Berggruen Gallery

Berggruen Gallery is pleased to present?Callum Innes:?'Where To Start',?an exhibition of new works by Scottish painter Callum Innes. This show marks Callum Innes’ first solo exhibition with the gallery and will be on view from November 15, 2024, through January 9, 2025. 'Where To Start'?exhibits a series of major works by Callum Innes grappling with themes of time, space, and fragility. Featuring work from his acclaimed Exposed Painting series, Innes' alchemical color process of layering paint and dissolving it with turpentine, reveals unpredictable and often unreplicable colors onto canvas and wood. What appear to be works of monochrome and precision, contain buried veils of pigmentation - traces of color emerge, change, and are obscured under layers of painting and repainting. Marks of color twist over the sides of each work mirroring the way paint spills onto the floors and studio walls during Innes’ process. Callum Innes?was born in Edinburgh and currently works between Edinburgh and Oslo. Innes studied Painting and Drawing at Gray’s School of Art in Aberdeen, and did a postgraduate degree at Edinburgh College of Art. In the mid to late 1980s and early 1990s, Innes began exhibiting in major public galleries such as the ICA, London, and The Scottish National Gallery of Modern Art, Edinburgh. Beginning his career as a figurative painter, Innes transitioned to abstract painting after an experiment sinking an image into cardboard led to a desire to create work in which material and image became one. He was the recipient of The Natwest Prize for Painting (1998), and The Jerwood Prize for Painting (2002), and was shortlisted for The Turner Prize. He has shown internationally in galleries and museums around the world including at the Guggenheim, New York; Center Pompidou, Paris; the Kunstmuseum, Bern, Switzerland; Kode Bergen Art Museum, Norway; Fort Worth Museum, Texas; TATE, London; The Irish Museum of Modern Art, Dublin; and The Museum of Fine Arts, Houston. Innes was the subject of a major one-person survey exhibition and monograph in 2016 called I'll Close My Eyes, at the De Pont Museum in Tilburg Netherlands. Artwork Details: [1] Callum Innes, 'Exposed Painting Sapphire Blue', 2024, oil on linen, 70 7/8 x 68 7/8 inches; [2] Callum Innes, 'Exposed Painting Crimson Lake', 2024, oil on linen, 40 15/16 x 39 3/8 inches; [3] Callum Innes, 'Untitled Lamp Black / Deep Purple Dioxazine', 2023, oil on birch ply, 70 7/8 inches in diameter; [4] Callum Innes, 'Exposed Painting Caribbean Turquoise', 2024, oil on linen, 47 1/4 x 46 7/16 inches.

