We throw out a lot of plastic, and unfortunately, we’re?not very good at recycling it. It’s estimated that one million plastic bottles are purchased every minute, and according to the?UN Environment Programme, plastic can now mark our current geological era, the Anthropocene, through fossil records, and a new marine microbial habitat is now called a “plastisphere.” While companies use recycled plastic to replace some of their packaging made from virgin plastic, others use the material in new ways. One such company is?Azure Printed Homes. Read and see more on The Dieline >>> https://lnkd.in/eShyhai9
关于我们
Established in 2007 by Andrew Gibbs, Dieline has become the leading media brand for consumer packaging and consumer brands. Dieline is committed to supporting the advancement of the package design industry in all its forms. Our website began as a platform for the industry to share design innovation and creativity through original editorial content, and reader-submitted projects. Our platform grew to include Dieline Awards, our global package design competition, and Dieline Conference, our annual package design event. Dieline is the world’s most visited packaging design website, and it highlights the importance and value of packaging design for brands in today’s world. In 2018, Dieline has evolved into a high-level bespoke creative platform for package designers, brand designers, consumer brands, agencies, suppliers, sustainability experts, students, and packaging manufacturers. With our new platform, Dieline’s core focus for 2019 and beyond is to build a global community of packaging designers and to advocate the packaging industry towards more sustainable solutions through creativity and innovation.
- 网站
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https://www.thedieline.com
Dieline的外部链接
- 所属行业
- 科技、信息和网络
- 规模
- 2-10 人
- 总部
- Los Angeles,California
- 类型
- 私人持股
- 创立
- 2007
- 领域
- Packaging、Conferences、Design和Design
地点
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主要
5012 York Blvd
US,California,Los Angeles
Dieline员工
动态
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Derek&Eric’s design for IMPOSSIBREW? leans into bold contrast and structured simplicity. The black-and-white split-block layout makes the #typography pop, while the oversized can graphic on the outer box reinforces brand recognition. Read and see more on The Dieline >>> https://lnkd.in/eF6KVKx4
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OurCreative.’s?design for Pico Tequilana layers history and geology into a striking collage. The torn-paper effect is meant to mimic rock strata, revealing archival mine imagery alongside bold strokes of agave blue and fiery red. The #typography is sharp and grounded, while the tamper seal subtly nods to mining tokens, reinforcing the brand’s depth. Read and see more on The Dieline >>> https://lnkd.in/eFcWvhrT
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The #redesign of Arrebatos by?FAENA Studio?swaps traditional seafood packaging tropes for something bold and expressive. The oversized cursive logo stretches across the label, while earthy tones and sea-toned blues play with contrast. The jars get a hand-wrapped wax top, hinting at an artisanal touch. The old look was generic, but now, the #packaging feels like a specialty item, something you’d find at a high-end market. Read and see more on The Dieline >>> https://lnkd.in/eBR4edwv
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SLATE‘s #packaging system for Wanderlands creates a packaging system that showcases surreal, transportive landscapes. The #typography is bold but inviting, balancing adventure with familiarity. The colors shift from muted to dreamlike, amplifying the flavors’ geographic inspirations. The illustrated “flavor-scapes” substitute realism with an imaginative, almost cinematic take on the Southwest. Read and see more on The Dieline >>> https://lnkd.in/ecHKyYAx
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The LightHill Coffee #packaging by?yuekui qiao?brings a calm, grounded aesthetic inspired by mountain landscapes. The #typography is structured yet fluid, mirroring rolling hills, while soft earth tones distinguish each variant. The boxes use a simple yet effective layering of graphics, where color-blocked slopes can be removed for a more interactive experience. The packaging balances a minimal structure with thoughtful detailing, creating a design that visually reflects the peaceful ritual of brewing and enjoying coffee. Read and see more on The Dieline >>> https://lnkd.in/eih_Fs8s
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The old #packaging for Korshags Food AB relied on dark, heavy colors and uninspired layouts that did little to stand out.?Pond Design?stripped away the expected and replaced it with a bold, fresh look. The pale yellow background instantly brightens the seafood aisle, while oversized #typography captures attention. Read and see more on The Dieline >>> https://lnkd.in/eRhE4Vzs
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The folks at Heinz figured that if their ketchup is good enough for fries, there’s no reason it can’t also be a dip for chips. To that end, Heinz is piloting new #packaging for its ketchup—a glass jar—to make it easier to dip. The jars, adorned with a version of the brand’s signature keystone label, are accompanied by a conventional ketchup bottle. Read and see more on The Dieline >>> https://lnkd.in/eDwXhHT5
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“Fast fashion,” or cheap clothing made to emulate the latest trends seen on the walkway, is often criticized for its environmental impact. Besides the high consumption of water and carbon emissions (more than international flights and maritime shipping combined), these often shoddily produced items significantly contribute to 85% of all?discarded textilesthat are not recycled. Now, researchers at the Austrian Graz University of Technology have?developed?a new use for old, out-of-vogue clothes. Read and see more on The Dieline >>> https://lnkd.in/e5uhgvff
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Graffeo’s #packaging, designed by?Pavement Design, keeps things bold but simple. The cutout logotype on the kraft box gives a peek at the rich green interior, adding depth without clutter. The coffee bags follow the same stripped-back approach, using color contrast and crisp #typography to make an impact. Using kraft paper and natural rope details nods to quality and craftsmanship without over-explanation. It’s a design that speaks for itself, just like a great cup of coffee should. Read and see more on The Dieline >>> https://lnkd.in/ePJaFuFh
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