Arts & Sciences的动态

#TheEvilFairyQueen is an engaging #fantasy film that combines real and fantasy elements, as it transports us into a world of #fairies! The Evil Fairy Queen follows a family that moved from a suburban town to a large, seemingly normal house in a rural area. However, this house and the family’s experiences there are anything but normal. Something seems off from the day they arrive, when a neighbor creepily warns them of the house’s dangers. The younger daughter, Violet (#KittySudbery), discovers the fairy queen but doesn’t realize the dangers of keeping it a secret. Eventually, the rest of the family figures out what’s going on, but not until it’s too late and the entire family is in grave danger. This film has strong, relatable characters that pulled me in and allowed me to connect with the storyline. The older daughter, Adelaide (#AnielaLeyland), is a typical teenager while the younger daughter is still an innocent, sweet, explorative little girl. This contrast is typical for siblings, no matter what the age difference or similarity in interests. The dynamics between the family members make the film relevant and also demonstrates the character motives in the more suspenseful parts. Because this film includes many fantastical aspects, it’s important that viewers can relate to the characters, even if their situation is a bit unrealistic. With all that said, the story has some issues - there are some unclear parts of the fantasy world and a lot of things are never explained. That makes some sections of the film slightly confusing and diminishes its overall suspense. However, the concept of the fantasy world is interesting and it’s a wonderful idea. Available on VOD beginning April 16, 2024. https://ow.ly/HWgK50RfMVs

#TheEvilFairyQueen is an engaging #fantasy film that combines real and fantasy elements, as it transports us into a world of #fairies! The Evil Fairy Queen follows a family that moved from a suburban town to a large, seemingly normal house in a rural area. However, this house and the family’s experiences there are anything but normal. Something seems off from the day they arrive, when a neighbor creepily warns them of the house’s dangers. The younger daughter, Violet (#KittySudbery), discovers the fairy queen but doesn’t realize the dangers of keeping it a secret. Eventually, the rest of the family figures out what’s going on, but not until it’s too late and the entire family is in grave danger. This film has strong, relatable characters that pulled me in and allowed me to connect with the storyline. The older daughter, Adelaide (#AnielaLeyland), is a typical teenager while the younger daughter is still an innocent, sweet, explorative little girl. This contrast is typical for siblings, no matter what the age difference or similarity in interests. The dynamics between the family members make the film relevant and also demonstrates the character motives in the more suspenseful parts. Because this film includes many fantastical aspects, it’s important that viewers can relate to the characters, even if their situation is a bit unrealistic. With all that said, the story has some issues - there are some unclear parts of the fantasy world and a lot of things are never explained. That makes some sections of the film slightly confusing and diminishes its overall suspense. However, the concept of the fantasy world is interesting and it’s a wonderful idea. Available on VOD beginning April 16, 2024. https://ow.ly/VEf250RfMVq

Review of the Week: The Exorcist, The Film That Scared the Devil Out of Audiences Budget: $12 million Box office: $441 million (lifetime gross) When The Exorcist hit theaters in 1973, it didn't just shock audiences: it downright terrified them. Directed by William Friedkin and written by William Peter Blatty, this groundbreaking horror film redefined the genre and left an indelible mark on cinema history. Budget: $12 million Box office: $441 million (lifetime gross) The secret to The Exorcist's success? Its uncompromising commitment to realism. Friedkin's documentary-style approach made the story of a young girl's demonic possession feel all too plausible. Coupled with groundbreaking practical effects (that head-spinning scene still haunts our dreams), the film blurred the line between fiction and reality. But the scares didn't stop at the screen. The Exorcist's innovative marketing campaign generated massive buzz, with reports of audience members fainting during screenings. It became a cultural phenomenon, sparking a renewed interest in the supernatural and the occult. For filmmakers and horror buffs, The Exorcist is a masterclass in creating tension and atmosphere. It proves that with a strong story, bold filmmaking choices, and a willingness to push boundaries, a movie can transcend its genre and become a timeless classic. So, if you're brave enough to revisit this iconic film, be prepared for a truly unsettling experience. The Exorcist's power to shock and captivate audiences remains undiminished nearly five decades later. Just don't watch it alone… Written by : Jimmy Bègue / CEO Hoepe Films #TheExorcist #HorrorMovies #CinemaHistory #Filmmaking #CultClassic #HoepeFilms

Blog Feature:?A @cinequestorg Sneak Peek at Harsimran Sandhu’s, @simasandhini Short Film?Pulp, @pulp_shortfilm Support Sandhu by watching the shorts program at 9:30AM on March 16th at the Hammer Theatre. If you only attend the festival's feature-length screenings, you'll miss a local gem tucked into the short film program.?Pulp, a debut short directed by San Jose native Harsimran Sandhu, is a tale about the immigrant experience. Pulp?discusses how many immigrant parents might not know how to express love adequately through words but often show it through their actions. "I fell in love with the imagery of giving someone the bigger half of an orange," Sandhu says as he discusses the film's title and key symbol. "It's a mother eating less so her daughter can eat more… It's 'I want to peel it for you. I want to do the work for you so you can reap the rewards.'" Pulp?discusses how many immigrant parents might not know how to express love adequately through words but often show it through their actions. The film also portrays the pull between finding a "responsible" job and following the siren's song of a creative career—a divergence many children of immigrants must navigate. "You're supposed to pay your parents back. You're supposed to take care of them and make their sacrifices worth it—and there's such a clash with the pursuit of your own dreams," Sandhu reflects. "That's something that I've personally struggled with: that balance." Plenty of his peers face the same dilemma. "I've had so many late-night talks with my friends about 'What can we do?' And no one knows the answer," Sandhu says. "We're all figuring it out. There's no blueprint." Read the entire blog: https://lnkd.in/gDZvKzXb (Link in Profile) ____________ Blog by Johanna Harlow, @johanna.harlow? Photos by Daniel Garcia, @thecultivator?

