FactRight, LLC的动态

I love it! ?????? Could we use this idea in some business areas for Sales & Marketing? We need to be more entertainers and less advertisers. How? The way to new connections is attracting people ??????????????????=???????? #Forretningsutvikling #produktutvikling #Ecommerce #customerexperience

Friends and contacts in and outside of the live industry, Please find some time to check out THIS conversation Michael Rapino shared with Bloomberg last week. It’s worth a watch or a listen if you have the time. Do it for me. Do it to better understand so much that continues to be misunderstood about the industry. The interview covers the core challenges of the live entertainment and ticketing industry and addresses so much that continues to be misunderstood about how ticketing works. The candid and wide-ranging discussion covers topics such as… -- Dynamic pricing and why a secondary market continues to exist and thrive. -- The exhaustive efforts Ticketmaster takes on and the solutions we build out to ensure fans have the best opportunity to purchase tickets to see their favorite artists, events and teams -- ….and how sometimes, despite those best efforts, BOTS attacks and other bad actors do all they can to break that artist to fan connection for their own gain in the most public of ways. -- The Live Nation Entertainment DOJ lawsuit and legislation we continue to push and attempt to educate legislators about how this actually all works and how we can use the help to continue cleaning up the live event industry to better improve how artists and teams can better connect with their fans -- Global expansion, touring and opportunities to help artists and teams and brands to better capture the explosive growth of their reach. Its worth a listen/watch.

Check out my first article! Please provide feedback and thoughts!

Let's be clear, this isn't Edgar Bronfman's first rodeo with getting big media and entertainment M&A deals through, and you'd imagine that National Amusements have to take the approach seriously. At the same time, the prospect of the "bird in the hand" that is Skydance walking away in the time that Bronfman and Bain Capital need to do their due diligence is likely to be a significant obstacle in the board's minds. #investorrelations

Consider centralization (Monitoring)Prime Contractors especially, Kansas City Missouri, JE Dunn, Turner Construction, McCown Gordon. Difficulty in accessing procurement opportunities, restrictive bid specifications, excessive experience requirements, and overly burdensome insurance and/or bonding requirements, for example, might be addressed by KCMO without resorting to the use of race or gender in its decision-making. Effective remedies include unbundling of contracts into smaller units, providing technical support, and developing programs to address issues of financing, bonding, and insurance important to all small and emerging businesses.77 Further, governments have a duty to ferret out and punish discrimination against minorities and women by their contractors, staff.

This video really caught my attention, and made me think about the evolving role of independent labels in today’s music industry. One critical point that stood out during this conversation between Peter Sinclair and Ray Daniels was the future role of labels. Ray highlighted that artists are chasing quick money, but what they really need is long-term development. This is where independent labels can still play a crucial role, if they adapt their approach. Here’s in my opinion the game changer: ?? Labels need an A&R division focused on artist development, but that’s just the start. ?? Marketing teams should be actively working on elevating the artist’s brand. ?? Most importantly, labels should develop management divisions—not to manage artists, but to manage the managers. That’s right, labels should focus on mentoring and guiding the artists, creating the infrastructure necessary for a long-term, sustainable career. By doing this, labels won’t just be middlemen—they’ll be partners in crafting a lasting legacy. Independent labels still have a significant role to play, but only if they shift their mindset. It’s about becoming full-scale management teams, ensuring artists aren’t just chasing hits, but building career longevity. What do you think? Can labels adapt to this new reality? #MusicIndustry #ArtistDevelopment #IndieLabels #CareerManagement #LongTermSuccess

Paul, Weiss alumnus Frank Lamicella discusses how he got into the sports and entertainment industry and his advice for those looking to do the same. https://lnkd.in/eJd6nU9J #sportslaw #entertainmentlaw

Congratulations, Daniel Spencer! Variety’s Hollywood New Leaders list recognizes “undersung individuals who provide the connective tissue between idea and execution, messenger and message, property and platform.” An associate in the firm’s Entertainment & Sports Law Department, Dan helps clients navigate issues involving traditional and emerging media, structuring and negotiating deals for creative artists, producers, directors, writers, executives, financiers and production companies. Learn more about the New Leaders list: https://bit.ly/4ebBWDj #EntertainmentLaw #FoxLeaders #EntertainmentLawyer?

In this article, I dive into how Bad Bunny’s historic contract with Rimas Entertainment and The Orchard redefines artist empowerment, allowing him to maintain creative control and ownership of his masters This deal is not just about numbers, but rather a major shift in how Latino artists, and the industry as a whole, can leverage their influence and success. Please provide feedback and thoughts! ??????

We proudly congratulate Josh Love, an Entertainment and Media Group partner, for being named among Hollywood's New Leaders by Variety. This prestigious list recognizes the most influential and innovative executives, lawyers, agents, managers, and publicists in the entertainment industry. Read more here #ReedSmith #EntertainmentLaw #Variety #HollywoodNewLeaders