#classic #classicalmusic #playlist #piano #collection #chopin #etude #ballad Chopin composed a total of 27 songs of etude. Chopin etude is a song called piano textbooks and is an essential course for piano students, majors, and pianists. In other words, it is in the most basic and important position in the piano major. The reasons why Chopin's etude is so important are as follows. First, it is a practice song of Chopin, a pianist who achieved a major innovation in piano technology in the Romantic era, so it contains important techniques in piano. Second, it is a musical performance that is both a practice song. The genre of etude, that is, a practice song, existed before Chopin as a practice stage for playing other songs. However, Chopin instilled the musical aspect as well as the value as a practice song through his genius of practice songs, which were merely mechanical practice. Thanks to this, Chopin's etude gained value as an independent song and became a song that could be presented to a concert. It is also under the influence of Chopin's etude that the etude of later composers, who can be said to have been composed for performance rather than practice, later appeared. In modern times, a kind of essential course that anyone who wants to major in piano must play with Beethoven's piano sonata. It is difficult enough and is selected as an entrance exam song every year because one of the discrimination is certain.
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Ever want to learn New Orleans piano? Check out this new tutorial on Professor Longhair's version of "Everyday I Have The Blues"! https://lnkd.in/eEbi3fDB
New Orleans Piano - How To Play Professor Longhair's "Everyday I Have The Blues"
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More resources are a double-edged sword. Talent is context dependent. Clarity is everything. I picked up this record recently, and these two amazing musicians demonstrate this point on every Rag in this performance. I "dropped the needle" on my favorite performance so you can start your Friday out right! Ravi Shankar was one of the world's most beloved musicians and well-known sitar players. More well-known in Indian communities, Ali Akbar Khan was a masterful sarod player (a sarod is similar to a banjo in construction but has a more diverse timbral palette). The tabla is performed by Alla Rakha. Why is this performance so stellar? Because all the musicians are clear on which notes to play (and which ones to gracefully avoid). They know the divisions of the Raga and they know larger grouping conventions like the tehai to which this piece culminates. Like wizards, they take these conventions, these incantations of all past performances, and use them as a starting point for their own collective and creative expression. Most of this performance is improvised, with the exception of the main melody. I sincerely doubt that much of this music was worked out ahead of time. What I take with me from this into my own work are the following points: 1. Be clear on what I need to bring to the group; 2. Know when to bring it to the group; 3. Understand the conventions and make the fundamentals second nature https://lnkd.in/eRD5zKqh
Ravi Shankar & Ali Akbar Khan in concert 1972
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Understanding the stability and durability of a piano bench is crucial in contributing to the overall piano-playing experience. We've taken the liberty to answer all your questions and doubts related to this aspect in our detailed blog post. ???? https://lnkd.in/ggzQda_k Want to connect with fellow piano enthusiasts? Don't forget to share this post and discuss! #StabilityDurability #PianoBench #HidrauPianoBenches
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RAINDROP????RUBATO Seems a daily inspiration by James McCabe ! Today, inspired by his beautiful poetry I was reminded of this fantastic prelude by Chopin. This is not easy to play, not every pianist does it well. I know exactly what to listen for, an unwritten notation of a swing called rubato. “Tempo rubato” is an important and generalizable concept in music, particularly in piano music, where it allows for a flexible, expressive interpretation of rhythm. As a pianist, I've always been drawn to the expressive possibilities. Rubato is not just a musical technique for me; it's a life tool that embodies agency and individuality. Rubato allows us to infuse interpretations with personal expression, shaping the music into a polyrhythmic dance that reflects our unique perspective. Listen to Maurizio Pollini's rubato technique and hear what I presume to be Chopin's own style! Rubato is a crucial element in interpreting Chopin's music, and each pianist's approach to it can significantly impact the overall character and emotional depth of the performance. Rubato, a technique not explicitly notated in Chopin's compositions, plays a pivotal role in enhancing expressiveness by allowing performers to subtly manipulate tempo. Maurizio Pollini's remarkable skill in utilizing rubato, which harmonizes with Chopin's style, likely stems from his profound study of Chopin's works, historical performance practices, and innate musical sensibility. Pollini's approach involves a meticulous analysis of the music's structure, harmony, melody, and emotional essence to