The film takes us on an exciting journey back to October 11, 1975, inside the NBC headquarters, just ninety minutes before the live broadcast of a groundbreaking youth show. The atmosphere is chaotic and full of doubt; the production crew, cast, and writers are all drowning in palpable anxiety, while the hesitant management remains skeptical of a team of young individuals deemed inexperienced and lacking any television production history. The film masterfully captures the overwhelming chaos that dominates the narrative, with a fast-paced story that moves seamlessly between numerous characters. This mirrors the tension and anticipation of the moment, immersing the audience in the sense of instability and uncertainty surrounding the nature of the show that’s about to air. The performances were remarkable, as the cast successfully conveyed the mix of ambition and fear felt by the young team, who see this moment as their first and perhaps last chance to prove themselves. The intentionally disordered dialogue played a crucial role in highlighting their dreams and aspirations, while also reflecting their frustrations with a stagnant management clinging to the past and resisting innovation. What sets this film apart is its bold and clear message: courage and innovation are the keys to success. The film demonstrates that experience is not always synonymous with being right, and that the fear of change often leads to stagnation. Creative content is what guarantees longevity and immortality, not names or positions. In summary, the film is not just an exploration of chaos or a success story for a young team; it’s a living testament to the importance of creativity and boldness in the media industry. It serves as a constant reminder that great stories and genuine content are what endure over time, while everything else fades away.

Ever pondered the intersection of film criticism and libertarianism? My recent article in the Journal of Libertarian Studies delves into this captivating realm, shedding light on the rise and fall of film critics during the latter half of the twentieth century. Discover how prominent libertarian figures like Murray Rothbard, John Hospers, and David Brudnoy navigated the landscape of film criticism, offering their unique perspectives in publications like Reason, Libertarian Forum, and the Libertarian Review. Gain insights into how these individuals shaped the discourse around American cinema and culture, while also illuminating aspects of libertarian ideology. Whether you're a scholar or a cinephile, this article aims to unravel a rich tapestry of ideas, offering fresh perspectives on both libertarianism and the world of film criticism. https://lnkd.in/e2k3qraV

Would "Tropic Thunder" Still Get Made Today? Imagine a film featuring an American actor portraying an Australian method actor, who in turn plays an African American character, all while staying in character until after the DVD commentary. That actor is Robert Downey Jr., part of a stellar ensemble cast including Ben Stiller, Jack Black, Steve Coogan, and a memorable cameo from Tom Cruise. Released in 2008, "Tropic Thunder" is a satirical critique of Hollywood, war films, and the absurdities of filmmaking. However, its controversial elements—especially Downey's use of blackface—have sparked ongoing debates about its appropriateness in today's cultural climate. 1. **Cultural Sensitivity**: Some argue the film’s humour, meant to critique Hollywood stereotypes, may not resonate today due to increased sensitivity to racial issues.?? ??? 2. **Artistic Intent**: Downey Jr. and Stiller have defended the film's message, stating it targets Hollywood's hypocrisy rather than mocking marginalized groups.? 3. **Modern Reception**: Critics believe the humour would face significant backlash today, making its production challenging. Personally, I appreciated the film and didn’t find offence in Downey’s portrayal. However, humour is subjective. Has "wokeism" gone too far, stifling creativity? While "Tropic Thunder" has its defenders, it likely wouldn't be made today without considerable controversy. What are your thoughts? Let me know in the comments! **#TropicThunder #Filmmaking #CulturalCritique #Humor #Wokeism #Hollywood #Comedy #Creativity #Diversity #Satire**

Such a hilarious and creative way to promote Mercy Aigbe's forthcoming film, "Thin Line." But, is the release date strategic enough? Funke Akindele’s "Everybody Loves Jenifa" is also hitting the cinemas on that same date. You, a cinema-goer, stand in front of two posters. You can only see one film at a time. You are also considering your pocket and time. And you have "Everybody Loves Jenifa" and "Thin Line" in front of you. Be sincere, which of the two films are you likely to go with? Funke Akindele has been massive on promotion. We have not seen the same energy from Mercy Aigbe's camp. Mind you, past glory and heavy promotion don't determine artistic, didactic, and edutainment value of a work of art. But strategic promotion has the capacity to sway your decision in this crucial moment. Mercy Aigbe should have fixed her release date on the first of December. That way, she'd be able to feel the true pulse of cinema-goers concerning her film. She would have made sales before Funke Akindele’s film hijacks the box office. Perhaps, one of the biggest Nollywood films going to cinemas this December is "Everybody Loves Jenifa." It's big because of Jenifa’s cinematic antecedent and the current promotional energy around the film. You don't take your film to the cinemas on the same date that such a film is looking to conquer. Both films have four weeks to prove their mettle in the cinemas. Who do you think will conquer? ???????????????????????? #ThinLine #EverybodyLovesJenifa #December #films #Nollywood #strategies