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Georgia O’Keeffe is widely regarded as one of the greatest and most influential modernist artists of the 20th century. Her innovative and groundbreaking style led her to be dubbed the Mother of American Modernism. Check out this article to learn about the life and legacy of Georgia O’Keeffe. #GeorgiaOKeeffe #art #artist #painter #modernart #americanart #arthistory #americanmodernism #arthinkal #arthinkalmagazine #SubstackNewsletter #substack

about the discourse on truth programming has nothing to do with language the above two linguistic terms best to be kept fully apart, maintaining integrity of each one’s meaning and essentials programming is digital & digitisational pool-recording of data in ladders/shapes-in-boxes for scientific use language is free, out-of-the-box creation of concepts & of interpretations of concepts of data in ladders/shapes-in-boxes and of themselves any ladders, boxes and science/technology pools beyond-the-obviously-useful programmed memory: language is inherently seeking interpretation-in-freedom of anything in word discussion Toward intelligent understanding of wild difference in tolerance and in the humility for ongoing discourse between extreme differences Language, not excluding the imaginary myth, the mistakes, the intuition, the critical out-of-system judgment, the chance risk: values chance risk and decides individually, after diverse discussion, in intelligent understanding Language may, or may not decide toward physical survival, like in the cases of atomic, or jointly decided heroism: e.g. wars protecting freedom and democracy Furthermore, human intelligence is real and free by nature, suffocating within enclosure of revelatory oracle dogma; worst when politically-mathematically the latter is calculated to spread terror and obligation to peoples On the contrary, artificial “intelligence” is fundamentally programmed and determined; to be used as recorded, obligatory pre-memory of scientific systems, hence, it may be manipulated to be taken “religiously” into account. Human intelligence is needed, to reach wholesome-critically valuable, rather, than plain mereological simulacra solutions in anything Freedom, honesty and kindness make both intelligence and existence; on the fertile earth of which valuable progress arises. A propos, isn’t artifice, by linguistic definition, the shallow fallow shortcoming of intelligence? Unable, by force of insufficient brains, or by dishonest will, to solve problems, leading in the mime of knowledge? So, another fair logical linguistic conclusion would be to drop the term “intelligence” by the term artificial and change the name AI into PP: Paraintelligent Programming. A lot of circulating misunderstandings would be annulled, this way, regarding supreme and sublime powers of calculative constructions to find Absolute Truth, where human beings “can’t”. Let’s, do call the emperor naked, as we see no clothes on him and call him marvellously dressed when the situation is really so. Let’s leave the term intelligence where it belongs: with the thinking-in-suffering, incorrect-toward-critical truth wordie humans.

Recent findings from Art UK shed light on shifting trends in public sculpture. In 2023, more living individuals were commemorated than deceased ones, marking a significant departure from previous years. This shift, driven by a desire to celebrate diversity, underscores the evolving landscape of public art.? ? However, amidst this progress, challenges persist. The dominance of statues portraying white men remains prevalent, reflecting deep-seated historical imbalances. Moreover, while there has been a commendable increase in the depiction of black individuals, the representation of other ethnic minorities lags behind.? Read more about these findings here: https://lnkd.in/e_iGD5vF? ? #ArtisticExpression #DiversityMatters #PublicSculpture? ?

Superfine: Tailoring Black Style, The Metropolitan Museum of Art, New York/USA ------------------ The Costume Institute’s exhibition presents a cultural and historical examination of the Black dandy, from the figure’s emergence in Enlightenment Europe during the 18th century to today’s incarnations in cities around the world. Inspired by Guest Curator Monica L. Miller’s 2009 book?Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity, the exhibition will explore the importance of sartorial style to the formation of Black identities in the Atlantic diaspora. Historically, the term?dandy?was used to describe someone—often a man—who is extremely devoted to style and approaches it as a discipline. Dandyism was initially imposed on Black men in 18th-century Europe as the Atlantic slave trade and an emerging culture of consumerism created a trend of fashionably dressed, or dandified, servants. Dandyism offered Black people an opportunity to use clothing, gesture, irony, and wit to transform their given identities and imagine new ways of embodying political and social possibilities. The exhibition will tell the Black dandy’s story over time through a range of media, such as garments and accessories, drawings and prints, and paintings, photographs, film excerpts, and more. Taken together, these narratives offer a history and description of Black dandyism as a discrete phenomenon that reflects broader issues of power and race in the Black diaspora. More info: https://lnkd.in/ebc8arCq #fashion #icomcostume #textile

