Openlicense

Openlicense

科技、信息和网络

Equitable content monetization through AI

关于我们

Creating a fair value exchange between Creatives and the AI applications that leverage their work.

网站
https://openlicense.ai
所属行业
科技、信息和网络
规模
11-50 人
类型
私人持股

Openlicense员工

动态

  • 查看Openlicense的公司主页,图片

    84 位关注者

    In the past week, the number of signatories of *Statement on AI training* (https://lnkd.in/dREw7M_N) has surged to over 30,000, highlighting the urgent need for fair attribution to the original content owners. ?? At Openlicense, we’re developing a scalable solution to address this issue—stay tuned! #AI #ArtificialIntelligence #EthicalAI #ContentCreators #innovation #startups #technology

    查看Shelly Palmer的档案,图片
    Shelly Palmer Shelly Palmer是领英影响力人物

    Professor of Advanced Media in Residence at S.I. Newhouse School of Public Communications at Syracuse University

    More than 13,000 creatives (including some famous authors, musicians, and actors) signed a statement that expresses their growing concerns over the unauthorized use of copyrighted works to train generative AI models. The one-sentence statement published by Fairly Trained, an advocacy group founded by former Stability AI executive Ed Newton-Rex, reads: “The unlicensed use of creative works for training generative AI is a major, unjust threat to the livelihoods of the people behind those works, and must not be permitted.” Newton-Rex told The Guardian, “There are three key resources that generative AI companies need to build AI models: people, compute, and data. They spend vast sums on the first two – sometimes a million dollars per engineer, and up to a billion dollars per model. But they expect to take the third – training data – for free.” Like I said yesterday, this is the fight of the year (maybe the next five years). Fairly Trained’s idea is to have a universally enforceable method to prevent creative content from being used for AI training without permission and compensation. This might be possible, but anything that was ingested prior to the most recent cutoff date is already part of the collective body of knowledge of every foundational model (no matter the AI company). You can push back and say that there are ways to force this issue, that there are methods where you could extract specific artist’s works or fine tune a model to ignore requests to create new work product “inspired” by a particular artist’s work. You might even be able to figure out a way to prove that a particular model was trained on something specific and, if it can’t be extracted, force some kind of royalty payment. In practice, where there’s a will, there’s a way. First, we need to agree that the content (data) required for training should not be free. Then, as we fight the fight, we have to hope that new technologies and synthetic data don’t obviate the need for organic, real data. It’s hard to look toward the future through the lens of the present. It’s even harder to look through the lens of the past. Here’s my question (challenge) to each of you: For AI platforms, what is the right way to compensate content creators for the use of their works? How should AI platforms compensate content creators? There are two areas to consider: 1) training and 2) output. Please share your thoughts below. -s

    • 该图片无替代文字
  • 查看Openlicense的公司主页,图片

    84 位关注者

    https://lnkd.in/g5BsK3WK Such an unbelievable collection of people. Huge thanks to Project Odyssey for filling the room with so much creativity. And a massive shout out to And.Foundation for sharing the honor of co-hosting the after party with us

    查看Project Odyssey的公司主页,图片

    649 位关注者

    AI and film industry leaders gathered for the inaugural Project Odyssey AI Film Gala on Friday 13th, in San Francisco! Hosted by Civitai with sponsorships from ElevenLabs, iKHOR Labs, Freepik & Magnific AI, and Openlicense & the And.Foundation, the event showcased the groundbreaking use of AI in filmmaking, leadership panels, and exclusive networking to help unify the companies, communities, and creators across the space. A big thank you Claire Xue (Moodelier) for co-organizing, Andreessen Horowitz for lending us the location, and to our speakers: Justin Maier and Matty Shimura (Civitai), Coco Nitta (iKHOR Labs), Joshua Soto (Openlicense), Paula Vivas (Freepik), Pengfei W. (KLING - AI Videos), Yishu Miao (Haiper), C.C. Gong (Menlo Ventures), Jason Zada (Secret Level), Katya Alexander (Pillars Film), Erick Geisler (Global Objects | Utilizing 3D Capture Technology To Create Digital Twins Of The Real World), and realdreams.io! Shoutout to Flipbird for the amazing videography.

  • 查看Openlicense的公司主页,图片

    84 位关注者

    It was such an honor to host the?Acoustic Planetarium this week with And.Foundation. The first of its kind, immersive fusion of AI, art and music made the perfect venue to unveil Openlicense and we're incredibly proud to support the growth of artistic spaces and collaboration with artists of all kinds. We're so excited to partner with so many creative people. Huge thank you to all of our fellow collaborators. ElevenLabs, realdreams.io, Tigris Data Signups are now open! ?? https://openlicense.ai #AI #art #EthicalAI #FutureOfAI #ContentCreators #FairUse #Innovation https://lnkd.in/gDADbFRU

    查看And.Foundation的公司主页,图片

    113 位关注者

    Bridging Creativity and Technology: A New Era of Collaboration This week, And.Foundation was honored to host the Acoustic Planetarium, an event designed to bridge the gap between the creative community and emerging technologies. The evening was a testament to the power of collaboration and the magic that happens when diverse minds come together and create. The Acoustic Planetarium was more than an event—it was an experience. Attendees were immersed in a unique blend of live music and cutting-edge technology, creating a shared space where art and innovation could coexist and inspire one another. This gathering highlighted the importance of building a common language through art, fostering connections that transcend conventional boundaries. We are immensely grateful to everyone who made this night possible. Your creativity, support, and shared vision were crucial in making the Acoustic Planetarium a success. This event reinforced our belief that when creativity and technology intersect, extraordinary things happen. Thank you to all who participated and supported us. Here's to many more moments of shared discovery and innovation. We love you all, The And.Foundation Team Openlicense ElevenLabs Tigris Data realdreams.io

  • 查看Openlicense的公司主页,图片

    84 位关注者

    We are honored to be mentioned alongside industry leaders in today's New York Times article addressing the vital issue of ethical AI development. At OpenLicense, we are committed to creating a future where artists and creators are rightfully compensated and have transparency over the use of their work in AI. Our platform ensures that the benefits of AI advancements are shared equitably, fostering a collaborative environment between developers and content creators. It's inspiring to see a growing movement towards responsible AI practices, and we're proud to contribute to this important cause. Thank you, Nico Grant and Cade Metz for highlighting the strides being made in this field. Read the full article here: https://lnkd.in/gBMSNUS5 The New York Times, Getty Images, Shutterstock, Google, Stability AI, NVIDIA, ImageShack, Databricks, Adobe

    The Push to Develop Generative A.I. Without All the Lawsuits

    The Push to Develop Generative A.I. Without All the Lawsuits

    https://www.nytimes.com

相似主页