Don't Miss!
Saturday, February 8, 3pm
ARTIST TALK: Chris Schanck's "A Surreality" with Wesley Taylor and Steve Panton
Free to the public
Meet the Panel:
Wesley Taylor is a printmaker, designer, musician, animator, educator, mentor, and curator whose practice is rooted in performance and social justice. His work combines, oscillates between, and blurs the boundaries of various disciplines, embodying a multi-disciplinary and anti-disciplinary approach. Over the past 20 years, his individual practice has been deeply intertwined with a constellation of collectives and networks he has co-founded, including Complex Movements, Talking Dolls Detroit, Design Justice Network, Athletic Mic League, and All Faux Everythings.
Steve Panton is the founder of 2739 Edwin and 9338 Campau Galleries and the co-founder of the Hamtramck Neighborhood Arts Festival, the Hamtramck Free School, and the writing/curating/research project Essay’d. He has produced over 60 exhibitions, many of which have traveled to other institutions or received national recognition. He has conducted seminal curatorial workshops, was the inaugural curator of the innovative Art@TheMax program at Detroit’s Orchestra Hall, and writes on Detroit art for The Brooklyn Rail, the Detroit Metro Times, and Sculpture Magazine. Outside of art programming, his background is in technology, engineering, and education. He is currently engaged in a long-term study of the relationship between art and the political economy in Detroit.
Designer Chris Schanck’s work embraces the tension between dilapidation and opulence, asking us to find unconventional beauty in the imperfect. Schanck was born in Pittsburgh in 1975 and grew up in Dallas, Texas. He received a BFA in sculpture from the School of Visual Arts and a MFA in design from Cranbrook Academy of Art. Upon graduating in 2011, Schanck founded a studio in Detroit employing over a dozen artists, students, and craftspeople. Based in a former factory in Banglatown, a neighborhood with a dense immigrant population, the local community plays a key role in Schanck’s egalitarian studio practice, which brings outsiders into design culture.