Virtual Apparel Consulting

We offer 3D tech solutions for a better future in fashion. Here’s a few things we can do for your apparel business: ◆? Browzwear + Clo3D Training ◆? Pattern and Assets Digitalization ◆? 3D Workflows and Onboarding We are so excited to build a community of designers, developers, artists, and innovators who are bold enough to question what's familiar, and push the boundaries on what's possible in the apparel industry. Let's build something that we can be proud of. Virtual Apparel Consulting Team 3D and Fashion Tech

All the more reason to try it out if you haven’t yet! New block patterns available on #clo #clo3d #digitalfashion #3dfashion

Awesome work ?? #digitalfashion #3Dfashion #style3D #fashiontech

??Hear it from the leaders of the fashion tech movement themselves: here’s a few ways a digital approach can begin to modernize workflows in a traditional supply chain. #browzwear #fashiontech #supplychains #digitalfashion

Tune in to the panel this Wednesday on #digitalmaterials #digitalfashion

Check out Browzwear’s upcoming webinar Oct 8th! #browzwear #stylezone #digitalfashion #3Dfashion

Virtual try ons are happening! Google’s diffusion ai-enabled technology allows consumers to visualize a garment on a model that more closely resembles their body, which they can choose from different size and shape model options. What do you think? Would you use this? #digitalfashion #virtualtryon #fashiontech https://lnkd.in/eiz4E9id

Digital Fashion week happening this Saturday! See you there?

This post completes a 3D study of 100 years of tennis dress history in Wimbledon. Read the full article here: https://lnkd.in/e-KaT5FF Maria Sharapova dominated in the 2000’s. She was a beast on the court, and kept her outfits simple. This look from 2004 Wimbledon is one of our favorites. The Williams sisters were always bringing bold style to the game, and Miss Serena Williams was known not only for her skill but also her looks on the court. She found a way to weave her style even into the limiting Wimbledon dress code, as seen with her Nike dress from her 2016 Wimbledon win. Emma Raducanu brought a fresh spin to a classic tennis silhouette as seen in her 2022 title run. This style brings us full circle, seeing continued use of timeless pleating and corset detailing that references the history of women’s sportswear, but with all the comfort and functionality of sportswear in the modern day… – In this study, we're outlining a brief history of iconic style on the grass courts of #Wimbledon in the last century. We recreated some of the looks digitally, rendered in 3D with #Browzwear #VStitcher by Svetlana Shalumova. The patterns are based only on photos and videos available of the players wearing them. These are not exact replicas of the originals; we do not claim ownership of these designs. #tennis #sportsweardesign #3Ddesign #3Dfashion #virtualfashion #digitalfashion #historyoffashion

Continuing on 100 years of #tennis dress history… Martina Navratilova sported another one of Tingling’s mini dresses in 1978, featuring a pinstripe button-up sleeveless mini with pressed exaggerated collar that was reflective of the classic 70’s style, as was the contrast color blocking. Miss Navratilova claimed this was her lucky dress and won many matches in it. She even had Tingling recreate it after wearing out the original, with him going across states to find more of the same pinstripe fabric. Though it was stylish, it went beyond the Wimbledon rules by using too much color, leading to rule amendments that solidified the all-white rule on the court. Tracy Austin lost to Navratilova’s lucky dress in 1979. In 1980 we see Austin outfitted in a flirty lace shift dress with scalloped detailing. In contrast to the more popular sporty looks of athletic apparel at the time, she stood out with her signature girlish look, often wearing her hair in pigtails, and wearing extra feminine dresses with lace, bows, and frilly details. Despite her appearance, no one was fooled; she won three titles and became the youngest ever to be inducted into the International Tennis Hall of Fame, at 29. By 1994, the fashion landscape had shifted significantly - away from custom designer looks to commercial brand partnerships. Graf’s outfit in 1994 is very on-trend for the time - she’s wearing an oversized look with a layered tee, vest, and a wrap skort, with brand logos visible on the sleeves, chest, and skort hem. While Wimbledon traditionally limited commercial advertising and product placement compared to other tournaments, here we start to see brands capitalize on the global popularity of Wimbledon by partnering with players for representation. This marked a shift in the landscape and spirit of the game - from athletes wearing custom-made outfits designed to highlight individual personalities, to using athlete’s high visibility on the court for product placement opportunities, all while adhering to Wimbledon’s strict dress code. – In this study, we're outlining a brief history of iconic style on the grass courts of #Wimbledon in the last century. We recreated some of the looks digitally, rendered in 3D with #Browzwear #VStitcher by Svetlana Shalumova. The patterns are based only on photos and videos available of the players wearing them. These are not exact replicas of the originals; we do not claim ownership of these designs. Stay tuned for more! #tennisfashion #servinglooks #grandslam #3D #3Ddesign #digitalfashion #fashionpreservation #sportsweardesign #performanceapparel #sportswear #digital #apparel