Berggruen Gallery is pleased to present Diana Al-Hadid: 'Wild Margins,’ an exhibition of panels, works on paper, and works on mylar by Syrian-born, Brooklyn-based artist Diana Al-Hadid. This show marks Al-Hadid’s second solo exhibition with the gallery and will be on view November 15, 2024, through January 9, 2025. ? ? ‘Wild Margins’ exhibits Diana Al-Hadid's first career exploration of works produced and inspired by techniques of hand papermaking learned during her year-long residency at Dieu Donné. As a Lab Grant Resident, an invitation only residency that allows mid-career and established artists to explore the art of papermaking, Al-Hadid worked with expert paper makers to master new processes such as pulp painting, blowout, and stenciling. ? ? Al-Hadid is known to weave threads between historical, architectural, cosmological, and folkloric themes, probing the disjunctive and investigating allegories. As a truly immersive and emotive artist, she embodies her work. As she drew more from landscapes, skies, caves, and florals, her marks became increasingly frenzied, with inks more layered, allowing denser and thicker images to emerge. ? ? @dianaalhadid?#WildMargins?#BerggruenGallery [1] Diana Al-Hadid, 'Skies Apart', 2024 polymer gypsum, fiberglass, steel, metal leaf, pigment, 49 1/8 x 70 1/8 x 4 3/4 inches; [2] Diana Al-Hadid, Watching the Watcher(Purple Hills), 2024 polymer gypsum, fiberglass, steel, plaster, metal leaf and pigment, 58 x 64 x 3 1/2 inches; [3] Diana Al-Hadid, Watching the Watcher (Watch Back), 2024, polymer gypsum, fiberglass, steel, metal leaf, pigment, 49 1/8 x 70 x 4 3/4 inches; [4] Diana Al-Hadid, I Spy, 2024, polymer gypsum, fiberglass, steel, metal leaf, pigment, 82 1/2 x 63 x 4 inches; [5] Diana Al-Hadid, All My Skies, 2024, acrylic on mylar, 60 x 84 inches; [6] Diana Al-Hadid, Allegory of Spring in a Midnight Moment, 2024, linen pulp paint and cotton blowout on abaca base sheet, Approximately: 40 x 30 inches; [7] Diana Al-Hadid, Untitled (Free Mountains), 2024, acrylic on mylar, 16 x 18 1/8 inches, Framed: 20 1/2 x 22 1/2 inches; [8] Diana Al-Hadid, Untitled (Free Mountains), 2024, acrylic on mylar, 16 x 18 inches, framed: 20 1/4 x 23 1/2 inches;[9] Diana Al-Hadid, Untitled (Free Mountains), 2024, acrylic on mylar, 16 x 18 inches, framed: 20 1/2 x 23 1/4 inches; [10] Diana Al-Hadid, Trees Turn Paper Back to Trees, 2024, linen pulp paint and cotton blowout on abaca base sheet, 60 1/2 x 40 1/2 inches, framed: 67 1/2 x 48 inches

Berggruen Gallery is proud to share installation images of our presentation at The San Francisco Fall Show!? ? Please visit us at Booth B4 for the last three days of The San Francisco Fall Show!? Tickets can be purchased at sffallshow.org.? ? Remaining Dates & Times:? Friday, October 18, 2024, 10:30 AM - 7 PM? Saturday, October 19, 2024, 10:30 AM - 7 PM? Sunday, October 20, 2024, 11 AM - 5 PM? ? Location:? Booth B4? Festival Pavilion? Fort Mason Center? 2 Marina Boulevard? San Francisco, CA 94109? ? #TheSanFranciscoFallShow #BerggruenGallery? ? Image details: Booth B4. Installation photography by Glen Cheriton.

Please join us tonight from 4 — 7 PM for an opening reception to celebrate new works by Mission School artist Barry McGee. The artist will be in attendance. ? ? 'Barry McGee: Old Mystified' will include paintings, works on paper, sculpture and mixed media, and is on view until November 7, 2024. ? ? #BarryMcGee #OldMystified #BerggruenGallery? ? Artwork details: All works by Barry McGee, [1] 'Untitled,' 2020, acrylic, gouache and aerosol on canvas; 8 elements, 56 1/8 x 55 7/8 inches; [2] 'Untitled DDS,' 2024, acrylic, gouache, and aerosol paint on panel; 16 elements, 79 1/4 x 63 1/2 x 2 inches; [3] 'Untitled,' 2024, acrylic on wood, 48 x 3 inches; [4] 'Untitled,' 2023, acrylic on surfboard, 48 x 18 5/8 x 5 13/16 inches; [5] 'F. I. A.,' 2024, acrylic, gouache and aerosol on panel; 23 elements, 86 3/4 x 60 1/2 inches; [6] 'Untitled,' 2023, gouache on paper in artist frame, 6 5/16 x 4 5/16 inches; [7] 'Untitled,' 2024, acrylic on panel and C-print; 2 elements, wooden panel: 2 1/2 x 19 x 1/2 inches, framed c-print: 30 1/2 x 201/2 x 3/4 inches; [8] 'Untitled,' 2023, acrylic and gouache on panel with wooden stand, 50 1/4 x 16 x 26 inches; [9] 'Untitled,' 2023, acrylic on panel, 82 1/2 x 60 7/8 inches; [10] 'Untitled,' 2023, gouache on paper in artist frame, 11 3/4 x 9 1/4 inches.

