Resnicow and Associates

We’re excited to announce that R+A has been named to the Observer PR Power List! ?? ? “It took four years for Michelangelo to complete the Sistine Chapel, but only one year—2024—for this dynamic firm to win a dazzling display of new business...in the world of cultural communications, R+A remains the firm to beat.” — Observer ? Read more about our 2024 highlights and what’s ahead: https://lnkd.in/d4cqnhQ6 CC: David Resnicow, Juliet Sorce, Ilana Simon Rubin, Maria May, Josh Balber, Barbara Escobar

Anne Imhof's "DOOM: House of Hope" at Park Avenue Armory?invites audiences to join an eclectic cast on a collective journey towards community and hope. Curated by Klaus Biesenbach,?DOOM?convenes dancers, musicians, skaters, poets, and other performers across disciplines in a seismic reflection of our current moment. Read more from Osman Can Yerebakan in The Art Newspaper: https://lnkd.in/e3BQ3W_k

Shouting it from the rooftops: Arts and Cultural Historian Sarah Lewis, John L Loeb Associate Professor of the Humanities and Associate Professor of African and African American Studies, Harvard University and acclaimed artist Theaster Gates will inaugurate the Sam Gilliam Lecture series at Johns Hopkins University Bloomberg Center! The series will welcome prominent artists and thinkers to reflect on the intersections of contemporary art, academia and public policy, furthering Sam Gilliam’s legacy working in civil rights, democracy and the transformative power of art. Join us on April 9 and December 11. https://lnkd.in/eAv6EuYu

A new era of performance art is unfolding at the Park Avenue Armory. Anne Imhof, one of today’s most talked-about artists, unveils “DOOM: House of Hope” March 3–12 at the Park Avenue Armory, marking her most ambitious performance yet. Known for her raw, immersive works, including the Charles Gordon Trust Golden Lion Awards-winning “Faust” at the 2017 Fondazione La Biennale di Venezia, Imhof continues to push the boundaries of choreography, sound, and visual art. With “DOOM,” she reimagines “Romeo and Juliet” through a contemporary lens, embracing chance, agency, and unfiltered emotion. Is New York ready? Read more from Aruna D'Souza in The New York Times: https://lnkd.in/grkcM5Qv

With Black History Month coming to a close, it's important to remember that Black culture and creativity are not confined to a single month — it should be acknowledged year-round. Michelle Ebanks, President and CEO of the Apollo Theater, shares how the Apollo remains a beacon of ambition and artistic excellence — rooted in Harlem, but shaping culture worldwide. It's more than a stage; it stands as a permanent testament to Black creativity, ambition, and resilience. Honoring Black history means uplifting the voices and institutions that keep its legacy alive. #RapidResponse #ApolloTheater #NYC #BlackHistoryMonth

After two years of restoration, Claude Monet's "Waterlilies" (1914-15) returns to the Portland Art Museum with its original hues fully restored. The de-varnishing process has revealed the painting's true tonalities, reflecting Monet's intention to capture the "aura" of his Giverny pond rather than a literal depiction. On view starting March 1, the restoration restores the vibrancy and subtle depth that had been muted by previous varnishing. Read more about the #conservation process from Min Chen in artnet: https://lnkd.in/gUgGVmHq

Challenging traditional views of art, Carl Cheng's retrospective at the Institute of Contemporary Art at University of Pennsylvania, celebrates the intersection of nature and technology. From his ephemeral "Santa Monica Art Tool" to innovative installations, Cheng’s work reminds us of the dynamism of nature and the role of technology in shaping it. As California faces environmental challenges, his art becomes a poignant commentary on the precarity of our built environment. Read Cassie Packard's review of "Carl Cheng: Nature Never Loses" in Frieze: https://lnkd.in/gRBsAWZW

The Modern Art Museum of Fort Worth has named Halona Norton-Westbrook as its next director. With an impressive background in curatorial work and museum leadership, Norton-Westbrook will bring a fresh vision to one of Texas’s most esteemed contemporary art institutions. Read more about her appointment from Maximilíano Durón in ARTnews: https://lnkd.in/gbc4hcgj

Just Announced ?? Cookie Factory Denver, a pioneering new platform for contemporary art and cultural exchange, opens May 2025, transforming a mid-century fortune cookie factory into a beacon for creativity in Denver’s Baker Neighborhood. Founded by?Amanda Precourt, in collaboration with?Andrew Jensdotter?and preeminent artistic director and curator?Jér?me Sans, Cookie Factory is a hybrid initiative that converges art, creativity, and innovation to inspire conversation and incite meaningful connection within the Denver community. For its inaugural show “Nothing Without Nature”, acclaimed artist?Sam Falls?will transform the 5000 sq ft gallery space into a vertical forest harmonizing with the architecture of Cookie Factory, infusing nature in an urban environment. Cookie Factory?launches its bi-annual programming on May 24, 2025. The vibrant, eclectic and inspiring intersection of art and life is not to be missed.

Discover the impact of Japan’s shifting media landscape on Keiichi Tanaami’s life and work. Join art historian Namiko Kunimoto, who specializes in Japanese modern and contemporary art at the Center for Ethnic Studies to learn about the artist’s work in relation to the social and artistic trends of the times. The discussion will center on Tanaami’s dynamic movement across media like animation and collage and his connections to #AndyWarhol and #TsujimuraKazuko. The emergent visual landscape of the 1960s altered one’s sense of the political, the spiritual, and the psychic, and Tanaami offered very specific and profound answers to these questions. ??? Saturday, March 29, 2 PM ??ICA Miami, Second Floor ??? Reserve free tickets at the link https://lnkd.in/ei5j4_83 And don’t miss “Keiichi Tanaami: Memory Collage,” on view at ICA Miami through March 30. This is the artist’s first US solo museum exhibition, curated by Alex Gartenfeld, Artistic Director, and Gean Moreno, Director of ICA Miami’s Art + Research Center, with the assistance of Donna Honarpisheh, Associate Curator. https://lnkd.in/gwNnY-w6 ——— Keiichi Tanaami, "Elephant and Whale in Cherry Blossom Falling Day," 2013. Acrylic paint on canvas. 200 x 300 cm (triptych). Amit Patel Collection. #ICAMiami #MiamiMuseum #MiamiArt #KeiichiTanaami #MemoryCollage #PublicTalk #NamikoKunimoto #PopArt #ContemporaryArt #ContemporaryArtist