In a world of jingles, we want to play jazz.
In Defense of Nuance. With the rise of artificial intelligence, thinking has become.. well, easy. Right? No matter how profound the question, the machine readily has an answer for us. Let's explore: Whether asking for directions to the nearest coffee shop, or pondering on the fundamental essence of all life, we are given a reasonably satisfactory answer, nearly immediately, for the subscription price of a Netflix account. At face value, this seems like a win-win scenario. We are unburdened from the pesky latency of our own brains, and tech companies get training data and income to continue advancing the latest models. Neat, tidy, and resolute. If this interaction were a sound, it would be a major chord. And yet - something is lost. The blue note. The nuance. In Jazz and Blues, a blue note is a note that—for expressive purposes—is sung or played at a slightly different pitch from standard. The dissonance strikes directly at our very human sense of imperfection, and "speaks directly to the soul". It reminds us that neither our emotions, nor our thoughts are perfectly harmonious. It is the sound of nuance, the imprint of our humanity, a reminder that being alive ain't easy but it is a beautiful and mysterious dance. We are losing nuance. The interview respondent that throws off the consensus, the data point that breaks the neat insight, the paradox that makes us spend the night thinking and causes creativity to take flight in the realm of the implausible and not-yet-imagined. We need syncopation. The unevenness is literally what makes us move. Let's commit to the preservation and celebration of the infinitely nuanced shades of color that make life interesting, utterly surprising, and imperfectly beautiful. Let's preserve the human wellspring of creativity and innovation, the same source from which poets, musicians and artists drink. What is your organization's blue note? What chords are you playing, and why? There's too many jingles out there - let's play some jazz. Illustration credit: Hans-Jürgen Spohn