The Hollywood Reporter

Kate Hudson’s Netflix basketball comedy Running Point made a big bow on Nielsen’s latest streaming viewership snapshot even as Prime Video’s Reacher led the chart overall for the week.

Andrew Santino is set to take a swing with the launch of a weekly golf-focused podcast.

Patrick Whitesell has found his first deal.

President Trump’s takeover of The Kennedy Center in Washington, D.C., is coming at a critical moment for the venerable arts institution: It needs to figure out where The Kennedy Center Honors will be televised to millions of viewers across the country.

In a global first, Warner Bros. Discovery‘s streaming platform Max is partnering with Le Monde and Télérama, to launch joint services in France bundling Max shows with news content from the French media groups.

Getting an international TV show made these days is a tough business.

A federal judge has rebuffed OpenAI‘s bid to dismiss a copyright lawsuit brought by The New York Times accusing the tech company of mass theft for using the publication’s content to train its AI system without consent or compensation.

Last year, Angel Studios — home of the sleeper hit Sound of Freedom — predicted to theater owners at CinemaCon that its upcoming film David would be the highest grossing animated movie of all time while announcing the title as a splashy 2025 Thanksgiving release. The Utah-based firm, which has eschewed the Hollywood system and prides itself on catering to faith-based and conservative consumers, announced months later that it reached a deal to become a publicly listed entity.

The 2010s changed home entertainment forever. During this decade, power and momentum swung towards global subscription video on demand (SVOD) platforms selling their content directly to consumers. However, the same period may have been a zero-interest rate phenomenon. These subscription streaming giants are here to stay, but their distribution strategy will become increasingly indirect.

The Art Directors Guild has elected Joel Cohen as its latest staff leader, replacing outgoing national executive director Chuck Parker.