino lookbook overshadows the designs themselves. Should I focus on the suit? On lace gloves or tights? On the hat? Or the background? The other thing giving a Gucci taste is the cast and overall mood of the picture. Are these designs similar to Gucci? I found many references to archival collections of #Valentino, and, yes, I can see something that I used to see in Gucci by Alessandro Michele. But I can’t say for sure—simply because i can’t see the designs. This lookbook is rather ??a communication failure than a design misalignment. Remove the background—and you’ll get more Valentino aesthetics. Change the model—and it will be almost the same like current models on official website. * I offer consultancy in luxury fahion on #eCommerce; Communication and Marketing; #ClientExperiences & #VIC Loyalty. To learn more click here. ** 2Jour-Stylist.com: For an unretouched digital lookbook brand project without overstyling that reveals the true beauty of each item and provides with essential information for confident fashion choices contact further?? #luxury #luxuryfashion #MaisonValentino #kering Kering
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Read Tagwalk's latest Gucci review!
It bothers me that older journalists are being… kind of …bullies about Sabato de Sarno's Gucci collections. What I see is actually an?aesthetic,?I want to be the cool girl wearing?daisy jeans?with an oversized shirt. What is Gucci’s new allure ? Well… It’s kind of effortless. It’s a bit?nonchalant. It’s a bit naughty. No one is letting or giving Sabato de Sarno a chance to ease in the job and do a collection. Tagwalk specialises in runway analysis and we have well over?300 000 active users and millions of data points?…?let me give you a breaking news?: people are?searching?high for Gucci (+144%) and?let me give you a little secret: the biggest metric to see if a collection is successful is to see if designers are searching for a specific brand -?do you know why ? Because luxury and mass market work together hand in hand. Read the end of the review in the link below #Gucci#SabatodeSarno#Fashion#FashionData
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Every great film should feel new every time you watch it – Roger Ebert. This sentiment easily applies to fashion brands. However, Sabato de Sarno seems to have hit an early creative block. Many looks from Gucci's SS’25 collection repeat designs we've seen in previous seasons—such as slip dresses and leather sundresses. Some pieces even duplicate each other within this collection, with four identical looks toward the end, differing only in color. The collection fails to produce memorable items—at least, for the right reasons. As a fan of micro-minis, Sabato de Sarno includes multiple variations, but the most unflattering version here (in 10 looks!) features balloon-shaped skirts. No one, not even the models, looks good in this silhouette. The heritage of the house often lends legitimacy to collections, and the Gucci SS25 does pay tribute to it. The highlight was the updated design of the iconic Gucci Bamboo 1947 bag, reimagined by Japanese artists in honor of Gucci’s 60th anniversary in Japan. Bamboo also inspired jewelry pieces—bracelets and chokers—used in several looks, but they did little to enhance the overall coordination. The same goes for the references to Gucci Go, Gucci 73, and Gucci Horsebit. A $10 billion brand needs a strong aesthetic that keeps customers loyal and attracts new ones. Newness, grounded in a coherent vision, is essential. Unfortunately, Sabato de Sarno and Gucci seem misaligned. The result is a disjointed collection of forgettable, unattractive looks that could spell further financial difficulties for the brand. Even the smiling, dancing models couldn’t save it. Vogue Business Gucci WWD