Berggruen Gallery is proud to announce?an exhibition of new works by Barry McGee. 'Old Mystified,'?will be on view from September 27 through November 7, 2024. The gallery will host a reception for the artist on Friday, September 27, from 4:00 to 7:00 pm. A prominent artist to emerge from San Francisco’s Mission School, and often known by his graffiti monikers R. Fong, and P.Kin, Barry McGee's works are both in homage and conversation with the Bay Area’s urban culture. Shaped by the underground graffiti, skate, and DIY-art scene of the late 90s and early 2000’s, his works draw on the Mission’s history of public art, sign painting, and American folk art. Laden with graphic motifs and geometric abstraction, his signature caricatures with drooping eyes, etched lines, and vibrant color palette of reds, oranges, greens, and pinks are instantly recognizable. 'Barry McGee: Old Mystified,' by September 27 – November 7, 2024. On view at 10 Hawthorne Street, San Francisco, CA 94105. ? Artwork details: Barry McGee: Artwork Details: All works by Barry McGee, [1] 'Untitled', 2024, Mixed media on wood panel, [2] 'Perfect Vase', 2024, Silkscreen & Mixed media on wood panel (detail), [3] 'Unity Huff', 2023, Mixed media collage on paper

Berggruen Gallery is proud to present installation images of Booth 213 at The Armory Show. ? ? Remaining Show Dates & Times:? Saturday, September 7, 11 AM – 7 PM? Sunday, September 8, 11 AM – 6 PM? ? Booth 213? Javits Center? 429 11th Avenue? New York, NY 10001? ? Installation images by Mikahil Mishin.

Opening today: The Armory Show VIP Preview, Booth 213. ? ? Please visit us this weekend at The Armory Show to view paintings by Matt Kleberg, as well as works by over 25 artists. ? ? Show Dates:? Friday, September 6th, 11 AM – 7 PM? Saturday, September 7th, 11 AM – 7 PM? Sunday, September 8th, 11 AM – 6 PM? ? Location:? Booth 213? Javits Center? 429 11th Avenue? New York, NY 10001? ? Tickets are required for all show dates.? ? #MattKleberg #TheArmoryShow #BerggruenGallery? ? Image courtesy of the artist. ? ? Artwork details: Both artworks by Matt Kleberg, 2024, oilstick on canvas.? Left: 'Corralling the Void (Veronese Green and Unbleached Titanium),' 28 x 24 inches.? Right: 'Tapestry (Over Under),' 96 x 84 inches.

Berggruen Gallery will be closed this coming Monday, September 2, in observance of Labor Day.? ? The gallery will resume normal business hours on Tuesday, September 3, 2024. ? ? Current exhibitions by Heather Day and Tom McKinley are on view until Thursday, September 19, 2024. ? ? Photograph by Bruce Damonte ?for Jennifer Weiss Architecture.

Berggruen Gallery is thrilled to share an Artsy editorial spotlighting the brilliant Heather Day. In "10 Contemporary Women Artists Channeling Helen Frankenthaler’s Abstract Expressionism," writer Salomé Gómez-Upegui highlights ten contemporary women artists who have drawn inspiration from Frankenthaler’s trailblazing oeuvre.? ? Read the full feature here: https://lnkd.in/gaCmgfjf ? Many thanks to Artsy and Salomé Gómez-Upegui, and a huge congratulations to Heather Day.? ? #HeatherDay #HelenFrankenthaler #Artsy #BerggruenGallery

To mark Tom McKinley's ninth solo exhibition at Berggruen Gallery, we had the pleasure of sitting down with the artist to explore his relationship with architecture, his engagement with art history, and the creative process that shapes his work.? ? Read the full interview here: https://lnkd.in/gZa_7zVq ? 'Tom McKinley' is on view until September 19, 2024. ? ? #TomMcKinley #BerggruenGallery? ? Artwork details: Tom McKinley, 'Humble Villa,' 2017, oil on panel, 49 x 84 inches.