Kansas City Artists Coalition的封面图片
Kansas City Artists Coalition

Kansas City Artists Coalition

美术

Kansas City,Missouri 553 位关注者

Elevating artists at all levels in their careers.

关于我们

The Kansas City Artists Coalition (KCAC) is a nonprofit organization that promotes visual arts awareness in Kansas City and the surrounding region, and supports the professional growth of artists. The Kansas City Artists Coalition: - fosters a climate which encourages innovation and creativity among artists, - utilizes the collective initiative and creativity of artists for their own benefit, - provides a forum for contemporary visual arts through our galleries and publications, - champions the work of local artists and increases the viability of Kansas City as a place for artists to live and work, - spreads the word about the vitality of the arts in Kansas City, Missouri and the region, - encourages artists to go forward with their ambitious and innovative ideas, and to seek out peers and mentors in the artists communities across the United States and the world, - supports artists’ work financially, - promotes the exchange of ideas

网站
https://www.kansascityartistscoalition.org
所属行业
美术
规模
2-10 人
总部
Kansas City,Missouri
类型
非营利机构
创立
1976

地点

  • 主要

    3200 Gillham Rd

    US,Missouri,Kansas City,64109

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Kansas City Artists Coalition员工

动态

  • Kansas City Artists Coalition转发了

    查看Courtney Wasson的档案

    Artist Advocate and Mentor

    The 29th Annual Undergrad Student Juried Exhibition closed this past Saturday.?Exhibitions like these provide the perfect opportunity to survey artwork from a group of artists and look for connections between concepts, themes, and overlaps of interest in subject, medium, and style.?For instance, the figure dominated this showing of artwork from students across the region.?Whereas in previous years, abstraction was the dominant form of expression. Ideas and questions surrounding zeitgeist, common interest, and influence are anchored in "schools of thought".?These thoughts led to a curiosity about the broader arts community here in the KC region.?What are the larger "schools of thought" that impact and identify artists in our region??From style to experience, are there defining elements that could be attributed to our current time and place? It could be that we, the artists of our current time and place, have invested too heavily in a concept of individualism that we've lost sight of the collective.?Or... perhaps that prescription is the work and responsibility of the art historian - a dying breed of academic and intellectual. The artist collective is supported through community and engagement via self-initiated studio visits, critiques, exhibitions, and discussion.?From there, we may understand and advocate for our shared experience and overlaps in concepts, style, and what-have-you. Thanks for reading! Courtney Wasson, Executive Director "The year 1975 and Kansas City artists gathered in the studio of Philomene Bennett and Lou Marak, the meeting’s agenda was “How the Artist Can Benefit From Centralization.” Overwhelmingly the group felt a self-initiated organization was the only alternative to isolation, elitism, apathy, and ignorance. From that, the Kansas City Artist Coalition was formed."

  • Thank you David for sharing this important viewpoint!

    "Art must be a foundational part of our expectations for and our aspirations for our communities. Artists must no longer be utilized as the unwitting earthworms of gentrification. Cities must ensure that artists be able to sustain affordable livelihoods in our cities and not suffer displacement from the places they helped to create."

  • 查看Courtney Wasson的档案

    Artist Advocate and Mentor

    We live in an age defined by "Big Data*", in which AI (artificial intelligence) is learning at an exponential rate based on analytics, in addition to how we engage and interact with it. Some fear that there will come a point where AI surpasses human intelligence, but that fear negates the question of whether or not AI is capable of true experience, emotion, and creativity. Struggle, hardship, and desire are some of the main drivers of creative problem solving. For example... without experiencing the toil of carrying a heavy load, would AI have been able to conceive of the wheel? However, with any new technology, it is important to ask questions about impact, ethics, and possibilities involved with its use. Often these questions become the premise of science fiction. Whether "The Jetsons" cartoon or the "Terminator" action movie series, these stories imagined utopian and dystopian worlds where artificial intelligence was a part of daily life. Jetson imaginings that came true include robotic vacuums, flat-screen TVs, video calls, machines that can paint your fingernails, voice responsive talking alarm clocks and more. Currently companies, such as Boston Dynamics, have created human and animal-like robots that look as though they are a product of the Terminator franchise. These advances in technology are the direct result of human imagination and creative problem-solving. Again, asking questions is important. As our dependence on AI technology grows, where will humans have independence? The answer lies in our experience, emotions, creativity, beliefs and imagination - all of which provides the foundation for the humanities (the study of all human languages and literatures, the arts, history, and philosophy) and can't be replaced by Artificial Intelligence. The humanities are rooted in the pursuit to question, understand, and communicate the human experience. To reflect upon what is and challenge those conceptions. To imagine what doesn't yet exist. To conceive. To create. This is our signal to make sure that we continue to value, support, and uplift the arts. *The History of Artificial Intelligence by Rockwell Anyoha, August 28, 2017, Harvard Kenneth C. Griffin Graduate School of Arts and Sciences

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