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It bothers me that older journalists are being… kind of …bullies about Sabato de Sarno's Gucci collections. What I see is actually an?aesthetic,?I want to be the cool girl wearing?daisy jeans?with an oversized shirt. What is Gucci’s new allure ? Well… It’s kind of effortless. It’s a bit?nonchalant. It’s a bit naughty. No one is letting or giving Sabato de Sarno a chance to ease in the job and do a collection. Tagwalk specialises in runway analysis and we have well over?300 000 active users and millions of data points?…?let me give you a breaking news?: people are?searching?high for Gucci (+144%) and?let me give you a little secret: the biggest metric to see if a collection is successful is to see if designers are searching for a specific brand -?do you know why ? Because luxury and mass market work together hand in hand. Read the end of the review in the link below #Gucci#SabatodeSarno#Fashion#FashionData
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Gucci: Resort 25: We can't underestimate the importance of Pre-collection (cruise, resort). There are two points: 1. Longer life on the selling floor (and with the current situation with RTW- you need it). 2. Marketing tool: Pre-collections now are shown all over the world with a focus on strategic markets (this year, CHANEL is doing a Resort 25 twice, first a few weeks ago in Marseille, and again in November in Hong Kong). Therefore, all eyes were on Gucci Cruise. When the world isn’t particularly sweet, sometimes we all need what Gucci showed yesterday in London: soft colors, ballet flats, and daisies. And alas, the fashion community seemed to warm up to Sabato De Sarno. We saw the shift from xx to Tom Ford and a bit of AM (trying to add bohemian chic, mix it with a vintage spirit and a moderate amount of weirdness). The recipe seems to be correct, the ingredients are the same. Are these things beautiful? For the most part - yes. However, the global problem of the new Gucci is that Sabato works not with IDEAS but with TRENDS. Because of this, his collections do not look like integral statements but as the work of a stylist. Look number 1: A combination of airy blouses with a bow and jeans belongs to both Valentino and AM. Look number 2: Look number one but the bottom is changed to MIU MIU underpants, etc. Oversized "coated" leather belongs to KHAITE; only the lazy hadn't made ballet flats, jackets-shirts from MIU MIU, favorites of Maria Grazia's cropped trousers are also here, as well as Ford's jersey dresses and Valentino's chiffon. What could inspire Gucci customers to run to the stores? Maybe the updated Blondie bag, which has become XXL in size? Bottom line: I still don't understand De Sarno's vision for the brand. And what is he contributing as a designer? There is a stereotype that luxury now is a mass-market sport, but even so, it is a very expensive "sport"; what is this luxury customer looking for in Gucci's store? Sabato produces an assortment of the main hits of recent seasons (not the first time, he is doing it starting with his first collection for the brand). Yes, these are cute things that would probably look great in real life. But they do not evoke any associations. What comes to your mind when you think about the new Gucci except this new Rosso color? But color is just...a color:)) #wwd #bof #fashion #resort #precollection #voguebusiness
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It seems the world of luxury fashion is a shuffling of musical chairs from an outsider’s perspective. With every new creative director comes a vision of what the house really wants. Which is more , what does the equity house that owns the brand want? More profit, more market share , are 2 major and general goals. But what does it mean for the actual house itself? Alexandro transformed Gucci to become one of the most favourable brands in the last 10 years, appealing to Gen Z and become a semi-cult brand most desired by youth and ‘new money’ . Profits increased and Gucci succeeded in gaining a large market share. Only to change it vision again and bring in Sebato as the new CD and go back to classic Gucci. Is this Mayhoola’s strategy now too? Copy Kering’s recipe - Create a cult brand, bring Gen Z onboard , dominate the Asian market and then when they have reached their financial and brand objective, change over again. It’s almost like Creative Director’s and designers have very little room to play anymore and more about achieving one objective. Perhaps one wonders where being owned by a large conglomerate is worth a company’s overall longevity? Is profit more important than cultural heritage? Both are required but at what cost.
