Design director Garrett Corcoran speaks with Dezeen about the release of New York's Metropolitan Transportation Authority subway map update (in good company with Michael Bierut/Pentagram) : https://lnkd.in/e4RxqkPc
关于我们
A New York-based design office by Hamish Smyth and Jesse Reed. We specialize in brand identity, publication, signage and wayfinding design. Everything is in order.
- 网站
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http://www.order.design
Order的外部链接
- 所属行业
- 设计服务
- 规模
- 2-10 人
- 总部
- Brooklyn，NY
- 类型
- 私人持股
- 创立
- 2017
- 领域
- Graphic Design、Branding、Publication design、Wayfinding、Strategy、Identity、Design systems、Brand strategy、Exhibitions、Naming、Guidelines、Packaging、Websites和Digital products
地点
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主要
获取路线
212 Franklin Street
US，NY，Brooklyn，11222
Order员工
动态
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What started as a simple project management tool, Notion has grown into a robust suite of products built to simplify and supercharge the way we work. To celebrate their first-ever in-person conference, Make with Notion, we partnered with their team to develop a new visual language, system, and set of guidelines. The design is rooted in the idea that reflects Notion at its core: simple, powerful tools that can build anything. Full case study: https://lnkd.in/emziW5K3
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Thanks for having us School of Visual Arts! Shout out to Eric Baker for making it happen.
Hola! I'm passionate about the creative fields of Graphic Design and Advertising. G.R.O.W.T.H Fellow Season 5 🌹| 4A’s MAIP 2025 Finalist.
Great vibes with Adrika Hoque and Jennell T. at School of Visual Arts listening to the creative Jesse Reed ! ✨ Thank you very much to Prof George Garrastegui, Jr !
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Looking lovely, London.
Take a look inside Herman Miller’s London store and showroom in its new location in the heart of Clerkenwell, at 20 St John’s Square. Try our line-up of task and gaming chairs and test ergonomic, sit-stand desks in-store. Our showroom offers the breadth of our portfolio, including an exhibition on designers Don Chadwick, Naoto Fukasawa, and Stefan Diez. Retail store hours: Monday through Friday, 9am to 5:30pm, and Saturdays, 11am to 4pm. Commercial showroom hours are by appointment. Photos by Lewis Ronald
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Order转发了
Founder Jesse Reed spoke with the Dieline about current state of beverage packaging: "Jesse Reed, Founder of Order Type Foundry, sees this new typographic direction as a reaction against the stark, bold aesthetics that have defined spirits packaging for decades. “If you look at the more ‘traditional’ spirits packaging, you’ll see a combination of bold and stark approaches, think Absolut vodka, as well as ‘crafted maximalism,’ think Hendrick’s gin,” he explains. “One conclusion could be that this ‘dreamy-wavy-goopy’ approach is an intentional backlash to what we’ve seen in the past 20 to 30 years.”' Read more below.
Over the past few years, spirits branding has started to shift. Gone are the days when bold, minimalistic, and hyper-masculine #aesthetics overwhelmed the shelves. Instead, a new wave of #typography has emerged; it’s dreamy, curvaceous, and full of organic movement. It’s a visual style that feels nostalgic and fresh, romantic yet modern. But why now? And what does it say about the shifting relationship between alcohol and the next generation of drinkers? We spoke with Jesse Reed of Order Type Foundry, Chloe G. of Anotherside, Adam Vicarel of Vicarel Studios, Capucine Labarthe of Wedge, and Jackson Showalter-Cavanaugh of Okay Type to learn more about the trend. Read and see more on The Dieline. Link to article in the comments.