It's a positive shift to see more living individuals being commemorated in public sculptures. It's great to celebrate diversity and give recognition to talents that have been overlooked, especially among black men and women whose stories often go untold. Yet, as Art UK points out, the imbalance remains, with most public sculptures still depicting white men. It's an important reminder of the ongoing need to tackle historical inequalities and ensure the world around us reflects everyone's contributions. https://lnkd.in/dz-x4BgX.

You know how you walk?into an art gallery, and every piece, brushstroke, color choice, and composition tells a story? ?? Just like?an artist carefully selects their palette to create a masterpiece, ???????? ?????????? ???????????????????? ???? ???????? ???????? ???????????? ????????????. They set the tone for the overall picture. ?????? ????????????'?? ??????????????: While we can't control how others interpret our art, we can: - ?????????? ?????? ?????????????? ???????? ?????????????????? ?? - ???????????? ?????????????????????? ???????????? ?????? ?????????????? ?? - ???????????? ?????? ?????????????????? ?????????????? ????????-?????????????????????? So, as you start this week, ask yourself: ???????? ???????? ???? ?????????????????????? ???? ?? ????????????????? ?? Let’s take a moment to be intentional about the “art” we’re putting out. Each meeting, conversation, and email adds a new layer to our personal canvas. So here’s to making bold strokes, staying true to our colors, and creating impressions that last. ? ???????? ?????? ????????????????: Connect with Black Professionals Ireland and let's create a gallery of impactful impressions! ??https://lnkd.in/endpY-z5 #Professionalism #FirstImpressions #CareerGrowth #BlackProfessionalsIreland #MondayMotivation

Art is more than just a visual experience; it's a powerful narrative tool. For me, collecting Black art has been a journey of rediscovery—one that honors the past while inspiring transformation and reinvention in the present. From my aunt Cynthia Vaughn's early influence to connecting with today’s incredible artists, each piece tells a story of resilience, identity, and the rich tapestry of the African diaspora. Artists today inspire me deeply, especially as I think about the power of reinventing narratives. Art is not just an expression; it’s a call to action—a way to challenge perceptions and reshape our world. If we want to see our stories preserved and celebrated, we must be active participants in supporting those who tell them. Don't wait. Visit a gallery, explore a museum, or invest in a piece that speaks to you. Art is not just for admiration; it’s for legacy. Check out my conversation in Cultured Magazine to learn more about why collecting Black art matters and how it continues to shape my journey. Read the full article here: https://lnkd.in/emFjzpUr

Drawing on Muholi’s photography and the indigenous “felt theory” how do these marginalized communities make visible the collective trauma they have suffered? ? DRAFT/STUDY TIPS Introduction The representation of marginalized communities and their collective trauma through visual art is a powerful medium of expression and resistance. Zanele Muholi’s photography, coupled with the indigenous “felt theory,” provides a profound lens through which the visibility of such trauma can be explored. Muholi, a South African visual activist, uses photography to document and celebrate the lives of Black LGBTQIA+ individuals, thereby creating a narrative that challenges the erasure and marginalization of these communities. The indigenous "felt theory," a concept rooted in indigenous knowledge systems, emphasizes the embodiment and communal experience of trauma and resilience. This essay critically examines how Muholi’s photography and the indigenous "felt theory" collaborate to make visible the collective trauma suffered by marginalized communities, providing a platform for both healing and resistance.

Doe eyes looking down at you, large heads, heavily stylized faces of child-like women. With their distinctive, sometimes vivid, candy-color palettes, the compositions take you into a dream within an urban daily life. But quickly guess that those big innocent eyes hold a deeper secret… These are some of the characteristics of Lowbrow Art. But what does Lowbrow Art mean exactly? Read on to learn more about the Lowbrow Culture, the subcultures that influenced the Lowbrow Art movement, and modern Lowbrow Artists.? https://lnkd.in/eUft_tKZ

Artsy Booooom!! Suggested article!