discern where rubato can amplify expression without compromising the piece's rhythmic integrity or overarching form. His extensive familiarity with Chopin's oeuvre enables him to internalize the stylistic nuances typical of Chopin's compositions, such as this “Raindrop” prelude’s incorporation of ornamentation, the sculpting of melodies, and the overall character of the music. Rubato, its history and application extend beyond music into broader phenomena of time and temporal human behavior. Beyond music, the concept of tempo rubato can be seen as a metaphor for the broader human experience of time. It reflects the idea that time is not always linear or constant, but rather fluid and subject to individual interpretation and experience. In this sense, tempo rubato can be applied to various aspects of human behavior and perception, highlighting the dynamic and subjective nature of time in our lives. In essence, rubato is more than a technique; it's a philosophy that transcends music, offering a pathway to personal liberation and creative empowerment. Through rubato, I not only interpret Chopin's music or any other composer's work but also navigate the complexities of life with a sense of freedom and creativity. It's a reminder that our agency extends beyond the keys of a piano, influencing how we shape our own narratives and interpretations in the symphony of existence. ___ #MusicTherapy #Healers
Chopin: 24 Préludes, Op. 28: No. 15 in D-Flat Major "Raindrop Prelude" (2011 Recording)
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Having a ‘niche’ doesn’t limit me. It gives me a framework to play in. My niche is currently: 1) Legacy Films - telling you or your businesses’s story cinematically (read: like a movie ??) 2) Story driven social media videos for individuals and businesses Am I split down the middle? How do I focus? What I’m learning in all my business podcasts, articles, and conversations, is that it’s a great thing to have a niche. Be a specialist, baby. But you still gotta pay the bills. Ari Levertov asked if I produce animation videos for a client. Of course I do. It’s not my current niche but I’ve done it before and I can do it again. There are two options: A) Promote yourself and say yes to other things if it aligns with your ways of working B) Promote yourself and say no to anything outside that. I’m still in Team A but I can see myself batting for Team B at a later date. So for now, I stand behind both of my ‘niches’ and I still entertain the random request. If the communication, respect, and budget are on point… Let’s make something awesome. PS - What about you? How do you feel about niching down? Are you afraid of focusing TOO much?
What do you really want??? Clarity on this question is very valuable! Do you want to be a pianist that plays Carnegie Hall or an old age home recital, 'cause what needs to be done to get to either of those destinations is very different! Sign up for a free consultation to find out, "what do you really want?" Shoutout to C.A. Green for the great production!!!
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How to open the circles of conservative music theatre and include future donors, technology, artistic ideas and audiences? See the full opening keynote of Aviel Cahn (General Manager of the Grand Théatre de Genève and designated director of Deutsche Oper Berlin). At Classical:NEXT 2024 he talked about the current state of music theatre, how to work against conservative understandings and how to attract new donors and audiences alike. "Opera will become an endangered species, if it stays a dusty art form from another time, if it is uncapable to react to the challenges of our time, if it loses touch with a quickly evolving society and hence if it loses financial support because politicians or new generations of donors are not interested in it. ? Meaning: We need to challenge our structures, our repertoire as well as our role in society!" https://lnkd.in/eyqJSNty
Aviel Cahn –?Opening Keynote | Classical:NEXT 2024
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Let us know your thoughts on this informative new video!
Rick talks about the possibility of a profoundly positive experience from experiencing Jazz for Peace? LIVE!
The REAL Possibility of a Profoundly Positive Experience is Reason to hear Jazz for Peace? LIVE!
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Recently I continued my recording project adding some Chopin’s etudes to the list. These works combine the finest art, with the highest level piano technique. Practicing them it always amazes and humbles me at the same time. I never stop learning from Chopin. It’s really remarkable, and hard to put in words. This is the famous “black keys” etude: F. Chopin: Etude Op. 10 No. 5 - "Black Keys" - Marko Stuparevic, piano https://lnkd.in/eBNF674u
F. Chopin: Etude Op. 10 No. 5 - "Black Keys" - Marko Stuparevic, piano
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??? Triads can be tricky for young piano students to execute properly. In this video I work with a 7 y.o. student on how to play triads with a relaxed wrist and hand, and how to use the direction of the movement and arm weight for producing a full, resonant chord sound. ?? - #piano #pianotechnique #chords #pianoteachers #pianolessons
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