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Co-founder Jesse Reed's book of paperback book covers is finally available and shipping! See the full case study on Pentagram's website, published by Andrea A. Trabucco-Campos and Martin Azambuja of Vernacular press. 'Second Hand' is available here: https://lnkd.in/e8mryncR
SECOND HAND, the second title from Vernacular, the independent publisher co-founded by Pentagram partner Andrea A. Trabucco-Campos and alum Martin Azambuja is finally here! “Second Hand” is a new book by Jesse Reed, co-founder of Order (and another Pentagram alum), that documents a forgotten history of graphic design as captured in his snapshots of book covers found in used bookshops around the world. Rediscovered second-hand books are not just vessels of knowledge, but also windows into the past. These overlooked objects preserve the art of book cover design, often created by unsung heroes of the craft. To help catalog these largely forgotten works, Vernacular’s small research team developed an extensive digital archive with all the information they could unearth on each title (including Designer, Author, Publisher & Imprint, Year, Edition and Bookstore name/location). This index provides a comprehensive database for these crucial yet often unrecognized fragments of design history. Check out the full case study: https://lnkd.in/ehyMX-rB And order your copy at www.vernacular.is
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Domaine, the world’s largest Shopify design-development practice, emerged from the merger of Tomorrow and Half Helix. Order crafted an identity system that blends their digital expertise with a rebellious edge, rooted in collaborative workshops and a core set of shared values. With the help of Librarie, a new name was developed — using a unique spelling of “domain” to reflect the company's boutique spirit while nodding to their digital mastery. Full case study: https://lnkd.in/enE5tVgU
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One of the most 'fun' identities we've designed!
Did you know our logo is inspired by the human genome? 🧬 Just like DNA is unique to every individual, Civilla’s logo reflects our belief in individuality and human connection as the foundation of our work. The logo’s proportions mirror our 10-3-1-3 strategic framework—our vision for 10 years, 3 years, 1 year, 3 month. The 10-3-1-3 creates a shared purpose for our team and ensures our long-term visions are connected to short-term actions. The vibrant spectrum of colors in our brand conveys optimism and celebrates the immense potential of public-serving institutions to do good. Together, the structure and colors create over 10,000 unique logo variations—allowing our team to craft combinations as dynamic as our mission. Our logo is just one way we stay connected to our mission—it’s a reflection of our purpose, our people, and our shared work toward positive change.
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Thank you for including Haltung, Creative Boom!
The best new typefaces for January 2025 from leading foundries and designers 👀 From the timeless sophistication of SLTF Bergamot Grotesk to the cultural preservation of Munegascu, 2025 is already shaping up to be a stellar year for type: https://lnkd.in/e6yHYf_f #graphicdesign #graphicdesigning #typography #typedesign #type #creativeindustries #creativeboom Special mentions to Commercial Type, Silverstag, Bruno Bernard, Vivian Dehning, Order, and Chisaokwu Joboson
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Order转发了
Grab a Seat • New Logo and Identity for Herman Miller by Order — 🧑💼 ABOUT THE CLIENT Established in 1905 as Star Furniture Company, Herman Miller (as it was renamed in 1923) designs, manufactures, and retails office furniture, equipment, and home furnishings with a focus on contemporary interior designs, work chairs, healthcare solutions, and technologies and services. One of the most widely-recognized design-driven companies, Herman Miller’s ascent began in the 1940s with the hiring of George Nelson as the company’s first design director, who then brought in a who’s who of collaborators including Robert Propst, Alexander Girard, and Ray and Charles Eames. Among hundreds of other beautiful and functional products, the company is most well-known for hits like the Aeron chair, the Noguchi table, the Marshmallow sofa, the Mirra chair, and the Eames Lounge Chair. The company has a global presence with nearly twenty showrooms across the world that serve dealers, wholesalers, and businesses while more than 60 stores in the U.S. serve individual customers. • 🦸 FROM ORDER “The symbol, originally drawn by Irving Harper, has had many iterations throughout its history. The system embraces its iconic legacy using it in its clearest and most free form. The original drawing remains unchanged but removed from containers, allowing for an increased use throughout the brand.” • 🧑💻 BRAND NEW’S REACTION Part of what I like the most about the identity is how subtly it can shift between overly corporate to quietly joyful, going from straightforward product sheets and catalogs to something like the bags with the “M” icon in different colors and angles. In either extreme, it never feels overly dry in the former or like it’s trying too hard to be “fun” in the latter. I also appreciate that this didn’t go full-on Mid-century retro across all applications because as enticing as it would be, it wouldn’t be quite right for today’s corporate clients or even for the rare modern-days individuals that can afford their furnishings. — #reviewed #branding #identity #2024 #brandnewbyucllc #beforeandafter #consumerproducts #colorful #evolution #red Link: https://lnkd.in/g3yf9KF8