The former Gucci designer is a fashion storyteller whose maximalist aesthetic helped triple sales at the Kering-owned megabrand. Valentino has named former Gucci designer Alessandro Michele its creative director, the Roman couture house said Thursday. The designer’s first show for the brand will take place during Paris Fashion Week in September. The announcement answers one of the biggest questions on the lips of fashion insiders for more than a year: where would Michele, one of the industry’s biggest names, end up after leaving his post at Gucci? In the end, Michele won’t be headed to fashion’s biggest group LVMH, as many had speculated, but rather to Mayhoola for Investments, the fashion group backed by the Qatari royal family that also owns Balmain and Pal Zileri. Last week, designer Pierpaolo Piccioli exited Valentino after 25 years at the house, including 8 years its as sole creative director. The brand will not show menswear or haute couture in June. Read the full story by BoF’s?Robert Williams
Alessandro Michele Named Valentino Creative Director
businessoffashion.com
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The shoe in the image is a Gucci Horsebit Loafer. Here's a brief history: 1. Introduction in 1953: The Gucci Horsebit Loafer was introduced by Aldo Gucci, son of the founder Guccio Gucci, in 1953. Originally designed as a men's shoe, it was inspired by equestrian themes, which were a significant part of Gucci's heritage. 2. Design Elements: The loafer features a distinctive metal horsebit detail on the front. It combines the formal look of a dress shoe with the casual feel of a loafer. 3. Popularity: The loafer quickly gained popularity due to its unique design and versatility. It became a symbol of sophisticated yet comfortable fashion, appealing to both men and women. Celebrities and influential figures helped boost its status as an iconic fashion item. 4. Cultural Significance: Over the decades, the Gucci Horsebit Loafer has become a staple in the fashion world. It represents a blend of luxury, craftsmanship, and timeless style. 5. Modern Adaptations: While the classic design remains popular, Gucci has released various iterations of the loafer, including different colors, materials, and embellishments. It continues to be a symbol of luxury and is often seen in both formal and casual settings. This Gucci Horsebit Loafer is not just a shoe but a piece of fashion history, representing the brand's longstanding heritage and commitment to quality and style.
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The shoe in the image is a Gucci Horsebit Loafer. Here's a brief history: 1. Introduction in 1953: The Gucci Horsebit Loafer was introduced by Aldo Gucci, son of the founder Guccio Gucci, in 1953. Originally designed as a men's shoe, it was inspired by equestrian themes, which were a significant part of Gucci's heritage. 2. Design Elements: The loafer features a distinctive metal horsebit detail on the front. It combines the formal look of a dress shoe with the casual feel of a loafer. 3. Popularity: The loafer quickly gained popularity due to its unique design and versatility. It became a symbol of sophisticated yet comfortable fashion, appealing to both men and women. Celebrities and influential figures helped boost its status as an iconic fashion item. 4. Cultural Significance: Over the decades, the Gucci Horsebit Loafer has become a staple in the fashion world. It represents a blend of luxury, craftsmanship, and timeless style. 5. Modern Adaptations: While the classic design remains popular, Gucci has released various iterations of the loafer, including different colors, materials, and embellishments. It continues to be a symbol of luxury and is often seen in both formal and casual settings. This Gucci Horsebit Loafer is not just a shoe but a piece of fashion history, representing the brand's longstanding heritage and commitment to quality and style.
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BALENCIAGA are you kidding me??? The fashion world's parade of absurdities has never fails to entertain. Remember Gucci's $200 torn stockings or those inverted sunglasses? Bottega Veneta's ingenious idea to convince us that a phone cord could be a statement neckpiece, and Moschino's $1,170 bags shaped as croissants, because, you know, who doesn't need a pastry-inspired accessory at that price? Scrolling Instagram yesterday however and running across its latest launch has got to be the epitome of my fashion induced incredulity. A bracelet inspired by the humble Scotch tape found in every hardware or office supply store. Part of their Fall/Winter 2024 collection, this accessory embraces the utilitarian aesthetic, AT THE EXORBITANT PRICE OF $3,300. At first thought you think, how stupid is this? Okay, maybe on the second, third and fourth thought as well. But then you think? Why? Who and what could spark this absolutely absurd idea? Is it a marketing gimmick then? designed to generate buzz in an increasingly competitive luxury market where attention is currency? After all, Balenciaga isn't a stranger to controversy. In 2022, the brand unveiled the “world’s most expensive trash bag” for its Autumn/Winter 2022 collection that year. Not far off from that launch, was their uproar causing towel skirts selling for close to USD 1000, leaving in their wake, a myriad of "what the hells, whys, and are they nuts". Publicity, good or bad, is publicity, you start to wonder: is there a method to this madness.... With the current generation, everything lies, in the method. It's never about what it is anymore, rather more about what is signifies, what it screams, and what it supports. One may view the Balenciaga bracelet as a cheapening of luxury, reducing it to mere gimmickry and shock value. Gvasalia risks diluting the essence of true luxury, which is rooted in craftsmanship, heritage, and exclusivity. However there are those who contend that Gvasalia is reshaping the concept of luxury jewelry by infusing it with unconventional elements and blurring the boundaries between high-end and mainstream culture. In this process, he prompts us to reassess our perceptions of what defines luxury, encouraging a reevaluation of the significance we attribute to material possessions. So we are forced to arrive at this fork, where we define luxury. Perhaps what is mockery now will be genius in a few centuries. Is this a rebellion of belief? Luxury, richness, opulence, being a part of a greater something, a feeling perhaps restricted to the rich, shifting to a more cultural definition of acceptance, feeling rich, being greater than money, acceptance, love...you question everything Is luxury not rare anymore? and here I am, just as appalled as when I started writing this article... grateful however that I can purchase this luxurious article from my nearest stationery.. Not a first copy! I'm supporting small homegrown businesses...?? #fashion #luxury #balenciaga
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HOW TO MAKE YOUR CUSTOMERS NOT CARE ABOUT THE PRICES? The recent Dior relaunch of their Chiffre Rouge watch line has sent ripples through the luxury watch world. As your in-house fashion maniac, I'm fascinated by the audaciousness of this move. Christian Dior Couture, a "titan" of fashion, venturing into the complex, competitive arena of high-end watches? ?? Dior is a brand known for stunning gowns, delicate fragrances, and dazzling jewelry. Watches, with their intricate mechanics and hefty price tags, are a whole new ball game. But here's the thing: men are buying luxury watches. And not just your run-of-the-mill Rolexes. We're talking independent watchmakers, obscure complications, and price tags that would make your accountant faint. So, how does Dior crack this market? Here are a few thoughts. 1. Lean into heritage ?? Dior has a rich history, and the Chiffre Rouge line taps into that beautifully. The collection's name references a secret code used by the French Resistance during WWII, adding a layer of intrigue and exclusivity. 2. Target the right audience ?? Forget mass appeal. Dior needs to focus on watch enthusiasts, collectors, and those with a deep appreciation for luxury craftsmanship. 3. Experience is key ?? Selling a $7,000+ watch isn't just about the product, it's about the experience. Dior will build exclusive boutiques, offer personalized consultations, and cultivate a community around their watch brand. Personally, I'm excited to see Dior's play in this space. They have the brand power, the design prowess, and the resources to make a splash. Whether they'll dethrone the LVMHs and Richemonts of the world remains to be seen, but I have a feeling they'll give them a run for their money. What do you think? When and how did you buy your first luxury watch? P.S. I've been obsessed with watches lately, and I'm learning everything I can about this fascinating world. If you have any recommendations for watch blogs, YouTubers, or even great watch documentaries, hit me up! #Dior #ChiffreRouge #luxurywatches #menswear #WatchesOfInstagram #hautehorlogerie
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Reflections from Gucci Cruise 2025 show in London last night. It's no secret that the brand has been struggling - see Kering's latest profit warning. In London, at the Tate Modern, it was lots of fanfare and celebrities, and a big after party that made me realise I'm a bit too old for big fashion parties. ?? The collection’s core theme: a celebration of contrasts. With the storied Italian luxury brand at a precarious juncture, finding its renewed identity amid a global luxury slowdown, the theme is fitting for more than one reason. ?? Gucci’s official Weibo video had 6.98 million views and 12,400 likes at the time of writing - boosted by mainland Chinese celebrities Zhang Linghe and Wang Churan, and Hong Kong’s Daniel Wu. ?? While Gucci leans into its heritage and the quiet luxury trend sweeping China and beyond, this collection had plenty of iconic Gucci elements, such as horsebit details, reimagined with contemporary twists. ?? One of De Sarno’s challenges is generating the fantasy factor that much of high fashion aspires towards, or that obsessive cult “desirability” that so defined his predecessor. ?? Read on for more analysis and China's response on socials. Gucci’s story underscores fashion’s perpetual challenge of balancing artistic expression, hype with wearability. #gucci #luxury #china #fashion Jing Daily
Gucci’s Cruise 2025: A tale of contrasts, celebrities, and China’s crucial role
jingdaily.com
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